Appreciate brush cursive calligraphy 1
Brush cursive calligraphy II
Brush cursive calligraphy 3
Brush cursive calligraphy 4
Brush cursive calligraphy 5
The beauty of cursive script
Cursive script is the most lyrical and pleasing style in China's calligraphy. Some people say that the form of cursive art has two aspects: the beauty of surface appearance and the beauty of deep meaning. It is also said that the beauty of cursive art is based on ten points: flying strokes, interesting pen and ink, changeable structure, vivid composition, beautiful lines, blood connection, natural charm, ups and downs, magnificent, strange and unique. In a word, the beauty of cursive art is like a poem without words, a dance without words, a painting without words and a joy without words. There is not a poem chanting regular script in the whole Tang poetry, but there are 57 poems chanting cursive script, which is unique in the history of calligraphy in China? Cao Sheng? There is no such thing as seal cutting, seal cutting and running script, which shows that cursive script occupies an unshakable position in the field of calligraphy. So today, let's talk about how contemporary people should improve their horizons and appreciate the unique cursive script from what aspects. The following only represents personal views, please criticize and correct any improper points. In my opinion, the following aspects can be used as the appreciation standard of cursive (running script) art.
First, there must be? Awesome? These lines,
This? Awesome? It not only refers to the strength in the direction, but also includes the differences in shape, strength, astringency, dryness and texture. This requires a proper stroke. This is the point that the famous calligrapher Lin Peng centered his pen. When the line turns around, the line is more vigorous and powerful, and the vitality of the line is vividly on the paper. It can be seen that the beauty of lines lies not in thickness, but in? Round? . ? Round? then what Thick but not heavy, thin but not light? . So what should the lines of calligraphy look like? Clockwork devices often used in clocks and watches? , but don't like it? Cooking noodles in soup pot? The metaphor here is barely called? Awesome? Lines.
Second, is there? Bring the tape, will you? The composition of,
The characters in cursive script are not connected with each other, and there should be an appropriate interval between lines, just as Zong Baihua, a modern aesthete, said. Can you look back around, ups and downs of Yin and Yang, such as branches and leaves of trees, meet each other halfway? No matter how clever the decoration is on the white cloth, the whole article will be filled with smoke and smoke. Mr. Tian Shuchang, a famous calligrapher, was the first to be promoted here. With his skill of controlling pen and ink for many years, he showed the strangeness in plain and normal. Seeing white in black and black in white can make people have a strong * * * sound. The position of composition in cursive script is also necessary.
Third, the meaning? Vast and vigorous? Artistic conception,
Here, of course, we should mention the natural and elegant spiritual connotation contained in Mr. Wang Yong's calligraphy in China. He found his own outlet in the infiltration of tradition, and found a breakthrough point in the study of calligraphy and inscriptions, and integrated the traditional aesthetic system with the simple and natural folk calligraphy style. Although his innovation has attracted various criticisms, compared with the traditional calligraphy style, Gu Zhuo's grandeur and infinite artistic conception reflected in his works are obvious. So the rhythm in cursive script is also essential.
I think a cursive work is extremely successful if it has the above items, and the requirements for skill, linearity, linearity and mutual combination are extraordinary. Wang Duo, a cursive master, is one of them? From ancient times to today? The master, Qi Gong, once commented that the pen can carry the tripod, and there is no such monarch for 500 years, which is the most appropriate evaluation of Wang Duo. Contemporary calligrapher Liu Haisheng, a native of Shaanxi, is an outstanding calligrapher of the younger generation with rich nutrition in cursive script. He has made in-depth research on Beibei, Nantie, Chu Zhushu, Mad Grass, Cao Zhang and Zhushu. His works include Zhao's wandering and tranquillity, Kang Youwei's astringency, Xu Wei's madness and Fu Shan's frankness, which combine many essences to form his own magnificent, elegant, elegant, natural and ancient style. From this point of view, calligraphers should not be confined to one family, but must be eclectic and learn from others to form their own family; As the famous calligrapher Wo Xinghua said in "Canjuan", the art of calligraphy is not to imitate tradition, but to bring forth the new after mastery. In this way, calligraphy will constantly change and innovate with the changes of society. Today, cursive script has become the highest realm of calligraphy. I believe that it will eventually conform to the public's aesthetic appreciation of cursive script and will surely become heroic and pleasing to the eye.