He established the position of couplet calligraphy in the history of China calligraphy.

Zhao (1829-1/8/4) was a famous painter and seal engraver in Qing Dynasty. Han nationality, from Shaoxing, Zhejiang. The first word is Yi Fu, whose name is Leng Jun; Change the words later? Uncle, no. Sad Temple, Mei Temple, not-boring, etc. In the art history of the late Qing Dynasty, Zhao was undoubtedly one of the most important artists. In painting, he is the pioneer of "sea painting school", and his "stone painting style" initiated by book prints has had a great influence on the development of modern freehand brushwork flowers; In calligraphy, he is the most powerful practitioner of the theory of epigraphy in Qing Dynasty. The formation of his calligraphy style of Wei stele further improved the technique system of stele school and became the first model of truly comprehensive study of stele in Qing Dynasty. In seal cutting, he widely adopted this method on the basis of predecessors, creatively inherited the creative mode of "calligraphy and printing" since Deng, and opened up an unprecedented new realm. The appearance of Zhao in the late Qing Dynasty really established the position of "couplet calligraphy" in the history of China calligraphy for later generations, and laid a solid foundation for its development and popularization. This is not only the impressive quantity and colorful characteristics of Zhao's couplet calligraphy, but also the vitality, tension, agility, balance and rhythm of the couplet calligraphy itself. It is precisely because the couplet contains Zhao Yisheng's research and creation that his participation in the couplet also enables his calligraphy art to be carried forward. This is also an important reason why Zhao finally jumped to the leading position in the late Qing Dynasty by virtue of the powerful visual appeal of "couplets".