Beauty Tang Xiaoyan's calligraphy: The pen is like a double sword, full of movement.

Beauty Tang Xiaoyan's calligraphy: The pen is like a double sword, full of movement. Being able to write calligraphy vividly and away from rigidity is the artistic realm pursued by many calligraphers. This kind of calligraphy realm is more difficult to achieve, so we see more rigid calligraphy and less vivid and pleasing works. The beautiful calligrapher Tang Xiaoyan's calligraphy is vivid and charming.

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The key to vivid calligraphy lies in strokes. Tang Xiaoyan has a unique artistic experience on the dynamics of calligraphy. She writes calligraphy with a brisk pen, which makes a beneficial new exploration on the introduction and collection of traditional calligraphy. Traditional calligraphy pays attention to hiding the inverse and returning the pen. In fact, the main purpose of this rule is to express the implicit artistic characteristics of calligraphy, not to make public, in order to be stable.

If there is a hidden reverse in the path of returning the pen, the purpose of calligraphy can be achieved, but at the expense of losing the vivid and pleasant impression of calligraphy. Therefore, the stronger the brushwork of calligraphy, the stronger the rigidity and sexiness of calligraphy. Tang Xiaoyan writes in Chinese brush, removing the hidden inverse and the back front, and cut to the chase. It's faster to write on paper, and fighters meet each other, each holding a sword and fighting for a vivid gesture of retreating.

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Tang Xiaoyan's calligraphy is lively and dynamic, full of the rhythm of modern art, because of its quick use of the pen and the artistic conception of double swords fighting. If the traditional brushwork is playing a small bridge at a slow speed, then Tang Xiaoyan's calligraphy is playing an ambush with the rhythm of combining two swords.

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Beauty calligraphy, with such a pleasing temperament, is really commendable, so Tang Xiaoyan's calligraphy practice is a typical example of learning from the ancients and not sticking to the rules. The weak beauty is still a soldier, and the professionalism of her work adds a heroic temperament to her calligraphy. Looking at Tang Xiaoyan's calligraphy, we can see the femininity and charm of women's calligraphy, which is the imposing manner and bearing of riding from a distance. Calligraphy friends look at Tang Xiaoyan's calligraphy. Do you have any opinions? Please leave a message to share.

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