The word "poetry book" has become the label proof of Lin Liming's great artistic accomplishment. As a famous calligrapher, Lin Liming praised the harmony of prosperous times and displayed his talents with his poetic talent as the background, full of enthusiasm and antique poetic art. Then the artistic conception, calligraphy and rhythm are written in pen and ink, and the poems are full of charm, creating a calligraphy atmosphere with traditional cultural charm. Poetry is the source of books, and books are the rhyme of poems. The literati's mind and poetic sense in his calligraphy are always pleasing to the eye, and then he can't help but seek it.
Lin Liming practices calligraphy, is good at tracing back to the source, and learns from the past to serve the present. He absorbed the essence of monuments, wrote famous monuments and sacred books, and kept improving. For decades, I learned from the ancients, and my brushwork seems familiar. Mo Yun has been a standard-bearer in calligraphy since ancient times. Exploring the origin of calligraphy culture since ancient times also represents the trend of calligraphy becoming new.
He is not only a practitioner of Xin Xu's calligraphy inheritance, but also a leader of calligraphy cultural responsibility. Under the pen and ink, he has a very obvious subjective consciousness of trying his best to restore the tradition and continue the classics, thus achieving the objective of casting a new cultural road according to calligraphy.
Speaking of Lin Liming's inheritance and refinement of calligraphy, it is very admirable. He practiced calligraphy, didn't take shortcuts, didn't waste any merit, kept improving, and all his books were successful. Therefore, in terms of brushwork, he can look back at Oracle Bone Inscriptions and epigraphy, reflecting that brushwork originated from the knife method. His brushwork is tough and simple, elegant and pleasing to the eye, and traces of brushwork thousands of years ago can be restored, which is the fundamental form of his study of traditional calligraphy.
Looking closely at his calligraphy, we can see that besides the simple beauty of Oracle Bone Inscriptions and the inscriptions left by the knife technique, there are also the maturity of the knife technique and brushwork of Han stele, South stele and North stele. In order to make contributions, the Ten Monuments are extensive and profound, and their brushwork is vigorous or elegant, all of which are beautiful. The repair of the North and South Monuments, with its beauty of being strict, profound and outstanding, has made his heart in the air and his bones upright in the calligraphy atmosphere. Kang Youwei said that the monument was ten beautiful, which was accepted by Lin Liming. From a distance, words are flying like dragons and phoenixes. Looking at it again, I was very impressed, with a long rhyme, a magnificent monument and a penetrating soul.
All calligraphers should devote themselves to learning from the two kings. Lin Liming was no exception, and his admiration for the calligraphy of the two kings reached its peak. In order to cultivate the merits of the sages, he recited Preface to Saint Education, Preface to Lanting, Mid-Autumn Festival Sticker and so on. As long as the calligraphy and painting of the former sages do as the Romans do, seek form and rhyme without losing the old style, and then integrate new rhyme in the process of learning from the ancient, they are not rigid, thoughtful and understandable, and the pen and ink are all made by sages. Calligraphy is elegant and free and easy, not a magic method, but can explain the Tao by form. The cursive script created by calligraphy flies freely, like clouds, and also has the trend of rolling thunder. Although it is calligraphy, it is poetry, leisure and adventure coexist. The lines of calligraphy become fun to express mood and nature. The artistic conception of calligraphy in the book can be traced back to Er Gong's works, which is an example of his calligraphy accomplishment reaching a very high stage.
Harmony and prosperity express talent, and calligraphy is full of rhyme. Lin Liming writes calligraphy with pen and ink, and can also write poetry into rhyme. He is also praising the prosperous times with poetry and calligraphy. His calligraphy has lofty ideals and valuable spirit, even surpassing the secular and tending to the elegance of Taoyuan. Put pen to paper and leave ink, and the poem becomes a beautiful flower.
Lin Liming's works
Lin Liming's works
Lin Liming's works
Lin Liming's works