Formerly known as Wan Shusong, he studied under Yu Xiansheng. Now he is the president of Hebei Yishutang Painting and Calligraphy Institute and the deputy secretary general of Hebei Collectors Association!
Chinese name: Zhonghua Wan.
Mbth: China Bay
Alias: Wan Shusong
Nationality: China.
Ethnic group: Han nationality
Place of birth: wuqiao county, Cangzhou
Date of birth:1May 6, 977
Occupation: painter and calligrapher
Graduate school: Academy of Fine Arts, Hebei Normal University
Faith: * * materialism
Main achievements: 1997 won the third prize of the National Calligraphy Competition for the Return of Hong Kong.
Representative works: Tao Te Ching
Ancestor: Wanshouqi
Personal profile
Zhonghua Wan,1born on May 6, 977, whose real name is Wan Shusong, was born in Wuqiao, Hebei. He is currently a member of Hebei Calligraphers Association, deputy secretary-general of Hebei Collectors Association and president of Hebei Yishutang Painting and Calligraphy Institute.
He studied under Mr. Yu Xu, a famous poet, calligrapher and collector. Zhonghua Wan was also the16th generation descendant of the famous painter Wanshouqi (Wanshouqi (1603- 1652)) in the late Ming Dynasty. This word is young and called "if" and "inside". He entered the garment of Tsing Yi and was renamed Huishou, also known as Daoist Zhi Ming, Daoist Shou Ruo and Daoist Ruo Ruo, known as Mr. Yang, born in Cangzhou, Hebei and Xuzhou, Jiangsu). Influenced by family art since childhood, I love calligraphy very much. At the age of 8, I began to learn regular script, starting from Yan Ti and then from Wei and Jin Dynasties, and began to learn the calligraphy style of the two kings. With the preface of the holy teachings and the seventeen posts as the deepest efforts, I kept writing.
Whenever people visit places of interest and miss the scenery, Zhonghua Wan will copy plaques and stone tablets. Once, I visited Baoduzhai in Luquan, Shijiazhuang, where there was a huge monument engraved with the inscription of Niu Jianxin, a famous calligrapher. Zhonghua Wan looked at it, tasted it, and thought, Oh, this article is well written and the handwriting is good. It is really a treasure. Then, I couldn't move a step, took out a pen and paper and copied it carefully until the sun went down and the night wind was rustling; Visiting Baoduzhai, the word "Baoduzhai" made Zhonghua Wan meditate for a long time; In the following years, when he visited Beihai, he was fascinated by the plaque in Beihai. When he entered the Forbidden City, the original calligraphy inside made him cry and linger. Guo Moruo inscribed the brands of Treasure Hall, Painting Hall and Porcelain Hall in the Forbidden City. It seems that Zhonghua Wan loves Guo Moruo's ci more and more, and thinks that Lao Guo's ci is really imposing and noble!
In the early days, Zhonghua Wan practiced seriously for a period of time according to Wang Xizhi's Preface to the Holy Teaching. But since I was fascinated by Guo Moruo's calligraphy, I have focused my time on Guo Ti. At that time, Zhonghua Wan often went to Rong Baozhai because there were many original works by Guo Moruo. Slowly, when he was dissatisfied with the scene, Zhonghua Wan wanted to take it home to study. In order to copy more accurately, Zhonghua Wan bought a piece of tissue paper and made a copy box. What is a copy box? Is to turn a square stool upside down, then pick up a piece of glass from the outside and put it on it, then put Guo Moruo's words on the glass, and then put a translucent copy paper. After the bottom desk lamp is unscrewed, the writing on the thin paper is clear!
content
Mr. Zhonghua Wan studied books since he was a child, and he visited the famous inscriptions of past dynasties. Drawing on other people's strengths and eclecticism, Gu Zhuo has created a unique book style, which is thick, vigorous, upright, generous and fluent, and has already begun to show its own style. His works are beautiful in plain, clever in dignified, extraordinary in bearing and appealing to both refined and popular tastes, and are deeply loved by people at home and abroad. In recent decades, he has been invited to participate in exhibitions and seminars inside and outside the province for many times, which has a great influence. In China, his works are not only seen in newspapers and exhibitions, but also collected by many important people, making plaques and carved stones for many famous holiday resorts for tourists to enjoy. At the beginning of 20 13, Mr. Zhonghua Wan finished writing the Diamond Sutra in small letters, with a total length of more than 20 meters. It was exhibited to the audience with beautiful fonts and excellent effects, which was highly praised and encouraged by teachers and colleagues in the industry. On June 5, 20 14, "Blue and white porcelain. The first China Traditional Culture Highest Achievement Award was awarded by China Institute of Traditional Aesthetics and China Famous Painting and Calligraphy Institute.
