Li Bai's Memories of Time Past is his masterpiece in cursive script. The whole volume is round, unrestrained, unrestrained and unrestrained. The whole dragon and snake dance in one go. This post is one of the representative works of Huang Tingjian's cursive script. The first 80 words of the volume are incomplete. I once said that I have kept Shengjia for many years and have cursive samadhi; It can be seen that this volume was written after the middle-aged and old-aged Tingzhang.
This volume of cursive script marks the outstanding characteristics of yellow grass. It is covered with a pen and rolled vertically and horizontally, which complements the poem and complements each other. The words in each line are not equal, the spacing is quite dense, and the lines seem to be slightly wider, but they are not equal. The refined thread is not vertical, and the twist is quite heavy, sometimes left and sometimes right, but two sets are very comfortable.
Extended data:
Huang Tingjian doesn't drink, and the grass is all in his head, so that he can use a pen. But his meditation and wonderful enlightenment, though rational, can also be opened and closed, gathered and closed, and entered the realm of writing.
And its pen, by contrast, is more calm and elegant, although ups and downs, but also can stay everywhere, stay everywhere. Huang Tingjian's "All Seated Posts" and other Buddhist cursive scripts are really wonderful. Thus, Huang Tingjian created a new realm of China's cursive script.
The formation of Huang Tingjian's Chinese calligraphy style is due to his self-discipline after seeing the cliff "righteousness and brightness" in Jingkou. There is a misunderstanding in Huang Tingjian's "Tuoheming", that is, he took "Tuoheming" as a book written by the right army and believed it, so he tried his best to figure out the teacher's knowledge.
Baidu Encyclopedia-Huang Tingjian