Shoujinti was created by Song Huizong Zhao Ji, which is an original creation in the history of calligraphy.
Thin gold book is a unique font, with its erratic and fast brushwork and thin handwriting, thin without losing meat. At the corner, you can clearly see the traces of Tibetan front and exposed front. This book is based on imagism and should have been "thin". Changing "gold" into "tendon" is a respect for imperial books.
Song Huizong's calligraphy strokes are thin and hard. He first studied under Huang Tingjian, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is hazy"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality. This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star. Jin Zhangzong once wrote famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with exquisite brushwork and poor form and quality.
The "towel book" conforms to the brushwork of meticulous flower-and-bird painting. The slender strokes as thin as ribs aggravate the ups and downs at the beginning and end, and then the structure of Huang Tingjian's tight knot around the middle palace is quite wonderful. This thin character is just suitable for his meticulous painting, which echoes the brush. As an artist with both calligraphy and painting, he made a very important integration of painting and calligraphy, which created a new situation of literati painting and calligraphy, influenced later generations and continued to this day.