What does the white horse on the west wind and the apricot blossoms and misty rain in Jiangnan mean?

Xu Beihong is a modern Chinese painter who is good at figures, animals, flowers and birds. The phrase "White horse on the west wind, apricot flowers and mist raining in the south of the Yangtze River" comes from "The Wind Enters the Pines" written by Yu Ji in the Yuan Dynasty. "Send to Ke Jingzhong": "Reporting the return of the gentleman, apricot blossoms and spring rain in the south of the Yangtze River." Do you know the meaning of the white horse west wind blocking the apricot blossoms and the misty rain in the south of the Yangtze River?

The white horse on the westerly wind plug, apricot flowers and misty rain in the south of the Yangtze River means riding on a white horse in the vast fortress in the bleak autumn wind, Jiangnan in spring, The apricot blossoms are in full bloom, the mist is misty and the rain is misty, it is poetic and picturesque, intoxicating and fascinating. This is a couplet written by Xu Beihong.

"The white horse is blocked by the autumn wind" refers to autumn. In autumn, it is very pleasant to ride the autumn wind and ride horses on the vast and beautiful grassland outside the Great Wall. "Xinghua Chunyu Jiangnan" refers to spring. In spring, the apricot blossoms bloom and the spring rains fall continuously, making the beautiful Jiangnan scenery even more beautiful and moving.

Xu Beihong, formerly known as Xu Shoukang, was a native of Qiting Town, Yixing County, Jiangsu Province, a modern Chinese painter and art educator. In 1917, Xu Beihong served as the tutor of the Peking University Painting Research Society. The highest institution has successively produced the painting master Xu Beihong and the two giants in the history of calligraphy at Peking University, Shen Yinmo and Li Zhimin. He studied in France to study Western painting. After returning to China, he was engaged in art education for a long time. He successively taught at the Art Department of National Central University, the School of Art of Peking University and the Peking Art College. After 1949, he served as president of the Central Academy of Fine Arts.

Xu Beihong is good at figures, animals, flowers and birds, and advocates realism. He especially admires Ren Bonian in tradition. He emphasizes the reform of traditional Chinese painting and the integration of Western painting techniques. He advocates light and shape in painting, and pays attention to the accurate grasp of the anatomical structure and bones of the object. , and emphasized the ideological connotation of the works, which had a great influence on the Chinese painting circle at that time. Together with Zhang Shuqi and Liu Zigu, they were called the "Three Masters of Jinling" in the painting circle. The traditional Chinese paintings he painted are rich in color and ink, and are especially famous for his galloping horses.