Lu Xun's character evaluation

Ding Mang:

It is a double artistic enjoyment to read his poems and paintings together and connect their paintings with the images provided in the poems. So I can't put it down and read it all at once. The overall feeling is: every word is revealed from the heart, so sincere, mellow and smart. In addition, the rhyme is rich, the structure conforms to the old poetic style, and the language is fluent. I have a deeper understanding of the trinity of poetry, painting and calligraphy, and Mr. Lu Xun's experience deserves the attention of contemporary painting and calligraphy circles. Member of Chinese Writers Association, Vice Chairman of China Prose Poetry Society, Consultant of Chinese Poetry Society and Consultant of World Chinese Poetry Association.

Wu Zhangshu:

I have known Comrade Lu Xun for many years. Before that, I saw many of his fresh flower-and-bird paintings, which left a deep impression on me. Therefore, Mu Xun at that time was just an excellent painter in my mind. It was not until I got to know him and gradually deepened my friendship and contacts. After reading some of his art criticism articles, I realized that he is also an art theorist with profound literacy and considerable literary accomplishment, which is different from those painters who only engage in artistic creation and do not touch other art categories.

But I didn't expect that Mu Xun was not only a painter and an art theorist, but also a talented poet. After reading Mu Xun's poems, I first felt that the author was sincere, simple and natural, and did not carve; Moreover, line drawing is often used, and the language is as clear as words, which makes people feel more cordial to read. Poetry can also show the author's ability to use words to condemn and control words. Few painters can write poems at present. (The author is the vice president of the Chinese Poetry Society.)

Xu Benyi:

Mr. Mu Xun's books are picturesque, elegant and have an open interest.

Mr. Mu Xun's book is like a poem, and his poems stand upright, and there is always a kind of mind that would rather be unyielding than ugly.

When we tell stories, we don't simply compare other things, but emphasize that books, as the universal character of human art, always have something to do with their personality. Mr. Musson said that he had little research on books. When I was young, I studied Wei Bei in the Tang Dynasty, and then returned to Han Li, Qin Zhuan, where I spent most of my time seeking strength and strength. Because I paint poetry, I believe it, regardless of my work, and my mind is relaxed. It is his state of mind that he is not interested in books, which has created his realm of combining painting and calligraphy, and poetry and books complement each other. In addition to literature and art, this is a footnote for storytelling. Throughout the ages, there are two ways to simplify books. Complex and dense, dynamic and concentrated; Jane tends to be sparse, quiet and weak. The two merged and evolved into two major aesthetic fields. Many factors can be easily created and changed; Jane, with few factors, is difficult to achieve great things, and complexity is progressive, not only in metaphysics, but also in spirit. In Jane's writing, we can see that the giants always have different personality situations, which vaguely pave the way for their mental journey. I have known Mr. Mu Xun for more than thirty years. When I feel his image, his books are undoubtedly an intermediary-quiet books, heavy people, heavy hearts and profound thoughts-which let me quickly gain rich memories in silence. (The author is the director of China Calligraphers Association and the chairman of Hubei Calligraphers Association.)

Li:

Self-improvement by obeying the law —— Reading Lu Xun's calligraphy

I am deeply impressed by Comrade Mu Xun's calligraphy. His calligraphy is eclectic and unique. The tablet is elegant, simple and comfortable. It originated in Cao Zhang, but it is not mud. It is also a special work of art, which Oracle Bone Inscriptions collected slightly. To a certain extent, follow the law and make your own. The newer you are, the better you will be. Neither kill yourself like a gourd, nor be dissolute and unbalanced. Abide by the rules and change to Fiona Fang, observe the six laws and five tones, Fiona Fang changes endlessly, and the five tones are ups and downs. They all say that it is illusory in the impossibility, and the freedom of artistic innovation is obtained by the unity of law and impossibility. Long-distance runners began to learn to walk by supporting the wall. To be healthy, they must pay attention to diet and nutrition. Masters of art all learn words from graffiti. The skill of freehand brushwork comes from the basic skills of hard training, and there is no shortage of hard work, arbitrary innovation, scribbling in words, and ruining the shape and spirit in painting. If you write it, it must be nonsense. Zheng Xie said, "You must be extremely successful before you can enjoy yourself. You can be freehand without working. " "Horizontal painting vertical wipe, since the pen in the law, failed to exceed the law. What's more, Shi Gong's kung fu is out of reach. Kung fu climate, diving is almost impossible. " Art can't be untrue because it can be regular. Cao Zhang is the origin of running grass, and the structure and charm of running grass come from washing and training in Cao Zhang. Zhang Xu and Huai Su's Weeds did not exceed this, nor did the two kings' running scripts. Mu Xun's calligraphy has not changed more than this. Today's book world is a grass walker. Many writers are unfamiliar with Cao Zhang and make mistakes in any line. Mu Xun's calligraphy can teach calligraphers a lesson. I don't know what Mu Xun thinks. (The author is the former secretary and governor of Hebei Provincial Party Committee; By Comrade Mao Zedong as "our writer and genius")

