How to write a good pen regular script

regular script is the main style of Chinese characters. Kai, a model, is a standard font. Pen regular script has the following characteristics: First, pay attention to the strokes of pen regular script: Teton, Hidden Dew, Fiona Fang, Fast and Slow, etc. Different ways to use a pen produce lines with different shapes and textures, and different lines need different ways to use a pen to reflect them. Pen regular script font is small, and the line thickness does not change much. If you don't pay attention to it when writing, the strokes will not meet the requirements, and the strokes will be weak, stiff and rigid. Therefore, you must undergo strict training to master the method of using a pen. Second, the strokes are clear. The starting and closing of each stroke of the pen regular script must be clearly explained, neat and standardized, clean and neat, and cannot be scribbled or adhered. However, there must be an internal echo relationship between strokes, so that strokes can achieve: orderly starting and ending, distinct strokes, solid and powerful, stopping and continuous, straight but not stiff, curved but not weak, smooth and natural. Third, the structure of the whole pen regular script emphasizes the balanced distribution of strokes and radicals, the stable center of gravity, the appropriate proportion, the correct font and the standard. When words are arranged together, the size should be symmetrical and the lines should be neat. Although there are also uneven changes in shape, it is still neat and tidy on the whole. To practice regular script, we should work hard on strokes and structure. Practice strokes, mainly to solve the problem of using pens, with the aim of producing qualified "parts"; Practice structure, mainly to solve the problem of combination between strokes and radicals, with the aim of learning structural methods and mastering structural rules, so as to achieve the requirements of writing words correctly, neatly and beautifully. The name of the characteristic book of the pen running script began with Wei Heng's Four-body Unique Book in the Western Jin Dynasty. In Shu Duan, Zhang Huai explained the cause of the running script in this way: the running script. It was also made by Liu Desheng in the later Han Dynasty. The little falsehood of the original book. Things are simple and popular. Help call it a running script. There were running scripts in the late Eastern Han Dynasty. From the generation of running script. From the development process of its formation and evolution, the running script did not become an independent "running method". This is the biggest difference from seal script, official script, grass script and kai script. Running script can't have a body. The biggest feature is the use of Lian Bi and pen saving. Without using or using less grass symbols. Keep the recognizable structure of regular characters more. So as to achieve the practical purpose of simple and fast writing and easy to understand. Facilitate the circulation and exchange of text information. In addition, the running script has the characteristics of sticking to other books. Therefore, Sun Guoting's Book Score said: "The trend becomes timely. Running script is important. " Running script germinated in the Han Dynasty and took place in Wei and Jin Dynasties. Up to the Eastern Jin Dynasty, a highly artistic and exemplary running script style, represented by the two kings, came into being. From the Southern and Northern Dynasties to the early Tang Dynasty, the calligraphy circle was shrouded in the artistic atmosphere of the two kings' calligraphy style. From the mid-Tang Dynasty to the Song Dynasty, Yan Zhenqing started a new generation of calligraphy. After that, Su Dongpo, Huang Tingjian, Mi Fei and Cai Xiang were all influenced by it. From yuan dynasty to the middle of Ming dynasty. Zhao Meng, Zhu Yunming, Wen Zhiming and Dong Qichang all occupy a place in the book style of Jin and Tang Dynasties. The period from the late Ming Dynasty to the Qing Dynasty was a leap stage in the development of running script. Its characteristics: first, there are personalized cursive writers with group nature. Second, under the influence of the trend of thought of stele study, the style of writing running script with the brushwork of northern stele appeared. The former is a kind of "Shang Shi" book style. The latter is a folk tablet style. Running script is a quick writing of regular script, which is said to have started in the Han Dynasty. It is not as neat as regular script and there is no draft of cursive script. Running script with regular script or close to regular script is called "running script"; Those with cursive script or close to cursive script are called "cursive script". Compared with regular script, running script has the following characteristics: (1) Eliminating stippling: In order to make writing simple, running script simplifies some parts of regular script, or omits stippling or merges lines. For example, beside the word "Hua", the original regular script was written as seven paintings, and there were only two paintings in the running script, leaving out five paintings; The four dots of the word "Ran" changed from four dots to one horizontal, eliminating three paintings; The swimming of the word "near" is simplified from a 1.3-point bend to a vertical and horizontal bend, which also saves some bending waves; The middle of the word "Buddha" used to be a deformed word "bow", but now it is replaced by a horizontal bending hook, which saves two bends at once. Subtractive stippling is mostly used in the radical and radical aspects of words. (2) The flow of strokes A: increase the hook and thread: writing regular script requires clear stippling, writing one stroke at a time, while writing running script can be linked by stippling, and increase the hook and thread between stippling. Tick-picking is to write short ticks on the dots without tick-picking, such as the horizontal painting of the word "ancient" and the sketching of the word "good"; Tie wire is conveniently connected with thin tie wire between the dots that are not connected before and after, such as the dots in the middle of "Si" and the middle and right points of the word "Xin". With the hook and thread between the strokes of the running script, it appears that the pen gesture is flowing and the intention is lively. However, it should be noted that there should not be too many hooks and ties, otherwise the pen will be unclean and the shape will not be beautiful. B: Change the writing order: the writing order of running script is cursive, which is different from the original regular script. Such as "autumn, you, Rong and ban", with regular script in front and cursive script in the back. When writing a running script, changing the writing