The waiting hall is full of plum blossoms, the bridges are thin with willows and the grass is warm and swaying. Sadness is getting farther and farther away, and the distance is like spring water.
Inch by inch, my heart is tender, my eyes are full of tears, and the height of the building is not close to the dangerous fence. Pingwu is full of spring mountains, and pedestrians are even outside.
"Those who are insane just don't want it." A classic sentence in Jiang Yan's Biefu condensed the essence of the meaning of "parting". "The most painful thing in life is to leave", and the straightforward language directly reflects the emotional experience brought by "leaving". Whether it is an old saying or a modern saying, "parting" is the normal state of life, and there are endless topics. Where will you go, yin and yang apart, bringing endless sorrow to mankind; Looking at each other from a distance makes people feel endless anxiety. Different parting, different feelings, different accommodation. "Mochow has no confidant in the road ahead, and no one in the world knows the monarch" is the comfort and encouragement of friends; "I wish people a long time and a thousand miles of beauty" is the watch and concern of relatives; "It's hard to lift a finger, and the two feelings are the same." It is difficult for lovers to leave. When these expressions about parting are coded according to certain logic, it is a colorful picture of the world. "A long shed is built thousands of miles away, and there is no banquet that never ends." Wang Shifu expressed the normal state of the world in simple words. In the world of mortals, every individual in life will consciously or unconsciously play the role of others, and will experience and appreciate the emotional impact brought by parting.
Affection, friendship and love constitute the three-dimensional time and space of life emotion. For the expression and writing of the three emotions involved in parting, different perspectives pay attention to them and their ways of expression are also different; Play different roles and experience different emotions. Aside from family and friendship, as far as love is concerned, as the motif of the oldest literature to express life and life, from oral literature to written language, there are too many essences, including the joy of "seeing GATT again, laughing and laughing", the eager watch of "you live at the head of the Yangtze River, I live at the end of the Yangtze River", and the condemnation of "whoever incites money first and accidentally leaves her" ... Some people pour out their thoughts from a female perspective, "Don't worry, the curtain rolls west wind, and people are thinner than yellow flowers"; Some people write about acacia from the perspective of men and women, "Don't mourn the flowers falling early, and mourn my concubine like a flower"; Some people imagine that women miss themselves with wanderers, "God knows how to return to the boat"; Some people write about men's and women's thoughts from a double perspective. "Why do I have a long time when I know that the border is bitter?" It is the diversity of writing perspectives that makes lovesickness everywhere.
This paper briefly combs the expression of acacia's feelings of parting, and has a basic understanding of the writing of the theme works, which provides basic theoretical support for tasting the corresponding works. "Tasha trip? Waiting for Mei Can is a short word written by Ouyang Xiu, a literary master in the Northern Song Dynasty. Different from the choice of writing angle of general works with the same theme, this word breaks through one-dimensional time and space, completes the erection of two-dimensional time and space, and makes the lyrics more three-dimensional From the overall content, the first film describes what recruiters see and feel during the journey, from a male perspective; In the next movie, I wrote about young women's deep yearning for strangers, and I expressed my feelings from a female perspective. The contrast between the two shows the sadness of southern tourism in early spring from different angles. The creation of this emotional atmosphere is mainly carried out in the following aspects.
One, two-body structure to write divorce.
The so-called two-body structure is to narrate, write scenes and express feelings from the perspectives of two spaces and two subjects. Two-way docking, two-phase superposition, deeper feelings. After all, love is a matter for two people. Love and sadness should have been "but I feel the harmonious heartbeat of the sacred unicorn", not the desire of one side, nor the unilateral efforts of one person to "make people haggard for Iraq and gradually become wider and have no regrets". When two people cherish each other at the same time, lovesickness is bitter and sweet. The first film of Ci wrote acacia from the perspective of a traveling man. The scenery in spring is pleasant. While enjoying the beautiful scenery, men have to apply for a long trip. As we get farther and farther away from home, the sadness of parting becomes more and more intense and endless; The next movie turns to a woman who lives at home. Men's departure and return are far away. If you live alone, you will miss it. Sometimes climb tall buildings and overlook; Sometimes standing on a high post, I look forward to it. But the other side of the mountain is still a mountain, and the person I hope is nowhere to be seen. The barrier of time and space, thinking without seeing, often leads to sadness. However, the concern in each other's hearts makes this sadness more obvious. "Shangque" writes the thoughts of pedestrians and tourists with the change of time and space, wandering endlessly, showing the sadness of wandering; Next, I write about residents' expectations and suspense about tall buildings, as well as their inner activities overlooking people. There is no difference between spring mountain and inner mountain. The poet gave it a definition, and wrote the confused state of mind that people who stay at home miss the distance.