Liu:

Mr. Lu Xun's art exhibition in our college is actually an important and rare gift. Mr. Lu Xun painted so many innovative works, which are worthy of our study and scrutiny. His new work is original in conception and originality. He unified the theory of poetry and calligraphy. He combines the outstanding achievements of ancient and modern China and foreign countries. The most valuable thing in his works is the expression of nature. It is the painter's expression of rich feelings about real life, rather than pursuing sculpture like ordinary people. I think the sunflowers he painted are so bold and vigorous, showing the strength and bodybuilding of sunflowers. For example, two chrysanthemums are full of paintings, and jujube trees are fruitful and so vivid and natural. His paintings have also absorbed many new concepts, and several flowers are so vivid. Swallows fly over thousands of acres of wheat fields. There are some other factors. Celosia cristata is so vivid and colorful, which shows his uniqueness in color. In a word, Mr. Lu Xun's exhibition is rich in mineral resources, so you can't watch it twice. You must watch it several times to appreciate the mystery. I also hope that all teachers and students in the hospital can come to study many times and benefit endlessly.

Li Keran, a great painter, once said, "What is precious is courage, what is needed is soul." All Lu Xun's works embody the spirit of Mr Keran's famous saying. It's very valuable, and it's very rare to do this. Learning from Lu Xun's paintings is often said to have both form and spirit, and his paintings highlight the spirit. It is easier to achieve form, but reaching God is not something that ordinary people can do. The sunflowers he painted are not only similar, but also have a verve. His painting of Gu Song is vigorous and noble. Hey? Very interesting. I admire the originality of his painting. For example, I can't get rid of Master Wu Changshuo's routine, but he found a new way, took his own road and looked innovative. It's not easy. The core of Mr. Lu Xun's painting is that he has higher understanding than others. This is literature, art, philosophy and social science-multidisciplinary, rich in knowledge and rich in social life. He saw and discovered the scenery that others didn't notice. In the hut by the road, he found several pumpkin vines climbing up the hut and bearing fruit. Next to it are several clumps of bamboo, which form a wonderful picture that ordinary people turn a blind eye to. His handwriting is very wonderful, such as fine, unique and wonderful words, and his poems are also profound and fresh. In a word, his poems, words and paintings are unified, harmonious and caring. It is fascinating to draw a high realm that ordinary people can't reach. Thanks to Mr. Lu Xun for this exhibition, which I will never forget. (The author is the old dean of Xi 'an Academy of Fine Arts)

Zhou Shaohua:

When I appreciate his works, sometimes I seem to be listening to his singing, sometimes I seem to be listening to his reciting poems, and sometimes I appreciate his calligraphy art. The greatest advantage of his works is that it can make people calm down and appreciate.

Some people say that "everything can adapt itself to the changes", while others say that "dynamic view can transcend time and space", but all this can not be separated from people's attitude towards nature. The reason why I can realize people's sincerity to those things that raise me from my brother Mu Xun's works is to awaken the essence of life, awaken my deep voice and ignite my real touch on life, so that I won't lose my most important thing. These are the life of Lu Xun's art.

Chinese painting is a special cultural carrier, and it is also a container of the artist's cultural information. It not only requires the painter's works to have superb skills, but also requires poetry and calligraphy to interact with them to make Chinese paintings.

This art has a saturated cultural gold content. Brother Mu Xun is not only good at metrical poems, but also good at writing ancient poems. His style is fresh and his rhythm is ups and downs. It is achieved that "there is a poem in the painting, and there is a picture in the poem", "painting is a silent poem, and poetry is a tangible painting", and it is integrated with calligraphy. In today's painting world, there are very few people who are good at painting, poetry and books, but Brother Mu Xun's achievements are particularly worthy of respect. (The author is the chairman of Hubei Federation of Literary and Art Circles)