The main methods to solve the phenomenon of hand trembling:
1. Practice more. Practice more to enhance muscle control. At the same time, practice makes perfect, and writing will be smooth.
2. Relax. Don't be too nervous. Only when the mind is calm, the muscles will be coordinated and the pen will be smooth.
Calligraphy is a unique traditional art of Chinese characters in China. In a broad sense, calligraphy refers to the writing rules of characters and symbols. In other words, calligraphy refers to writing with its brushwork, structure and composition according to the characteristics and meaning of words, making it a beautiful work of art. Chinese calligraphy is an original performance art of Han nationality, which is known as: wordless poetry, dancing without lines; Paintings without pictures, silent music.
China's calligraphy has a long history, and its calligraphy style is changing, and its art is fascinating. From Oracle Bone Inscriptions and the bronze inscriptions to the big seal script, small seal script and official script, to the Yan script, cursive script, regular script and running script in the Eastern Han Dynasty, Wei Dynasty and Jin Dynasty, calligraphy has always exuded unique artistic charm.
Calligraphy learning method
Description
Writing posture: Five-finger writing method. First, the thumb and middle finger are tightly clamped, and the vacant position in the palm should be like a cube of about 4 cm. Then, the ring finger and little finger are naturally placed behind the brush, with the body straight and the arm at a proper distance from the table.
common methods: cover the original with thin paper (silk) to write or draw as it is. Painting red is one of the methods.
Pro-writing
The learner refers to the original calligraphy post and writes it on another piece of paper as exactly as possible.
Pro-writing must use scientific methods. Many people who like calligraphy have not been able to enter the temple of calligraphy for a long time because they have not mastered scientific pro-writing methods. The fundamental principle of Chinese characters' temporary writing-there are countless calligraphers in the past 5, years. Although they have left quite a few excellent calligraphy works, they have not left any scientific methods for writing, such as why they are like temporary writing? Why doesn't Lin write like it? Liu Xiangdong, a primary school teacher from Dalian, put forward the basic principle of Chinese characters' temporary writing and wrote the book "The Secret of Chinese Characters' Temporary Writing", thus solving the fundamental problem of Chinese characters' temporary writing. This method is not only suitable for the temporary writing of Chinese characters, but also suitable for the temporary writing of all characters in the world. The book The Secret of Writing Chinese Characters is a milestone in the history of China's calligraphy.
memorize
After writing for many times, write it again according to the original image left in your mind.
create
new works written by re-selecting writing content and expression style according to the constantly revised writing habits and writing styles.
Writing posture
It is very important to learn calligraphy posture correctly, especially for teenagers who are just beginning to learn calligraphy. It is difficult to correct incorrect posture, which will affect the progress of calligraphy and the health of bones and eyes. Therefore, learning calligraphy posture must be positive, that is, head, body and hands. There are probably the following postures in calligraphy:
Sitting posture
Anyone who writes within three inches can sit on a book. The desks and chairs for reading should be of moderate height. Keep your head straight, but lean forward slightly, but not sideways. Hips should be straight, waist should be straight, chest should be straight, don't lie on the case, and the chest should generally be kept at a distance of 3-5 inches from the table. Keep your legs open naturally, keep your feet flat, and press the paper with your left hand (the paper should also be put straight). The position of the pen should be about 6 inches away from the nose. Some people advocate that when writing, the pen is aimed at the tip of the nose, which is too mechanical and stiff, easy to distract attention, and need not be so rigid, as long as the pen is located at the left and right of the nose and the words written are in the middle of the eyes.
standing up for writing
When writing in big characters of more than three inches, you should stand up and write cantilever, so as to make your strength stronger and take care of the whole picture. When standing, you should keep your feet steady, with your right foot slightly stepped out, slightly in a T-step, your right half slightly stretched forward, your waist slightly leaned forward, and your left hand pressed the paper or spread back. Predecessors advocated concentrating the strength of the lower body on the waist, pushing the shoulders with the strength of the waist, driving the upper limbs with the shoulders, and sending the force to the pen tip through the upper limbs and wrists, that is, the so-called "power comes from the waist and its roots are in the feet". This can be gradually realized in practice.
write on your knees
if you write in big characters more than two feet, you can write on your knees or prostrate, which is easy to master the structure of words. The method is to kneel on the left knee, bend the right knee to support the body, and straighten the left hand to help the ground. This method is too flexible and difficult to be effective, so it is best to prepare a short case to write if possible.
