Wang Jianzhong's calligraphy works are unique, which can be said to show China's Chinese character combination incisively and vividly. His works draw lessons from the ancients' way, expressing the true feelings of nature, with strong charm and strong images. He made use of the pictographic freehand brushwork function of China's single Chinese character, ingeniously brought innovation into play, and enhanced the artistic function of Chinese character phrases, which was extraordinary and refreshing. The Yellow River he wrote is magnificent, rolling forward and unstoppable, and he wrote the soul and national spirit of the Yellow River. Where are the roots of the Chinese nation? In the charm of the Yellow River; Where is the strength of the Chinese nation? In the waves of the Yellow River. It is the vast and rushing Yellow River that has given the Chinese nation the strength to forge ahead. At the same time, the Yellow River Mother injected infinite vitality into the source of Qilu men's artistic creation. With a few strokes, he let Mount Tai ascend to heaven, holding the sun in the sky, and the magnificent landscape of Mount Tai sunrise jumped from the paper.
On the creative idea of calligraphy art, Wang Jianzhong said: The development of calligraphy art in China today should not be a simple repetition of classical art, but should be endowed with the connotation and extension of the times and the vitality of showing contemporary characteristics. On the basis of inheriting the oriental traditional aesthetics, China's calligraphy art should extend its tentacles to the latest ideas in the world, so that calligraphy can return to its original state at a higher level and people and art can return to the embrace of nature.