Aesthetic characteristics of Tianzhu mountain in the valley where spring water flows.

It can be summarized as two points, that is, the majesty of the top of the mountain and the beauty of the foothills. Water flows from the north, surrounded by mountains. I want to be poor, but I am disappointed and return empty-handed. In fact, Guquan is developed along the cracks of metamorphic rocks, and the rock wall of the river bed is steep, but not very high. After being washed by running water, it is especially bright and clean, and the water is clear all year round. At the bottom of the cliff on the bank of this stream, there are stone carvings, almost to the point where all the stones are carved, so that there is no gap. There are more than 280 stone carvings in the valley about 200 meters from the valley to the upper reaches of Shi Niu. Chronologically, it existed in all dynasties, especially in the Song Dynasty. As far as fonts are concerned, kai, Cao, Li and seal are all-encompassing; As far as famous calligraphers are concerned, there are Li Ao and Li in the Tang Dynasty, Wang Anshi and Huang Tingjian in the Song Dynasty and Hu Zanzong in the Ming Dynasty. As far as its content is concerned, most of them reflect the author's love for great rivers and mountains and his understanding of exploring the beauty of mountains and rivers.

Huang Tingjian likes the scenery of valleys and flowing springs. He often reads and writes poems on the rocks beside the spring and drinks tea in the spring, calling himself a Taoist in the valley. During his stay, Wang Anshi often visited here, lingering, and had a night outing with his brother. Now, on the stone wall on the east bank of Shiniuxi, you can still see the original inscription: On September 16th, the third year, I spent the night in the temple in Taihu Lake, Guizhou Province, milling with Taoist priests, enjoying my brother's country, swimming with fire, reading Li Ao's xi Zhi, sitting on the stone and listening to the spring for a long time, and I will visit again tomorrow. Linchuan Wang Anshi is not far from here, and there is Wang Anshi's poem: the water turns unintentionally and the mountains are surrounded; Poor and inexhaustible, sitting on a stone and forgetting to return. There is also a poem by Su Dongpo on the rock wall of Xiquan: Mr. Xian has been gone for several years, but the flowing green hills have not changed, and the ancient words wipe the cliff and the dust eyes wake up. In the third year of Song Yuanfeng, Huang Tingjian wrote many poems after he visited the ravine and Liu Quan, and his handwriting is still visible. Since the Ming and Qing Dynasties, calligraphers and scholars have followed suit, leaving a large number of Mo Bao stone carvings, which are extremely rare among the famous mountains and springs in China. This is a precious library of landscape culture, which can be called a museum of poetry, calligraphy and stone carving, and it is also a valuable material for studying ancient calligraphy and historical figures in China. Valleys and flowing springs gurgled for a long time. In such a quiet and elegant natural environment and a rich and splendid cultural valley, it is undoubtedly a great pleasure in life to explore the past and taste spring tea.