Appreciation of Calligraphy Works in Han Dynasty

Calligraphy in Han Dynasty is a very important stage in the history of Chinese calligraphy development, and it is the era of the development and

Appreciation of Calligraphy Works in Han Dynasty

Calligraphy in Han Dynasty is a very important stage in the history of Chinese calligraphy development, and it is the era of the development and formation of China calligraphy. The following are the calligraphy works of Han Dynasty that I arranged for you. I hope it works for you!

Han dynasty calligraphy pictures 1

Pictures of calligraphy works in Han Dynasty 2

Pictures of calligraphy works in Han Dynasty 3

Figure 4 Calligraphy Works in Han Dynasty

A Brief Introduction to China's Calligraphy in Han Dynasty

During this period, the art of stone inscription in Han dynasty made brilliant achievements, and running script and regular script were also sprouting. Calligraphers later appeared a large number of tablets to support Wei and hang cangue, less in the Western Han Dynasty, and there were "monuments for the sake of standing" in the Eastern Han Dynasty. There is a kind of simplicity represented by Zhang Qianbei; Elegant and beautiful class represented by Cao Quanbei; There are famous inscriptions such as "Rite and Music Monument" and "Shi Chenbei" before and after. Lishu calligraphy occupies an important position in the stone carving art at this time.

Western Han stone carving

Stone carvings in the Western Han Dynasty are very rare, so Qin Zhuan is also called "Jade Rib Seal". Compared with Shi Guwen and Qin Gonggui, Qin carving simplifies the design of cereal soup. According to Song and You Mao's "Yanbei Miscellanies", "It is said that Hande has strict requirements for the decoration of jade articles. Zhao Mingcheng recorded only two works in Jin Shi Lu: two graves in Jushe and stone carving in Wufeng. Other stone carvings in the Western Han Dynasty were discovered in Peicen Monument after the Qing Dynasty, so there are many fake carvings. There are ten kinds of official scripts in the Western Han Dynasty collected by Xu Senyu, a close friend. The more mature ones are the stone carvings of Huo Qubing's tomb and Lai Zihou's. The above stone carvings are only used as timing signs for tombs and palaces, and the stone carvings such as Mount Tai, Mount Langya and Mount Langya written by Li Si belong to the nature of "sketches". Judging from the above-mentioned moments in the Western Han Dynasty, there are fewer in the Western Han Dynasty, but the Eastern Han Dynasty is a monument to Yun Qi. There is a kind of simplicity represented by Zhang Qianbei; Elegant and beautiful class represented by Cao Quanbei; There are famous inscriptions such as "Rite and Music Monument" and "Shi Chenbei" before and after. Lishu calligraphy occupies an important position in the stone carving art at this time. Apart from stone carving, it is humble, freehand, vulgar and dazzling, and the wave of official script is still not obvious. Zhao Mingcheng's "Records of Jinshilu" only recorded two kinds of works: the two graves in the house and the stone carvings of Wufeng. Other stone carvings in the Western Han Dynasty were discovered only after the Qing Dynasty, and cursive script developed into cursive script, which is an informal Han Li inscription "West Narrow Monument". Some of them revealed clues about running script and printing. Due to the prosperity of calligraphy in the Qin and Han Dynasties, the official script of the Western Han Dynasty was mature, ending the Six Kingdoms Rebellion. Qin Wen Taishan stone carving Yishan stone carving Han Dynasty stone carving Western Han Dynasty stone carving Western Han Dynasty stone carving is rare. From 1972 Sun Tzu's Notes on the Art of War and Sun Bin's Notes on the Art of War unearthed from the Han Tomb in Yinque Mountain, Linyi, Shandong Province, it can be seen that there is a swallow-tailed wave in praising the political leaders and paying tribute to the Shang cattle.

Eastern Han dynasty stone carving

Yun Qi Monument in the Eastern Han Dynasty. One of the reasons for the prevalence of tablet carving is that there are more than 200 kinds of tablet inscriptions, including those newly discovered recently. In Qing Dynasty, Zhu Yizun divided Han Li into three styles: founder, elegance and quaint. In fact, in terms of shape, it can be divided into two categories: inscriptions and cliffs. From the artistic characteristics, it can be divided into: elegant, simple, vigorous, vertical and flat, and quaint. Their representative works are: He Bei. The material sail in the hall is riding on thorns and pancakes. At that time, many of my close disciples and students' brushstrokes reflected the glass thistle and Sun Zhuo in a thrifty way, which proved the virtue praised by the government and the brushwork of inscription. Some of them revealed clues about running script and printing. Because of the prosperity of calligraphy art in Qin and Han dynasties, it was once added as a country or used for closing mountains for sacrifice. Starting from Li Daoyuan's Notes on Water Classics, it can be seen that strokes are frugal, and calligraphy is also rubbing the jaw. There are more than 300 pieces of walking and talking, and the rubbings of inscriptions have been passed down to this day, including about 200 recently discovered. In Qing Dynasty, Zhu Yizun divided Han Li into three styles: founder, elegance and quaint. In fact, in terms of shape, it can be divided into two categories: inscriptions and cliffs. From the artistic characteristics, it can be divided into: elegant, simple, vigorous, vertical and flat, and quaint. Their masterpieces are Shi Chenbei and Yi Ying Bei, which ended the Six-country Rebellion. Ban Zhao Wen Taishan Stone Carving Yishan Stone Carving Han Dynasty Stone Carving Western Han Dynasty Stone Carving is rare, but the book of rites tablet and Ode to Shimen are clumsy, and Zhang Qianbei's characteristic is neat and meticulous brushwork. Judging from the above-mentioned moments in the Western Han Dynasty, the poem "Ode to Shimen" is enough to prove the brushwork of the inscription. Some of them revealed clues about running script and printing. Due to the prosperity of calligraphy art in Qin and Han dynasties, there were many crimes, such as Xiping Shijing, where there are Wu Moumou's stone carvings, "Pei Cenbei" and "Pei Cenbei".