history
Wang Yimai, a calligrapher in Zhonghua Wan, advocated the charm of calligraphy. The charming romantic feelings of the two kings and the wantonness of Wang Yang in the Ming and Qing Dynasties made him stop here and linger. Later, with the book style of Song and Ming Dynasties as the adjustment, he extensively dabbled in the calligraphy posts of Mi Fei, Wang Duo, Dong Qichang, Sun and others, seeking novelty and change, sprouting randomly, and striving to create a peaceful and simple natural realm.
Zhonghua Wan advocates tradition and culture, and puts forward that "the real calligraphy creation should be an irrational gallop on the rational plateau". Therefore, when we study the famous posts of past dynasties, the calligraphy styles are all good, and Li Shu _ Zhang Qian, Jin Nong, Xiao Guan and Yi Bingshou are all unique. Cursive lines are the second king, absorbing the width of Lu Gong and the charm of Su Mi. Elegant and leisurely, simple and natural, each with its own characteristics. "
His running script pen is calm and atmospheric, and its structure is rigorous and meticulous. It not only has the beauty and elegance of Nanyou, but also has a beautiful and harmonious tone, and pays more attention to the charm and charm of ancient songs. This is manifested in the rich and meticulous brushwork skills, calm and carefree brushwork style, elegant and elegant artistic style. The style of this grass is fantastic, and it is mainly smart and decisive. This kind of works break through the traditional pattern in composition, and skillfully introduce the concept of modern art composition into calligraphy creation, so that the works give people a strong visual impression in expressing emotions and characteristics, and give people a sense of freshness in composition form. In the use of pen, knot words, composition and artistic conception, he pursues a great effect, rather than paying attention to the accuracy and regularity of stippling. The coherence of momentum, the contrast between reality and reality, clever evasion and free expression of passion constitute the overall characteristics of Zhang Xuguang's cursive works. I have a soft spot for official script, and it is hard to give it up. Taking, Xianyu Monument and Monument as the main official calligraphers, the brushwork follows Deng and others in Qing Dynasty. The brushwork of bamboo and silk in Qin and Han Dynasties is vigorous, smart and full of rhythm changes, and it wins with strong brushwork, dangerous posture and big style. Especially in the whole black-and-white segmentation, it not only highlights the contrast between large and small pieces of black and white, but also increases the strength of black and white, showing high spirit!
At first, Mr Zhonghua Wan only learned calligraphy by copying everyone's inscriptions. In 2009, he went to the forest of steles in Xi 'an and saw a stone carving of Han Dynasty, which shocked him. Suddenly, he had a strong idea to integrate this vast and majestic feeling into calligraphy and express this heroic spirit with calligraphy.
After returning to Shijiazhuang, he began to look for the shock of aesthetic experience from the posts. First of all, he started with Yan Zhenqing's regular script in the middle Tang Dynasty, which was open, atmospheric and square, and then went deep into the official script of the Han Dynasty. He summarized the artistic style of the Han Dynasty as: vigorous, broad, open, full, romantic and carefree.
In his calligraphy creation, Zhonghua Wan insisted on the principle that China's calligraphy could not be divorced from China's traditional culture. Law embodies the thought and essence of traditional culture.
In a word, calligraphy is a feeling of diligent practice+inspiration+temperament, paying attention to the overall effect, paying attention to arbitrary, and using a pen at will. Calligraphy should be full of vigor and vitality in time; in space, static brushwork should be vivid and wonderful, and dynamic line ink should show charm and spirit. It is the blend of skill and artistic conception, and the harmony between mind and nature. Sometimes I wonder where the roots of western calligraphy are, and how the typical sensibility and rationality in Europe have achieved the art of calligraphy. It is clear that calligraphy originated from nature, from humanity, from tradition and from the long-standing cultural accumulation of poetry.
affect
Zhonghua Wan was born in a small village in wuqiao county, a famous hometown of acrobatics in China. He was 8 years old at the village primary school in Xiwangjiafang, wuqiao county. At that time, the family was poor and the conditions were not good, but influenced by his family, he practiced calligraphy every day and became a down-to-earth child.