No matter when sitting or standing a book, keep a proper distance between the eyes and the paper when writing, which should change with the size of the written words. Small characters should be close and big characters should be far away. Usually, you should write in block letters and big letters, which should be about one city ruler, and the small print should be slightly less than this distance. When writing a large character of more than one foot, there should be a distance of more than two feet, otherwise it is difficult to take care of the relationship between strokes and the overall structure.
Mi Zige
The usage of the word "meter" has always been controversial among calligraphy learners and enthusiasts. There is an error in the explanation of the word "meter" on page 48 of "Introduction to Calligraphy" published by Mr. Qi Gong in 1986. Today, I wrote in detail what Qigong told me and my practical experience, so as to avoid detours when others practice calligraphy structure.
The word "meter" mentioned by Mr. Qi Gong is an important rule of calligraphy structure and a great contribution to calligraphy art, which is different from the word "meter" or "well" typed on the red mold. The grid on the red mold is for beginners to arrange the position of strokes for reference. The structural rule of "Mi" is that when writing rice characters, it is considered that ∠1 is less than ∠3, ∠2 is less than ∠4, ∠5 is less than ∠7 and ∠6 is less than ∠8.
That is to say, the two points in the upper part of the rice character should be slightly upright, and the bottom part should be slightly flat, so that the word looks good.
The most common misunderstanding is to write both the two points and the one left and one right of the Chinese character "Mi" on the diagonal grid with a 45-degree angle on the painted red grid, which is considered as the standard. This is as bad as the so-called writing should be horizontal and vertical, so the words written in this way have no aesthetic feeling.
Many Chinese characters can use the rule of "meter".
The first category is the characters with two points and one vertical in the upper part, such as: Guang, Shang, Dang and Xiao.
the second category is the characters with one left, one right and one vertical in the lower half, such as: wood, east and so on. Writing these words in violation of the rules of the "meter" lattice will show the effect at a glance.
double hook
the "five fingers method" (double bracts) of double hook calligraphy, also called "double bracts", is a method of writing. Han Fangming, a calligrapher in the Tang Dynasty, said in "The Essentials of Giving a Pen": "The beauty of a husband's calligraphy lies in its management, which means that it is both a double-fingered tube and a five-fingered finger. It should be a virtual palm, a hook pressed flat, and it is also called a delivery, so as to prepare for oral delivery." The method is that the big finger is pressed outward, the food and the middle finger are hooked inward, the ring finger is exposed outward, the little finger is stuck under the ring finger, and the five fingers are all put to good use. "Five-finger method" is also a kind of "double hook". The origin and introduction of double-hook calligraphy The so-called "double-hook calligraphy" refers to writing hollow characters of a certain style directly with a single line. This method originated in the Tang Dynasty. At that time, because there was no printing technology, in order to make famous calligraphy works spread, people outlined hollow characters according to the original works, and then filled in black ink, so that viewers could get works that were similar to the original works. Later, this way of imitation became a way for people to learn calligraphy, and developed into a brilliant calligraphy art treasure in China. "Double hook" is also a calligraphy term. The calligraphy is called "double hook", which is used to draw a stone and hook it out with thin lines along the outer edges of both sides of its strokes. In the Southern Song Dynasty, Jiang Kui said in "The Book Continuation": "The double-hook method requires that the ink can't faint out of the word, or the outline is filled in it, or the back of Zhu Qi is a fat and thin body." Lu Fangweng, a great poet in the Song Dynasty, once praised the charm of "double hook" with a beautiful sentence of "Miao Mo double hook post".