1, Yan monument
Li Yanqin Monument was written by Yan Zhenqing in Tang Dynasty, and it is the epitaph of his father Yan Zhitui. This inscription has an important position in the history of calligraphy and is known as "the best running script in the world". Its standard font, profound strokes and vigorous momentum are one of the representatives of regular script. Therefore, this inscription is known as "the first regular script through the ages".
2, "Zhao Mengfu running script post"
Liu Gongquan's "Zhao Mengfu Shu Hang Tie" was written by Liu Gongquan in Song Dynasty, which is an imitation and creation of Zhao Mengfu's calligraphy. The font of this post is smooth and natural, the strokes are round and powerful, and the lines are beautiful, giving people a comfortable feeling. The essence of this post lies in its running script, which is known as "the first post of running script".
3, "Jiuchenggong Liquan Ming"
Ou Yangxun's Inscription of Liquan in Jiucheng Palace was written by Ou Yangxun in Tang Dynasty. This inscription has a dignified and generous font, fine strokes and great momentum, giving people a solemn feeling. This inscription has played an important role in promoting the development of regular script and is known as "the first monument of regular script".
4. Preface of Lanting Collection
Wang Xizhi's Preface to the Lanting Pavilion was written by Wang Xizhi in the Eastern Jin Dynasty, and it was his Preface to the Banquet. The font of this preface is fluent, natural and magnificent, giving people a sense of agility. This preface is known as "the Bible of calligraphy" and is one of the representatives of regular script.
Calligraphy characteristics of the four major regular script writers
1. European style: European style is integrated with the essence of Han Li and Wei and Jin calligraphy. With Fang Bi as the main pen, supplemented by a round pen, the pen is chic, the nib is crisp and neat, and the strokes are distinct, with straight bends and straight bends.
Second, the face: face strokes, vertical painting thick, horizontal painting thin, obvious thickness contrast, more exposed pens, multi-purpose folding paintings, tight and symmetrical folding angles, plump and sharp strokes, generous, vigorous and powerful fonts.
Third, Liu Ti: Liu Ti uses Fang Bi as the main pen, and also uses a round pen. Horizontal painting varies in thickness and lines are clear. Press the front of the vertical pen again, the middle is slightly curved, and the turning point is sharp and angular.
Fourth, Zhao Ti: Zhao Ti's pen is mainly centered, with Fiona Fang and Fiona Fang. The strokes are connected with bones, rigid and flexible, dynamic and static, clean and neat, and both.