Lu Jianzhi, a native of Wuxian in the Tang Dynasty, was the nephew of Yu Shinan, a calligrapher in the early Tang Dynasty. He studied calligraphy with his uncle in his early years and then transferred to Erwang. He got Wang Xizhi's brushwork and put pen to paper, which was quite poetic in Wei and Jin Dynasties. In the Tang dynasty, which advocated statutes, it was really commendable that he could stick to his own style regardless of the trouble.
Lu Jianzhi, a native of Wuxian in the Tang Dynasty, was the nephew of Yu Shinan, a calligrapher in the early Tang Dynasty. He studied calligraphy with his uncle in his early years and then transferred to Erwang. He got Wang Xizhi's brushwork and put pen to paper, which was quite poetic in Wei and Jin Dynasties. In the Tang dynasty, which advocated statutes, it was really commendable that he could stick to his own style regardless of the trouble.
On the whole, the full text is delicate and elegant, full of vigor and vitality, and quite has the charm of Wang Xizhi. Later generations once commented: "The books of the Tang Dynasty are close to those of the Jin Dynasty, which are often rare and do not pay attention to wonderful changes." This pen in Cambodia is so great that many families can't match it. "From here, we can also see Wang Xizhi's profound influence on Lu Jianzhi.
On the whole, the full text is delicate and elegant, full of vigor and vitality, and quite has the charm of Wang Xizhi. Later generations once commented: "The books of the Tang Dynasty are close to those of the Jin Dynasty, which are often rare and do not pay attention to wonderful changes." This pen in Cambodia is so great that many families can't match it. "From here, we can also see Wang Xizhi's profound influence on Lu Jianzhi.