What are the artistic features of Liu's calligraphy?

1, two vertical planes. In other words, the left and right sides of a word are tied together, the left side bends to the right and the right side bends to the left, forming an opposite trend. This kind of writing is also from Yan, but Liu's vertical painting is thinner than Yan. Although the writing is the same, the structure is different.

2. Retraction is opposite and uneven. Within a word, some strokes are relatively convergent, and some strokes are very stretched. For example, the length of horizontal painting in the words "Yan", "Qi" and "Zhe" is very different. If a word is composed of several parts, then Liu Zi pays great attention to the comparison of the width and length of these parts, so that some parts of the word are left blank and the space is sparse; In some places, there are few places, which are particularly compact. At this point, Liu characters are different from Yan characters. The word Yan strives for uniformity and three sides are flush, while the word Liu pursues uneven changes, such as "street", "who", "wisdom" and "braid", which are typical examples.

3. Related to the above point of view, Liu Zi is compact because of her extroverted brushwork, which is another big difference from Yan Zi.

Liu Gongquan's calligraphy was very famous in the Tang Dynasty at that time, and there was a saying among the people that "Liu Zi is a thousand dollars". His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite. Liu Gongquan's calligraphy is called "Liu Style" because of its unique works.