Zhiyong is a descendant of Wang Xizhi, and his calligraphy has a great influence on later generations. Dong Qichang evaluated his ci as "penetrating the back of the paper", Su Shi as "exquisite and elegant", and how to evaluate his ci as "implicit, meaningful and full of charm". Zhiyong's regular script is easy to use, twist and stretch naturally, and his regular script Qian Wen Zi is a model and the best version for more than 1000 years.
Zhiyong regular script is very distinctive. Every word has one or two strokes, and the font is more vivid, relaxed and fast. He is skillful in writing, strict in statutes, and puts on airs in the air. This method can only be done by a knowledgeable person. His strokes are vigorous and unrestrained, and his collection is rich.
There are many works handed down by Zhiyong, especially cursive works, which have far-reaching influence on later generations. The unpretentious style is liked by later generations. Zhiyong's regular script can be said to be a model of China's aesthetics, which is moderate, implicit and self-disciplined.
Take brushwork as an example. His brushwork is not as neat and rigorous as that of Ou Yangxun and Yan Zhenqing. He pays attention to fluency and naturalness when writing, and pursues as easy and decisive as possible. If we master these pen characteristics of Zhiyong, it will also be of great help to our actual creation.
Zhi Yong's regular script, inherited from the two kings' family law, is full of soul, and the pen is meaningful and chic. You will find that the beauty of calligraphy is a habit when you look at Zhiyong's regular script.