Open classification: literature, poetry
The topic has been broken, Xue Ju battlefield.
Time and the author Don Li Shimin
content
I used to be pregnant with a strong spirit, and Tiago was the first combat festival. The heart grows taller with the day, and the ambition is clean with the autumn frost.
The mobile front was shocked and decided to move to Changhe District. The camp breaks and the stars sink, and the clouds crack.
Wave silence, then lift the whale spirit. In this place, I lean on the old original and belong to the China Pavilion.
There are no traces of sediment deposition, but traces of scorch extinction (1). The waves are clear and clear, and the peaks and fogs hold the lotus faint (2).
The world is changing rapidly, and personnel are different from time to time. The dragon wants to overlook the past and caress the bow to talk.
be filled/suffused/brimming with
School (1), "Huaying" and movable type are "reduced". (2) hug, Huaying as "drag".
Writing background
The title of this poem is in the original note: "In the first year of Yining (6 17), it helped the wind and lost." This poem is a blessing in Shaanxi.
At the end of the Sui Dynasty, many heroes rose together. In the summer of 6 17, Li Yuan and his 18-year-old son Li Shimin set out from Taiyuan and quickly took control of the Weishui River Basin. Soon, he fought against Xue Ju, a hostile separatist force, in the fortress of Chang 'an West Road. The Battle of Fufeng laid a solid foundation for eliminating separatist forces and unifying the Central Plains in the future.
This poem is the poet's emotion after the reunification of the Central Plains.
works appreciation
The first ten sentences describe the poet's heroism and his fierce battle with Xue Jun. The first four sentences are: "Over the past year, I have been in high spirits and raised my brother's first battle festival. My heart grows taller with Lang, and my ambition is clean with autumn frost. " The poet recalled his youth, when he was young, his heroic spirit was pressing. Diego stuck to the festival and bravely killed the enemy. His mind was as high as the sunny sky and his ambition was as pure as autumn frost. The last six sentences: "moving the front of the electric shock will definitely move the long river. The camp breaks and the stars sink, and the clouds crack. A wave of silence, then the whale giant. " The poet used a series of novel images as metaphors: in the battle, Tang Jun's edge was like a sudden shock, and his momentum was like a long river running and bursting out. Xue Jun's camp, like an alien meteorite, instantly shattered and sank, while the war, like a whirlwind, suddenly fell apart. In this way, after the First World War, the enemy's arrogance was greatly reduced. In the second world war, the fierce enemy (whale catfish, which the ancients thought was a fierce big fish, the male was a whale and the female was a catfish) was completely eliminated. In these six sentences, the poet ignores the details of the war, but uses a highly generalized image, which is overwhelming and powerful.
The second paragraph is more important than what you saw and felt on the battlefield. The first two sentences: "I look down on the old, I belong to the China Pavilion." The poet came to Fufeng battlefield, stopped a covered royal car and looked down at Kawahara, who had fought fiercely in the past. "There is no trace of heavy sand, there are traces of residue in the kitchen. The waves are clear and the fog is faint. "
These four sentences are exactly what he saw. At that time, the traces of fierce fighting between the two sides seemed to be buried by heavy yellow sand, without any traces, only the military stove still vaguely left traces. "Reduce the kitchen", the language comes from Historical Records and Biography of Sun Tzu. Qi used the strategy of increasing troops and reducing kitchens to show the weakness of troops, and induced Wei to enter the encirclement and annihilate Pang Juan. The "reduced kitchen" here actually refers to the military kitchen, and it also supplements the description of the war in the previous paragraph: there are not only power struggles on the battlefield, but also intellectual infighting in the curtain. However, all this seems to be a thing of the past. Under the irradiation of sunset glow, how clear the water waves on the Central Plains are; The mountains in the distance are like lotus flowers, hazy in the mist. "The world is easy to flow, and personnel vary widely. I want to look forward and talk about it. " In a blink of an eye, the world is ever-changing and everything in the world is different. It is comforting to think about the bloody battles on the battlefield for many years and look at the peaceful world in front of us.
The whole poem adopts the contrast between the past and the present, which has not only a heroic image of a young hero, but also a heroic and vast image of a heroic emperor. There are not only descriptions of fierce battlefield battles, but also pictures of peacetime, both feelings about the vicissitudes of the world and the vigorous and unrestrained imperial spirit, which not only enriches the character, but also increases the tension of poetry.
This poem is a one-to-one conjunction except the first two sentences and the last two sentences. It inherits the characteristics of Qi Liang's poems in terms of the neatness of language and the duality of parts of speech, and is a creative exploration of the gradual development of Tang poetry to the style.