Ma's best father, Ma Kunshan, attacked old students. Because of his love for Beijing opera, he once worked as a ticket friend in the sea. Beijing opera master Ma is his cousin. The Ma family has been attached to Peking Opera for generations, and died a natural death, and its appearance is not good. Almost all civil and military scenes have ma3 jia3 artists. Ma Zuiliang was deeply influenced in such a family environment. He is clever and diligent, and studies hard. At the age of six or seven, he took to the stage to play for his father. By chance, the young horse took the stage for his father as an active student, which was the first time in his life that he performed his talents as a role. Father was upset and put on a show for him. However, as soon as the curtain was lifted, Ma Zuliang appeared, full of childlike interest, and performed easily from beginning to end. His handsome figure, euphemistic singing and neat mouth won applause from the audience. From then on, Ma began to step onto the stage of Peking Opera. He studied under Pan, Rui Debao and Gui, and successively worshipped Bao Jixiang's "Later Learning" and Ma's "Ma Xue". Because he has more contact with his cousin Ma, he knows more about the art of Ma School. He studies hard according to his own conditions. Under the instruction and guidance of my cousin Ma, his skills are becoming more and more mature.
Ma inherited the knowledge from his family and learned from others, and made his own efforts for the development of Ma school art. Since his youth, Ma Zuliang has been listed for classes, traveled around the country, broadened his horizons and enriched his artistic practice. He has performed in Beijing, Tianjin, Shanghai, Shandong, Henan, Shaanxi, Gansu, Sichuan, Shanxi and other places and enjoys a high reputation. Sweeping Matsushita Books is a common repertoire on the stage of Peking Opera. Ma Zuliang performed, but won 36 applause, which shows that his talent and creativity are extraordinary. Ma saw his cousin's talent, and in order to encourage him to keep forging ahead, he changed his name to "centurion" and named him "bridled". He is diligent and eager to learn, and constantly explores and perfects his own art. At that time, in An, there was a story that Ma humbly learned from brothers' operas such as Shaanxi Opera. Because he constantly draws on the strengths of various factions and gains the essence of Ma faction, he is quite famous in the northwest and art circles. Ma's Shanghai friend and famous calligrapher Bu Linwu, who was in Beijing with his contemporaries, also gave him a banner that read "Ma Wuchang, with white eyebrows is the best".
The ancient city of Jin Si enjoyed a high reputation in the Song Dynasty.
1September 1932, after Han Fuju came to power, Liang Zike, manager of Kaifeng West Street Cultural Bookstore, rented the People's Hall and renamed it "The Source of Light" (1September 1935 restored the name of the People's Hall). Light source first operated movies, and later, in order to expand profits, it began to invite famous actors to perform. On August 5th, 1933, Ma was invited to perform in Kaifeng. Looking through the drama posters of the Academy of Fine Arts in those days, we can see that Ma came to the sideline for the first time and had a strong lineup. Actors include Li Xilong (flower on the shelf), Li Yutian (old student), Xu (Tsing Yi) and Zhang Xingzhou (net). , and the play is Fan Zhongyan (with "Tell on the Black Donkey"). Fan Zhongyan is based on the Bao Gong case, which tells the story of Fan Zhongyan, a scholar in the Song Dynasty, who took his wife and children to Beijing to take the exam. On his way back, he visited his father-in-law and mother-in-law. When it happened, his son was taken away by the tiger and his wife was taken away by the old teacher Ge. Fan went directly to Gefu to find his wife. Ge Dengyun pretended to entertain him, got him drunk and sent him to the study. He also sent a servant, Ge Hu, to assassinate him, but Ge Hu was killed by evil spirits. Ge fought against Fan's crimes, clubbed him to death, locked him in a box and abandoned the suburbs. Just then, Fan Zhongyan in to beno. 1 sent people everywhere to look for the top scholar and found a story of Fan Zhongyan's resurrection from the dead in the suburbs. Ma added Fan Zhongyan's black donkey to Kaifeng to complain, protect the public's case, punish Ge and save Fan Zhongyan. Ma was an instant hit with Fan Zhongyan in Kaifeng. In the next few days, Ma performed plays such as "Nine Watches" and "Burning Mianshan". This performance is the first time that a famous actor has been invited to play in a national drama after the reform of Guangzhi Academy, which has created a precedent for Kaifeng City to sit in the right place.
