Zhao Mengfu supplemented the Tang people's "Looking Close". Paper book, 24.4 cm in length and 36.3 cm in length. Cursive script, "Looking for the Near Post" in Lin Wang Xizhi's "Seventeen Posts", with regular script interpretation before each line. From the beginning of the seventh line "Yidu" to the end of the cursive script "with questions" are all from the Tang Dynasty. Regular script interpretation is also a script of the Tang Dynasty. The part of Zhao Mengfu's supplementary book is from "looking forward" to "suffering for a long time" in the sixth line, counting six lines. He also printed Zhu Wen's "Zhao Ziang".
Xu Bangda's evaluation of Zhao Mengfu's supplementing the Tang people's "Looking Close to the Post" is dignified in brushwork and slightly lacking in spirit. Zhao Ziang's supplementary part is beautifully written, but not as simple as that written by the Tang people. Linben in Dunhuang and Linben in Zhao Mengfu are in phase with each other, with the former eight lines and the latter six lines. The font strokes are also too far apart. According to the Records of Xuanhe Calligraphy, there are two copies of Zhan Jin Tie in Xuanhe Neifu in the Northern Song Dynasty, and they will not be the same. In the Ming Dynasty, Wang Keyu's Coral Net recorded the post "Looking Near" and called the book on hard yellow paper. There is a long postscript of Ouyang Xuan in 1357 (the 17th year of Zhengzheng) in Yuan Dynasty. It is difficult to determine which one is closer to the female parent in Dunhuang Linben and Zhao Mengfu Supplementary Linben. However, referring to the style and spacing of the ink in Wang Xizhi's copies handed down from generation to generation, Dunhuang Stone Room is closer to the mother.