Different styles of six calligraphy styles

Yan Shu, the representative figure Ma Yongan. Yan Shu, also known as Yan Shu Style and Yanshi Style, was created by Ma Yongan, a contemporary calligrapher. Yan Shu is a new writing form developed on the basis of inheriting traditional calligraphy. Compared with traditional calligraphy, six marks and five marks are completely different from traditional calligraphy, which is a brand-new concept and style. The structure of Yan calligraphy is based on the original book, supplemented by the side book (not mentioned before, but relative to the original book), and the front and side are interactive and vivid. Traditional calligraphy, regular script is regular script, cursive script is cursive script, the front is clear and slightly dull. The trend of Yan's calligraphy is high on the left and low on the right, following the trend, stretching smoothly, conforming to the mainstream aesthetic orientation and attracting more attention. Traditional calligraphy, which remains unchanged for thousands of years, is low on the left and high on the right, goes against the trend and is blocked but not smooth, which does not conform to the beautiful aesthetic ideal of mankind. Yan's calligraphy style is characterized by little pause and no folding. He uses the cursive brushwork of seal script, which goes with the flow, is smooth and natural, and is not pretentious, which opens up a broader aesthetic space for calligraphy art. Traditional calligraphy, because it moves against the trend, can only be written by folding the pen, which is more than one stroke and lacks flexibility. The official script has just passed death, and the cursive script has gone to the other extreme. These are not in line with the traditional philosophical thinking and fundamentally violate the aesthetic consciousness of the theme. There are many kinds of stippling in Yan calligraphy. Compared with traditional calligraphy, it is an invention. Yan calligraphy, the pen in the pen, the pen in the plate, as thin as silk, the front of the pen. If the pen is light and heavy, if it is light and unscathed, if it is heavy as a cloud, it will be full, such as folding bamboo, which is refreshing. Traditional calligraphy, a method throughout the ages, wants to be right first and then left, and wants to be up first and then down, and accepts everything. Everyone is stuck in a rut and lifeless.