Painter of the year. Huang Heshan Qiao was born in Huzhou (now Xing Wu, Zhejiang). Grandfather, grandmother Guan Daosheng, uncle and cousin Zhao were all famous painters in Yuan Dynasty. Wang Meng's landscape paintings were directly influenced by Zhao Meng. Later, he learned from Wang Wei, Dong Yuan, Ju Ran and others and synthesized a new style. When I was young, I lived in seclusion for decades in the Yellow River Mountain (now Linping Mountain in Yuhang) and lived a leisurely life of "lying on the green hills and watching white clouds". At the end of Yuan Dynasty, Zhang Shicheng was hired as Wenli and a long history of western Zhejiang. After abandoning his official post, he lived in seclusion in Linping (now Linping Town, Yuhang, Zhejiang Province), and his name was Huang Heshan Qiao. 1368, Zhu Yuanzhang overthrew Meng Yuan and established the Ming Empire. Wang Meng became the magistrate of Tai 'an (present-day Shandong), and died in prison in the 18th year of Ming Hongwu (1385) because of the Hu case.
Characters influence Wang Mengneng's poetry and calligraphy. Especially good at landscapes, he got the method of his ancestor Zhao Meng, taking Dong Yuan and Ju Ran as his ancestors.
The scenery is dense, the layout is full of mountains and rivers, and it makes good use of understanding the thirst and thirst, showing the lush and boundless atmosphere of the forest. Beyond mountains and rivers, you can also be a man. It had a great influence on landscape painting in Ming and Qing Dynasties, second only to Huang, and later generations were also called "Yuan Sijia" with Huang, Zhenwu and Ni Zan. It has a great influence on landscape painting in Ming and Qing dynasties and modern times. Characteristics of Wang Meng's Painting Creation
"Water faint ink seal" enriches the expression of Chinese painting. His unique style is characterized by "vigorous vitality", skillful use of pens, and "bizarre vertical and horizontal directions, unable to distinguish clues". "Painting History and Painting Essentials" said: "Ju Ran, a landscape master of Wang Meng, had to use ink painting". Yunnan Tian even said that he "lives in a remote place (Wang Wei)". There are two common methods, Jie Suocun and Niu Maocun. Their characteristics are: first, they are easy to use pens, curled like earthworms, and are famous for their diversity and complexity; The other is to use "light ink to hook the stone bone, pure Jiao Mo to rub it, so that there is nothing left in the stone, and then break it to make it look deep and beautiful". Character evaluation Ni Zan: Linchi Wang Xueshu Right Army, Cheng Huai Guan Dao Zong Shaowen (Zong Bing). Prince and Marquis
A pen can carry a tripod, and there has been no such monarch for 500 years. Wang Shizhen: The landscape changed greatly, Xiao Li changed, Jing, Guan, Dong and Kuan changed, Li Cheng, Fan Kuan changed, Liu, Li, Ma, Xia changed, Da Chi (Huang) changed, and Huang He (Wang Meng) changed. (Yi Yan Yuan Yan)
Dong Qichang: His paintings are all masterpieces of the Tang and Song Dynasties. If Dong Ju, Li Cheng, Fan Kuan and Wang Wei are all ready, they will be just like them. On painting, Yuan Zhen should be the first. (Essay on Painting Zen Rooms)
Shi Tao: What an idiot! Yunlin (Ni Zan) and the Yellow River changed firewood and broke ancient ravines, such as eating leaves and occasionally writing. Who should pay attention? ("The King Imitates the Endless Map of Huang Dachi's Jiangshan")
Gao: Among the four families in the Yuan Dynasty, Wang Meng's paintings are based on
Yuan and Ming Enlightenment School, whose new ideas are embodied in pen and ink and layout. Because of its dense Niu Maocun, it looks simple and simple compared with Zhao Meng, and because of its dense and high-piled rocks, it is opposite to the banks of a river in Ni Zan. In the history of China painting, Wang Meng's position is equal to that of Hao Jing, Li Tang and Zhao Meng. (Wang Meng's "Space Illusion") The masterpiece Ni Zan once wrote an inscription in his work "Stone House and Stone House": "You can write a tripod, and there has been no such monarch for 500 years." Masterpieces handed down from generation to generation: Living in Seclusion in Qingbian and Reading in Chunshan in Shanghai Museum; "Migration Map" and "Summer Shan Jutu" collected by Ge Zhichuan in Beijing Palace Museum; "Autumn Mountain Cottage Map" in the National Palace Museum in Taipei. His representative works include Scenery of Xiangjiang River and Scenery of Deep Mountains and Old Forests. Poetry and history are also excellent. Today's poetry collection is "The Elegant Collection of Caotang".