order must be adapted to local conditions, guided by the situation, and conform to the cursive script norms. (3) Flexible use of pen: The pen for running script is more flexible than regular script, and the same stippling writing method is not restricted. For example, after the word "Ge" is written horizontally, you can either flip the pen directly from the right to write Ge Gou, or you can go up from the right to make a small circle and then write Ge Gou; The floating goose hook with the word "Ye" can also be turned down from the top, or written down directly from the bottom; The word "wood" next to the word "wood" is usually written from the left after the horizontal and vertical paintings are written, but it makes sense to turn over the pen and write from the right; As for the pick next to the hand, if you write it in regular script, it is good to write a pick from the previous front, and it is even better to connect the vertical hook with the oblique pick with a string. (4) Changeable posture: Running script is a font between regular script and cursive script, which has a wide range of activities and rich expressive force. There are often several ways to write a word, and its posture is changeable. For example, the four suffixes of the word "Shi" and the four prefixes of the word "Hua" are written in a neat and freehand way, with similarities and differences, diverse and unified, and interesting. Changing posture is the strength of running script, which is beyond the reach of regular script and cursive script. The so-called hard pen calligraphy is a method and activity that uses pens, ballpoint pens, dip pens, pencils, bamboo chips and plastic pens as tools to express Chinese writing skills and then express the author's feelings. The resulting works are hard-pen calligraphy works. Hard pen calligraphy has duality, that is, artistry and practicality. Therefore, learning hard-pen calligraphy should not only pursue high-level artistic level, but also pay attention to its practical value. To reflect the practical value, we must be correct, standardized and symmetrical in writing. If in a work, there are many typos, self-made words and dancing freely, even if we have superb pen skills, it is just a "ghost painting symbol." Hard-pen calligraphy can only be recreated on the basis of its practicality, and it is possible to create a perfect work. In dealing with its artistry, we should first reflect the characteristics of simple, fluent, elegant and natural hard pen writing, and then get far-reaching meaning. That is to say, through skilled pen-using skills, the author's knowledge of learning books and rich inner world are fully displayed with limited pen-grasping performance. Specifically, a good sketch calligraphy work should have the following three aspects; First, it is vivid, rich and unique; second, it is a beautiful structure, and third, it is a pen with distinct strokes, which makes it natural and rhythmic. These three relationships are interrelated and indispensable. It is essential to have both form and spirit, and it is appropriate to study traditional law posts. This is because China's calligraphy art has a history of thousands of years, and it has reached a perfect position in Chinese character writing. Therefore, any kind of calligraphy post can be a model for hard pen calligraphy. However, due to the limitation of hard pen's own performance and practical needs, it is necessary to study the ancient calligraphy selectively. Such as Wang Xizhi, Chu Suiliang, Mi Fei and Zhao Mengxu, are the best models. Through posting, you can not only make the knot beautiful and conform to the statutes, but also learn to use the pen and gain its spirit. On the other hand, the strokes in the brush Copybook for calligraphy are clear, and the lifting and pressing changes are obvious, so it is easy for beginners to understand how to use the brush. However, the strokes in hard-pen book posts are slender, the lifting changes slightly, and the printing is distorted, which often makes it difficult for beginners to observe and go astray. Therefore, the traditional calligraphy paste should be the main object of hard-pen calligraphy study, and the hard-pen copybook can be used as an auxiliary reading material for reference and reference. How to choose a copybook suitable for your study? Generally speaking, personal interests are the most important. If someone else chooses a copybook for you and you don't like it, it's hard to look alike when you write it. Conversely, if you like it very much, you will get twice the result with half the effort. Here, there are two important things, one is to choose among the works of famous regular script writers in past dynasties, and the other is to choose a good version. If there is a photocopy of the original, there is no need to use the carved stone rubbings; If there are only rubbings, we should also choose the ink of the same author or the same era as a reference. As a carved work, the shape, force and speed of strokes are very different from the original. For example, when writing about Wei Bei, it is best to choose a book written in the Northern Wei Dynasty as a reference, so as to avoid using a hard pen to imitate the traces of chiseling and erosion in the process of writing. The process of posting can be roughly divided into three stages. The first stage: compare with the original post, and write without leakage. The requirement of this stage is to master the basic brushwork and the structural characteristics of the shelf skillfully, and to memorize the words in the template more accurately. The second stage: while writing the original post persistently, practice writing the poems you are interested in with the method of brushwork structure you have learned. The requirement of this stage is to recite the original post in full or in part, and to have both form and spirit, and to show the characteristics of the tablet post in the exercise. The third stage: while constantly practicing creation, I learn new inscriptions according to my own interests, extensively dabble in regular script and running script materials of past dynasties, and study the relationship between regular script and running script. The requirement of this stage is to be able to create more mature hard-pen calligraphy works and initially form a personal style. Persisting in this stage of practice and achieving this goal is the key to success. In the whole process of posting, two things are always indispensable. First, we should observe, analyze and ponder the inscriptions we have learned frequently and repeatedly; Second, reading and appreciating the excellent works of literature and art, getting in touch with the society extensively, going deep into life, improving aesthetic ability and strengthening moral cultivation are what people often say.