Badashanren, a famous painter in the Qing Dynasty, was one of the "four monks" in the early Qing Dynasty, and Badashanren was one of his names. He was born in 1626 and died in 1705. He is a descendant of Zhu Quan, the royal family of Jiangning in Ming Dynasty, and the ninth grandson. /kloc-when I was 0/9 years old, my country was ruined and my mood was sad. He pretended to be deaf and dumb, put a big dumb word on the door and didn't talk to anyone. At the age of 23, he became a monk in Fengxin Mountain. Due to the long-term accumulation of anxiety and depression, he suffered from madness.
Badashan people have many characters, names and aliases. His real name is Tong, also known as Badashanren, Xuege, Geshan, Geshan Donkey, Renwu, etc. Later, he was a Taoist priest, who lived in Table Cloud Spectrum. After entering the Qing Dynasty, he remained anonymous. He cut his hair and became a monk. He took the Dhamma name and handed it down. At the age of 55, he used the word blade in Geng Jia, Kangxi (1680). It began to snow at 4 1 year old, and it was used at 55 years old. The first time I saw No.1 Mountain was at the age of 46, and until I was 59, he still had the equal sign of donkey, donkey house and human house. Donkey money was first seen at the age of 56 and at the latest at the age of 58. Man's house and donkey's house are used at the same time. Before the age of 60, the characters used were Yi Fa, Diandian, Han Chun, Yi Xueheng, Liefu and Hongxuan. Zhu Da is a monk's name, and "dang" is a vulgar word for "donkey". As for the name "Benevolence in Badashan", he chose it after he abandoned the monk and turned to the common customs. From the age of 59 until his death at the age of 80, all the previous words were abandoned. The book "Badashanren" has profound implications. The Eighth National Congress of the Communist Party of China is closely related to Ren Shan, that is, "crying and laughing" is his hidden meaning. He has a poem "Laughter and crying are spreading" to express the feelings of national destruction and danger.
Badashan people are good at painting landscapes and flowers and birds. His paintings are unrestrained, irregular, vigorous and beautiful, full of escape, and the composition is incomplete but complete. His "one flower, one bird" lies not in quantity and size, but in the position and momentum in the layout. And whether it is used in a timely, surprising and ingenious way. This is his "win-win" method. If the layout of the painting is flawed, sometimes books and clouds are used to fill its meaning. Badashan people can write poems and have exquisite calligraphy, so even though his paintings are not many, with his poems, the artistic conception is enough, and his paintings make people feel small and numerous, which is the artistic ingenuity.
Most of his landscape paintings are ink and wash, and the patriarchal clan system is Dong Qichang, with Huang, Ni Zan and Dong Qichang painting landscapes. However, there is no elegant, peaceful, clean and elegant style. Instead, he was lonely and desolate, revealing a strong and simple atmosphere in the desolate realm, reflecting his lonely and angry mood and determined character. His ink is different from Dong Qichang's, Dong Qichang's light ink can moisten Ming Jie, and Badashanren's dry grinding can moisten Ming Jie. Therefore, the paintings are all "unrestrained". Badashan people are different from others, and they are all "moist". Badashan people are different from others. A painter's artistic expression can be different from that of his predecessors, but it also lags behind others.
His flower-and-bird paintings are particularly outstanding and have the most personality. Most of his paintings are lyrical, expressing meaning by symbolic means, personalizing the image and pinning feelings. Such as fish and birds, once made the expression of "staring at people with white eyes" to express cynicism. His flower-and-bird painting style can be divided into three periods. Becoming a monk before the age of 50 is a relatively early period. He spent a lot of money on Biography, Personal, Donkey, and Human Bookstore. He painted more fruits and vegetables, flowers and pine plums, most of which were books. The picture is more exquisite and powerful. From the age of 50 to 65, the painting style gradually changed, and I like to paint fish, birds, grass insects and animals. The image is exaggerated, and the mouths and eyes of birds and animals are mostly square, with oval faces, large and small, and are on the verge of extinction. A bird lives with one foot and hangs with the other. After the age of 65, it will be late, and the art will become more and more mature. The brushwork became Park Mao Xiongwei, and the shape was extremely exaggerated. Fish and birds' eyes turn around a little, and their eyes lean against the rim of their eyes, looking like "supercilious" Some birds he painted seem to be stubborn. Even if there is not much pen and ink, they show the feathers of birds, which makes people feel untouchable and fly at the touch. Some birds shrink their necks with their fists and feet, which are both bullying and afraid of hard work, and are also concise in composition and pen and ink. These images are undoubtedly the portrayal of the painter himself, that is, "the song of grief and indignation, worrying about the country and the people, expressing one's feelings with pen and ink." He wrote in a poem about Huang Shanshui: "Guo Jiayun is small, but Dong Laoma has many trees. People can understand if they want to see pictures. Yifeng is still with Song. Show his national consciousness.
Badashanren's paintings had little influence at that time. Only Niu Shihui and Wan Wan spread the dharma, but they had a far-reaching influence on later paintings. His artistic achievements are mainly unconventional and created by himself. His freehand brushwork is different from Xu Wei's bold and unconstrained, and Badashan people's rigor can be released. The Eight Eccentrics in Yangzhou in the middle of Qing Dynasty, the Shanghai School in the later period and modern masters such as Qi Baishi, Zhang Daqian, Pan Tianshou and Li Kuchan were all influenced by it.