Of all Mi Fei's artistic achievements, calligraphy is the most diligent, among which running script is the biggest. Among Mi Fei's works, Yan Mingshan is the most representative work of Mi Fei's calligraphy. As can be seen from Mi Fei's calligraphy style, Yan Zhenqing, Chu Suiliang, Duan had the deepest influence. Therefore, from his calligraphy style, we can see that he is not as good as Tang He. Mi Fei's calligraphy style is characterized by many side strokes, which forms an elegant and extraordinary momentum and a leisurely and happy style in the front and back, turning and frustration. Use a heavy pen at the beginning and a light pen in the middle.
At the same time, Mifei has made some achievements in painting. He is a famous painter in the Northern Song Dynasty, with a wide range of painting themes, among which landscape painting is the greatest achievement. The painting style pursued by Mi Fei is nature, and his "Mi's Yunshan" is all written with pen and ink, and the clouds are looming.
As a wealthy collector and appraiser, Mi Fei knew the merits and demerits of all kinds of paintings in history, so he would consider the contents of the paintings themselves. Therefore, his greatest contribution to China's classical stone appreciation culture is that he has gained a unique aesthetic experience in the long-term practice of stone appreciation, so he wrote the Mohist Classic and put forward "four methods of stone appreciation".