The seclusion map of Qingbian, 1366, was written on paper.
, ink, vertical 14 1 cm, horizontal 42.2 cm, Dong Qichang is known as "the best in the world". This painting is layered, and it covers the whole picture from bottom to top. Use the pen casually, and the color is elegant. The local feeling of trees and rocks is excellent, but the overall effect is fragmentary, and the shape of peaks is a bit strange, which is suitable for close viewing but not for far viewing. The masterpiece "The Temple on the Peak" is a paper book with ink painting of 129×353cm. This shaft was collected by the Qing palace and then flowed overseas through the hand of Shen, the minister of the interior of Manchukuo. Emperor Qianlong of the Qing Dynasty appreciated this painting very much, and wrote a poem on the other side of the painting, which mentioned on the upper right side of the painting: "Lotus leaves are stacked one after another, and there is an old man living in the temple." Haze is the world, and pine and bamboo are mixed. There are no feet in the door, and the bell rings seven times. Canopy has never stopped and is not allowed to move easily. "As can be seen from the upper part of the frame, this axis is the treasure of Qianlong's imperial reading (Zhu Wen) and the treasure of Qianlong's appreciation (Bai Wen). Wang Meng used the method of combining "sublime" with "profound" on this axis. This painting depicts the mountain scenery in the south of the Yangtze River, where there are many trees and valleys. In terms of organizational structure, the picture of Maolinshan Temple is treated in a middle view, and the pine forests are arranged in close view, and the layout is tortuous. Although complicated and simple, it gives people a profound artistic conception and lush momentum, leading the viewer into a strange spiritual enjoyment. It can be described as ingenious. The painting method of "The Temple on the Peak" combines the techniques of Dong Yuan, Guo, and Guo. Flexible and changeable, interactive use of cloud head, cow hair, rope shedding and other techniques, fully display the lush vegetation of the mountains in the south of the Yangtze River.
Appreciation of the work "Hidden Map in Summer Mountain"
Color map of Wang Yuan Meng Silk Book, vertical 149 cm, horizontal 63.5 cm. It is collected in the Palace Museum in Beijing.
This painting depicts the deep mountains with a profound and lofty layout. The foreground is a group of steep peaks. A fine waterfall hangs straight down from Qianchuan, melts into the light fog at the foot of the mountain, and winds around along the low peak and deep valley at the bottom of the picture. The mountain stream is swaying in the rubble, and it seems that a pleasant echo can be heard. On both sides of the river, the rocks are green, the trees are lush, and the houses are hidden. The shade nearby blocks the sun.
The cold is biting, and hermits, extremely young women and woodcutter are all drinking tea, chatting, pumping water and walking in the house, in front of the house, by the stream and on the road. The whole picture is full of dense scenery, precise modeling and deep and open realm, which means cool summer. Jie Suocun, the most commonly used painter, painted rocks with steady brushwork, rich ink layers, light colors and harmonious colors and inks, which is one of his masterpieces in middle age. Deal: On the evening of June 4th, 2065438+0/KLOC-0, Wang Meng's Map of Governing Sichuan was sold for 402.5 million yuan, making it the highest-priced China ancient painting and calligraphy work in the spring auction market that year. This price is second only to the price of 20 10 Huang ting Jian Zhu Ming of 436.8 million, which is the second highest price in the auction market so far.
Precious ancient paintings and calligraphy works. Because the lot attracted much attention, before the evening performance of ancient calligraphy and painting that night, the auctioneer announced that he needed to apply for more than 8,000 special bidding cards to bid for Wang Meng's "Akagawa Migration". By 7: 30 pm, 17 collectors had already handled the special bidding.
After the auctioneer quoted the opening price of 65438+65438+ 1 100 million yuan, the auction was finally won by the collector holding the bidding certificate No.8086 after 19 bids. With the commission, the final transaction price reached 402.5 million yuan, making it the most expensive ancient painting and calligraphy work in China that spring.