Later, after taking part in the work, influenced by the working environment, he saw more of the world and had a wide range of contacts. First-class calligraphy works can be seen everywhere, and Wan Zhonghua suddenly felt like a frog in the well. So he is willing to think of himself as a sponge, roaming in the ocean of calligraphy and absorbing the strengths of others.
On one occasion, Zhonghua Wan went home with his wife and daughter Wan. Entrepreneur Feng Yugang brought the Tao Te Ching and asked him to write a big word "Good as water" to be engraved on the back wall of the enterprise compound. It is 4 meters high and more than 8 meters long, and it is the hardest to refuse homesickness. Zhonghua Wan has a pen in his hand and a passion in his chest. He is free for Wang Yang, free and in one go. Later, Laozi's masterpiece and Zhonghua Wan's masterpiece, 4 meters high and 8 meters wide, hung on the back wall of the enterprise and became a very famous local scene!
He who suffers hardships is a master. After some efforts, Zhonghua Wan finally showed his calligraphy style. "When Wei Li entered the profession, he created Gu Zhuo's calligraphy style, which is thick, vigorous, tall and straight, generous and smooth. Zhonghua Wan's works see beauty in plain, show skills in dignified, and see elegance in extraordinary. " This is an expert's evaluation of him. Once he forms his own unique style, Zhonghua Wan's calligraphy will be more like nobody's business, and he will be free and unrestrained!
There is no end to learning art and sincerity. Mr Zhonghua Wan has just passed away, but the road to art has just begun. It has been 30 years since the Spring and Autumn Period of art, and his artistic path has only emerged. This is the unshirkable mission of artists who inherit and innovate, carry forward national culture, establish calligraphy theory system and work hard for the society for many years.
Zhonghua Wan is a rigorous person. He believes that the highest realm of calligraphy is the elegance of Confucianism. As the saying goes, "I don't dare to be sharp and stick to the rules." He believes that if I can't maintain the elegant style of Confucianism while innovating, I would rather maintain the status quo. Therefore, when he recalled the course of calligraphy creation, he was filled with emotion: "This road is too difficult!"
In his calligraphy creation, Zhonghua Wan insisted on the principle that China's calligraphy could not be divorced from China's traditional culture. Law embodies the thought and essence of traditional culture.
The life of the character
After 1997, he entered the military career, so he did not participate in social organization activities. I have done propaganda reports in the army and prefer to practice calligraphy after work. My works are closely related to the essence of calligraphy. In 2000, he participated in the calligraphy competition organized by the People's Liberation Army system and won the Excellence Award. His works have been published in various newspapers and media of the People's Liberation Army for many times.
In 2009, I returned to my hometown after job hopping. After taking part in the work, I still remember my obsession with calligraphy. I study rubbings every day, 20 10, 1 1, and my six-foot official script works entered the 16 Asian Games Contemporary Art Exhibition.
Awards honor
1994 participated in the "Wutai Mountain" Cup National Calligraphy Competition and won the excellent official script award.
1997 Welcome Hong Kong's return to the national calligraphy competition and win the third prize.
20 11July1day, and his works are in the east of sunrise. Ode to Chairman Mao won the gold medal in the national painting and calligraphy competition.
20 1 1 On July 20th, 2008, A single spark can start a prairie fire, which commemorates the 1911 Revolution100th anniversary, won the first prize.
201/kloc-0 participated in the second cross-strait lotus poetry and painting exhibition in August, and won the Chinese Lotus Art Award for calligraphy.
In May, 2002, 2065438 won the third prize in the Third Art Competition of Good Words in the Motherland.
20 12 1 1 won the third prize of Yanhuang Cup International Poetry, Calligraphy and Printing Art Competition.
20 13 Hebei excellent painting and calligraphy exhibition won the first prize.
20 14 1.2 was awarded the first Golden Horse Award for International Artists by the International Federation of Famous Writers and Artists.