1In August, 936, Sun Fosheng, a celebrity in Kaifeng Prefecture and Li Yunlong, a big businessman, invited businessmen, scholars and people from all walks of life in the military and political circles to organize a "Yi Folk Chinese Opera Research Association" to study the improvement of Chinese opera, and invited celebrities from Beiping to perform. 1937 February, Ma Zuiliang came to Kaifeng for the second time at the invitation of "China Traditional Drama Research Association". Ma Zuiliang staged ten plays, Famen Temple and the Story of Diusim in the People's Hall, which caused a sensation in Kaifeng City. An old opera fan in Kaifeng said: "When I saw Mr. Ma play Ten Screenplays, I probably deleted some lyrics because of my age;" Mr. Liang Liang didn't delete it. His skill is very strong. He read the early complete lines to the audience, which was very hard and enjoyable. " In the play "Ten Books", both singing and doing are very important, especially chanting, and Ma Liang is best at it. 1937 February 15 Henan Republic Daily once commented on Ma's performance: "He played Chu Suiliang in front and Lao Wang in the back, pretending to be elegant and decent."
1in the spring of 946, Mu Peiqing, Li Zhiren and Wang Yicheng joined hands to transform the North China Cinema during the Japanese Puppet War, reopened it and renamed it Dahua Theater. The theater changed the upstairs into a box, focusing on Beijing opera, so Mr. Ma Zuiliang was invited to perform. This performance has a huge lineup, including (Ugly), Ma Jinwu (Old Student), Dujiao Pavilion (Ugly), Li (Wusheng), Song (Hua Dan, Tsing Yi), Geng Lingqiu (Hua Dan), Jin (Peking Opera Blues), (Painted Face), Lu Hongxun (Painted Face) and other solid Peking Opera classes. This time, Ma stayed in Kaifeng a little longer. According to Kaifeng Opera, "The circus was dissolved on the eve of Kaifeng's liberation1early August, 948. Ma Liangliang left Kaifeng with his horse, joined forces in Lanzhou at 1949, and went to Xinjiang with his comrades' troops. Later, the Beijing Opera Troupe of Xinjiang Production and Construction Corps was established, and he served as the deputy head.
During the Cultural Revolution, Ma came to Kaifeng for the fourth time. In order to popularize "model operas", Kaifeng Peking Opera Troupe was established on the basis of Kaifeng Peking Opera Troupe in June, 1970. At that time, Ma was wrongly classified as a "Rightist" in Xinjiang for the first time and was hit by the Cultural Revolution. 1973, Kaifeng Peking Opera Troupe invited Ma to Kaifeng from Xinjiang Construction Corps thousands of miles away (it is said that he was sent to Kaifeng). Ma moved to Kaifeng with his family and settled in Kaifeng, and lived at Street 18. Ma has a deep affection for Kaifeng, and he started to work with the feeling that Kaifeng is his second hometown. As soon as he arrived in Kaifeng, he accelerated the rehearsal of "Model Opera". He warmly received everyone who came to ask for advice, and also took the initiative to demonstrate and coach young actors. 1September, 975, Kaifeng Peking Opera Troupe was cancelled. Later, Ma went to Shijiazhuang, Kunming, Beijing and other places to perform. 1979 rehabilitated, assigned to work in Suoguoji Management Office. According to Wang Shaohua, a famous writer in Kaifengfu, "In my memory, Ma used to be a doorman in Suoguo Temple, and he knew my father very well. He came to my house for a drink more than 30 years ago and talked about Ma Li Anliang in Kaifeng. "
Ma Zuliang is good at giving full play to the strengths of Ma School, absorbing the essence of other schools, and shaping many artistic images of flesh and blood. He knows a lot of plays and often plays dozens. Traditional plays include Fire Fighting after the Lost Printing, Spring and Autumn Pen Club, pass the parcel Cao, Lost Space and so on. Dramas include Song of Long Jiang, Harbor, Battle on the Plain, Surprise Attack on the White Tiger Regiment, etc. I didn't know I was a guest in the play. I regarded Kaifeng as my hometown. On the stage, he behaved smartly and sincerely, enunciated forcefully and used his lines fluently. His performances are full of feelings, sounds and emotions, which often make the audience feel interesting. Many old fans in Kaifeng still remember him for a long time. ...