2. There are many idioms with beautiful Chinese characters. At the request of the teacher, the four-character idiom "one dragon and one snake" describes the vivid and magnificent calligraphy. Butterfly with silkworm head describes calligraphy as dignified and light. It is full of strength and strength: plump and rich; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. The figurative font structure is solid and full, and the brushwork is more than enough. Worship the Thin and Hu: The Three Kingdoms Period: Zhong: Zhong You in the Three Kingdoms Period. Zhao Hu's fonts are thick, and Zhong You's fonts are thin. It describes that calligraphy is good at its own beauty. It is often used to describe vigorous calligraphy or graceful dancing. He was thirsty and ran to the spring. It's like a horse thirsty for water. Elastic stretching. Fly with me, a dragon and a snake, flies like a dragon and swims like a snake. Describing calligraphy as bold and unrestrained, with powerful brushwork. Long Yue Hu Lie is a metaphor for writing, and calligraphy is vertical and free and easy, vigorous and powerful. Luan Pufeng Bo first described the brushwork as chic and elegant, and later described it as the separation of husband and wife or the frustration of literati. Luan Xiangfeng is fragrant: hovering and flying; Yan: Fly high. Metaphor calligraphy flying and stretching. Beauty hairpin: insert and wear. It describes beautiful calligraphy. This is also a metaphor for fresh and beautiful poetry. Angry and thirsty: lion; Horse: A horse. Like an angry lion prying at a stone, a thirsty horse rushes to the spring. It describes vigorous calligraphy. Group play Haihong: Hongyan; Sea: refers to the great lakes. Like many of Hong Fei's games in the Great Lakes, it describes the vitality and flexibility of calligraphy. It's like drawing sand with an awl. Describe the uniform brushwork of calligraphy, without publicity. Iron painting and silver hook painting: strokes; Hook: hook. Describe the softness of calligraphy. Fairy dew pearls are metaphors of charm and beauty. It also describes the elegance and roundness of calligraphy. Yan Liujin Gu Yan: Yan Zhenqing, a calligrapher in the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty, refers to Yan and Liu's calligraphy styles, but they are different. That is, what is generally called excellent calligraphy. Youlong described calligraphy as exquisite. The dragon snake at the bottom of the pen still says that the pen is far away from the dragon snake. It describes calligraphy as vivid and imposing. Phoenix dances, dragonfly describes calligraphy as powerful and flexible. Phoenix flies back to the cave: fly high. It means that calligraphy flies and stretches. Phoenix is floating, floating. Later, it was compared to the separation of husband and wife or the frustration of literati. It is often used to describe the vigorous brushwork and graceful dancing of calligraphy. Just like Jiao Ruo Jing Long. Liu Gu Yan Jintang Liu Gongquan's calligraphy is vigorous and powerful, with close structure; Yan Zhenqing's calligraphy is dignified and magnificent. Later it was called the font and statutes of his calligraphy. The dragons and phoenixes in Dragon Pan describe majestic and winding mountains, the weather of kings and flying calligraphy. Flying dragons and snakes depict vigorous and vivid calligraphy. The dragon and snake describe flying calligraphy, which is superb. Rowen Huzhen describes bold and magnificent momentum, and often describes vigorous calligraphy. Elastic stretching. The dragon and leopard became a metaphor of vigorous and changeable calligraphy. Dragon and phoenix dance is still like dragon and phoenix dance. At first, it described the grandeur of the mountain, and later it described the rigidity of calligraphy. Long Xiang and Yue Feng first described majestic mountains, and later described powerful calligraphy. Elasticity and extensibility. In "Dragon and Phoenix Dance", Luan Ganghong compares the flying posture of calligraphy with surprise. It is as changeable as a cloud on paper. Describe calligraphy or poetry as superb and mysterious and varied. It's like flying and rising, which means people feel relaxed and refreshed. He also described poetry and calligraphy as light and elegant. But the style is different. That is, what is generally called excellent calligraphy. It is the same as "Yan Liu Jin Gu". Yan Gu refers to strong calligraphy, but with different styles. That is, what is generally called excellent calligraphy. It is also the same as "Yan Liu Jin Gu". Silver hooks and tails are used to describe calligraphy strokes, such as silver hooks and scorpion tails. Painting: strokes. Describe the softness of calligraphy. Silver hook jade spit like a silver hook, vigorous and powerful. Words are as precious as jade.