Appreciation of Lei Hu's Calligraphy Works
Pictures of Lei Hu's Calligraphy Works 1
Pictures of Lei Hu's calligraphy works 2
Picture 3 of Lei Hu's Calligraphy Works
Figure 4 of Lei Hu's calligraphy works
Mr. Lei Hu's Artistic Brief Introduction
Lei Hu, pen name Shi 'an, Lord of Fufeng Hall. Born in 1975, Han nationality, member of China Calligraphers Association, founding member of Chongqing Calligraphers Association, vice chairman and secretary general of Wanzhou Calligraphers Association. I loved painting since I was a child, and I began to learn calligraphy at the age of 17. At the beginning, Jiuchenggong was used as a model; Later, Han Li and Wei Bei were studied; From Mi Fei to Sui people's classics in lower case; The cursive script was written by two kings and one vein.
Exhibition of calligraphy works in 2000? Chongqing new generation calligraphy exhibition 27 people? , entered the exhibition in 2003? Bayu wind &; ; #8226; The second youth calligraphy exhibition? , in? Chongqing 4th Book Fair? Get a nomination award. In 2007, he won the first prize of the fifth calligraphy and seal cutting exhibition in Chongqing. In 2005, he was shortlisted for the 4th National Book Exhibition. In 2007, he entered the ninth national calligraphy seal cutting exhibition and the first western calligraphy seal cutting exhibition. In 2008, he was selected for the 6th China Book Newcomer Exhibition.
The Historical Basis of Calligraphy Aesthetics
The concept of aesthetics, in short, is the science and theory of art, which studies and explores: the form and essence of art, the standards and characteristics of art, the logic and attributes of art, the laws and methods of artistic creation, the schools and styles of artistic formation, the relationship between art and reality, and the expression of aesthetic psychology. Therefore, calligraphy aesthetics is naturally the basic theory of calligraphy art, which not only originated from long-term calligraphy practice, but also rose to theory through continuous summarization and refinement, thus guiding the development of calligraphy practice and constantly improving the value and level of calligraphy art, as President Mao Zedong said in 1936 "On Practice". Truth is discovered through practice, and truth is confirmed and developed through practice. ? Practice, cognition, practice and cognition are endless, and the content of each cycle of practice and cognition has reached a higher level. ? This philosophical formula also conforms to the objective law that calligraphy art and calligraphy aesthetics promote each other, cause and effect each other and develop continuously.
The emergence and development of calligraphy art is not only the result of people's long-term practice, but also the accumulation of rich experience of calligraphers in past dynasties. The formation and evolution of various fonts are basically contributed by three factors:
1. In the process of social development, the simple prototype of a certain font is generally bred, circulated and used by the people.
2. Some calligraphers tried their best to collect, arrange, beautify and optimize the new fonts and regular script that had appeared at that time.
3. It must be approved and recognized by the top leadership of the DPRK, or advocated and implemented nationwide by laws and regulations. What needs to be emphasized here is that some famous calligraphers in history have made special contributions to the emergence and development of calligraphy art and the achievement and improvement of calligraphy aesthetics, which is undeniable.