There is always an inclination in Mi Fei's calligraphy. He wants to be left first and then right, and he wants to praise first and then suppress, all in order to increase the charm of ups and downs and the gas field of flying fast. After decades of rich collection of ancient Chinese characters, he is naive and natural, and never pretends. People who learn from Miffy will inevitably lose their "difficulties" even if they get the moon first in the water.
Mi Fei has his unique experience in the distribution, structure and use of calligraphy. The requirement is "stable, not strange, not old, not fat", which is probably what Jiang Kui wrote, "Don't hang down, don't shrink."
That is, it is required to achieve unity in change, and to integrate the opposing factors such as wrapping and hiding, fat and thin, sparse and dense, simplicity and complexity, that is, "bones and muscles, meat and fat, and charm are all there, just like a good scholar."
Miffy:
Mi Fei (105 1 year-1 107), formerly known as Kun, later changed to Fu, with the word "rice" or "money", lived in Taiyuan, moved to Xiangyang, Hubei, and lived in Runzhou (now Zhenjiang, Jiangsu). Calligrapher, painter and painting theorist in Northern Song Dynasty, together with Cai Xiang, Su Shi and Huang Tingjian, are also called "Song Sijia".
He used to be a school book lang, a doctor of calligraphy and painting, and a foreign minister of the Ministry of Rites. Mi Fei's calligraphy and painting has its own style, including dead wood and bamboo stones and unique landscape paintings. He is also quite accomplished in calligraphy. He is good at seal script, official script, regular script, running script and cursive script. And he is good at copying ancient calligraphy, reaching a chaotic level. Mi Fei's Shu Su Tie, also known as Imitation of Ancient Poems Tie, is the eighth running script in the world and is praised by later generations as the first beautiful post in China.