"Zhao Mengfu commented on Song Huizong's thin gold body like this: "The so-called thin gold body has beautiful bones and elegant bones. "So what kind of calligraphy art does the thin gold calligraphy work have? The following is the classic thin gold calligraphy work that I have compiled for you. I hope it is useful to you!
Appreciation of the classic thin gold calligraphy works< /p>
Pictures of classic calligraphy works in thin gold style 1
Pictures of classic calligraphy works in thin gold style 2
Picture 3 of classic calligraphy works in thin gold style
Picture 4 of classic calligraphy works in thin gold style
Features of thin gold style calligraphy< /p>
The handwriting of Shou Jin Shu is erratic and fast, the handwriting is thin and strong, and it is thin without losing its flesh. At the turning points, you can clearly see the traces of hidden front and exposed front. It is a font with a quite unique style. In terms of image, this style of calligraphy should be "thin and muscular", which is a sign of respect for the imperial calligraphy.
Huizong of the Song Dynasty's calligraphy strokes were thin and hard, and Huang Tingjian was the first to learn it. Later, he learned from Chu Suiliang and the brothers Xue Ji and Xue Yao, and mixed with each other, taking the strengths of others and coming up with his own ideas, and finally created the unique "Thin Gold Calligraphy" style, which had a great influence on the charm of Song Dynasty calligraphy. Zhao Ji's Thin Gold Book embodies the aesthetic taste of the same era, which is called "the beauty of the sky and the leisure and leisure"; it also has a strong personality, which is called "like bending iron to break gold"
This style of calligraphy has never appeared in previous calligraphy works. Only a small part of Chu Suiliang's thin pen is the same, but most of it is different. The closest. Maybe Zhao Ji changed the style from Xue Yao's "Shi Cong Shi", but his creation is obviously much more mature than Xue Yao. This is a very mature calligraphy style, and Zhao Ji has already mastered its art. Personality is fully displayed. This kind of calligraphy, which is thin and crisp, and has a sharp edge like orchid bamboo, requires extremely high calligraphy skills and self-cultivation, as well as a calm and calm state of mind. Of course, it is not easy for others to imitate. There are many people who have written about him, but those who have obtained his bone marrow are as few as morning stars. Jin Zhangzong once imitated Huizong's thin gold calligraphy and inscribed famous paintings and calligraphy that were robbed from the Song Dynasty in Mingchang, such as "Zhang Xuan Guo Guo's Lady's Spring Tour", which is said to have been copied by Zhao Ji. The writing style is weak and the shape and quality are poor.
How to write calligraphy
The method of writing is very simple. > The pen barrel should be placed in the crook of the first knuckle of the index finger (second finger), the tip of the middle finger (third finger) is close to the first knuckle of the index finger, and hooked inward in front of the pen barrel, and the ring finger (third finger) The upper part of the nail of the fourth finger is attached to the inside of the pen barrel. The nail of the little finger (fifth finger) is attached to the ring finger. Pull the pen barrel outward. The first section of the thumb is on the left side of the pen barrel and is pinched to the right. This way, the pen barrel is pressed by the force of the five fingers. Support it from all sides and it will naturally become stable. Note here that the thumb, index finger, and middle finger must be together, the ring finger and little finger must be close to the middle finger, and the knuckle of the thumb must be prominent (this is particularly important)
Holding the pen like this, when viewed from the outside, the layers from the index finger to the little finger come down one after another and meet the thumb, much like an unbloomed flower bud. When viewed from the inside, the palm and fingers are joined together like a yurt. of arches. In short, it looks real from the outside (referring to reality), but it looks virtual (empty palm) from the inside. This is the correct way to write.