He has published Selected Calligraphy, Japanese Calligraphy Collection, Shen Baijuyi's Eternal Sorrow of Pipa, Twenty-three Poems of Shen Du Fu, Shen Farewell Poems, Wonderful Cursive Songs, Thousand-character Cursive Calligraphy, Thousand-character Regular Script, Yueyang Tower, etc.
His calligraphy works spread all over China, Asia, Europe and America. Works: Calligraphy and Painting Review, Shen Peng's Talk on Calligraphy and Painting, Trilingual Cao Yin, Contemporary Calligraphy Collection, Shen Calligraphy Collection, Nineteen Ancient Poems by Shen, etc.
He has visited Japan, Sweden, the Soviet Union, France, Italy, the United States, South Korea, Hong Kong, Macao and Taiwan for many times, and donated calligraphy works to the disabled, the Asian Games and disaster areas for many times. Xiaoxiang aura this Yunshan, ancient wood fragrance. Fan Chuan and I * * * chariots and horses, why come when the frost leaves are in full bloom. -Yuelu Mountain Love Night Pavilion (from Selected Poems of Sanyu)
Appreciating the Selected Poems of Sanyu, Mr. Shen's poems have the following characteristics:
One is to hide feelings for the scenery. The characteristics of the work are the portrayal of the author's mind. Mr. Shen is aboveboard and meticulous in art, and we can appreciate the poet's true feelings from his works. "It's the spring breeze, and it's still on a par. The new paving stone needs to know whether it is, and the sound of guns is the Huangpu tide! " (Walking on Nanjing Road in Shanghai). Every sentence is a picture of life, willow trees in the wind, pedestrians, newly paved roads, and the horror of foreign police shooting down anti-imperialist patriots in those days are all descriptions of the scenery, but questions and answers strongly reveal the poet's complex of worrying about the country and the people and being prepared for danger in times of peace.
The second is that there is a scene in love. Scenery blending is the art of combining emotion and scenery in poetry, and the artistic conception can not be separated from it. The blending of emotion and scene is by no means the combination of emotion and scene, or the combination of emotion and scene, and it is definitely not the welding of emotion and scene, but the fusion after chemical reaction. Teacher Shen's Light Snow is a combination of situations, which reminds me of Wang Fuzhi's sentence "There is love in the scenery, and there is scenery in love". "Xiaoxue" wrote: "Say goodbye to Cirong's nine-year study and think about it so far. The grass in front of the grave should be spring, and the old horse stayed up all night. How tired is the family? People should not forget to study this field. On the festival, light snow welcomes flying snow, and a little bit will go to Jiuquan! " Writing a light snow festival, missing my mother, is sincere and sincere, giving people unlimited aesthetic imagination space in the melody of expressing personal feelings. Although the reader has never seen his mother, the image of the great mother is vivid-it may be a cold winter night, and his mother is spinning alone under the lamp; Maybe the family is looking forward to dinner, but mom is busy in the kitchen ... These scenes are not mentioned in the poem, but they are all in front of us.
Third, the meaning is endless. Mei, a poet in the Song Dynasty, said, "This is a difficult scene to write. For example, at the moment, there is infinite meaning, which can be seen outside the text, and then it is the ultimate. " The realm of "infinite meaning" is put forward here. Where does "infinite meaning" come from? Start with "at present". "Say goodbye to Ci Rong for nine years and think about it so far." This is endless meaning. It embodies the poetic artistic taste and aesthetic effect. On one occasion, calligrapher Ma Shixiao came to Beijing, and we chatted with Mr. Shen about the creation, present situation and development of Mad Grass. When talking about learning cursive script, Mr. Shen said with a smile that the key lies in the relationship between "smallness" and artistic conception, and "emptiness" is the high realm of China's traditional art. When Mr. Shen spoke, his kind smile has explained clearly that "smallness" is not photography or video recording, but the refining and processing of life images in a realm. The endless words in the artistic conception are what Mr. Shen said, "endless meaning." I asked Mr. Shen for advice when I was sorting out my poetry and calligraphy collections. Mr. Shen sent the manuscript first. The manuscript is only 48 words, but the calligraphy is rigorous and concise. He profoundly expounded the relationship between poetry and calligraphy. He emphasized "seeking empathy, seeking diversity" and "getting the true meaning". I understand that what he means is the artistic conception of poetry and calligraphy. In calligraphy, the meanings of "intention before writing" and "pen breaking meaning", as well as all kinds of echo and contrast relations throughout, are invisible images or symbols. According to Hegel's investigation, the oldest art among all the nations in the world is almost a symbol. The calligraphy art of the Chinese nation is very symbolic. Its charm, charm, interest, momentum, etc. You can only understand, but you can't take it directly. If you understand, you will have it, and if you take it, you will have nothing. To understand the artistic conception of calligraphy and poetry, there must be a problem of conceptual image. In fact, concept images are widely used. For example, when the project started, I buried a stone to hit the foundation, knowing that it was empty, but I was extremely excited and pious! Of course, this idea is only a conceptual image in the general sense. As the artistic conception of poetry, calligraphy and painting, advanced image is Zhu Guangqian's "the most perfect perceptual image expression form of a rational concept, and it is a schematic diagram implying the super-perceptual realm", and its essential feature is philosophy. The author should try to express some unspeakable things and give people a broader imagination.
The French poet Malamei believes that "poetry should always be a mystery". Poetry is a riddle, and everyone has his own aesthetic answer. Teacher Shen gave a small example in Endless Meaning: he lives in a busy alley, and when he is about to go to bed at noon every day, a car whistles past, disturbing the people; In addition, he often chats with his family about the ridiculousness of the puppy taking the elevator. "So, once again, I met a car honking to disturb my lunch break, and suddenly a seven-melody couplet appeared:' The car honked its golden flute in the deep lane, and the pet building took the elevator'. When writing the seven laws, look at these two sentences.' Pet' may be considered as a metaphor by readers. " Mr. Shen said that this is entirely a "physical scene" from life, and it is really not a metaphor. However, it is reasonable for readers to produce various metaphors. The appreciation of images is from concrete to abstract, that is, from pondering and thinking about concrete images in works to being closer to social ethics or philosophical concepts. Poems with infinite meaning often give people this kind of speculation, conjecture and imagination.