Second, the combination of reality and reality sends acacia.
Because the upper and lower pieces write acacia for men and women respectively, there is a sense of hierarchy in the presentation of emotions. This sense of hierarchy is mainly realized through the combination of reality and reality. The first three sentences of the last movie are farewell scenes, with seasons, scenery and equipment, and a picture of a trip to the western hills is vivid; In the last two sentences, when you write sadness, your emotions are invisible, but using the expressive skills skillfully, you are invisible, tangible, virtual and real, "drifting away" and "constantly like spring water". Looking at men from a woman's perspective, these are all imaginary, not really perceived. The first three sentences of the next film say that women are heartbroken and shed tears because of parting, which is true; The phrase "the building is leaning against the dangerous fence" not only describes the deep consideration and persuasion of pedestrians to the tearful boudoir, but also reflects the inner struggle of women who want to climb the heights but know themselves in vain. A double rhyme, combined into one, wrote the deep affection of two people, adding more strength to romance; The last two sentences describe the young woman's eyes and imagination, which is a real scene when a wanderer imagines a person looking far away in the boudoir, but not seeing what he thinks: in front of the building is a lush vilen, and at the end of vilen is a faint spring mountain; And the pedestrians you miss are far away from Chunshan. These two sentences are about the scene where the woman on the roof stares into the distance and is fascinated by the sky. At the same time, they also reveal women's infatuation, which is an obstacle across the spring mountain, flying to the end of the world and drifting recruiters. From a man's point of view, the behavior and posture of a woman who wants to stay at home thousands of miles away are illusory, but the commitment to women is real and unchangeable. Similarly, women's imagination of men thousands of miles away is realized through imagination, which is empty, but this infatuation will not change. Virtual and real are organically combined through the transformation of two people's perspectives, and the emotions conveyed are moving. "Pingwu is far away, and Chunshan is farther away. While pedestrians are outside the Spring Mountain, people go far away, can't see, and can only imagine. It is extremely soft and thick. "
Third, express sadness with music.
Lyricism by borrowing scenery and blending scenes are common lyric ways in poetry. The relationship between scenery and emotional texture is homogeneous, including happy scenery and sad scenery; There are heterogeneity, joy and sadness, sadness and joy. If it is homogeneous, it can play the role of contrast rendering, such as Wang Shifu's "blue sky and yellow leaves, tight west wind, flying north and south, who is drunk in the frost forest in the morning, always makes people cry"; If it is heterogeneous, it can play a role of comparison and contrast, such as "the past is gone, and the future is bright;" Today, I think it's raining. "What kind of way to deal with it depends on the needs of emotional expression and the choice of the writer's artistic perspective. As a work expressing feelings of parting, Ouyang Xiu did not express his sadness in a homogeneous way, but in a heterogeneous way. First of all, the time and space background of Farewell is mid-spring, "plum blossom, slender willow, fragrant grass, warm wind", and its beautiful scenery is the season that is easy to get emotional. However, the good times are still there, but it is not sad that people travel far and far apart. Spring flowers are all over the mountain, leaving people to send acacia. Beautiful scenery, sad feelings, constitute a contrast, with music lining sadness, sadness is more intense.
Fourth, clever techniques.
As a lyrical work, the writer will be flexible and changeable in techniques besides thoughtful content when writing scenery and lyricism. Reading European words carefully, besides expressing sadness with music, we also use figurative rhetoric to compare endless sadness to "spring water", which is endless and turns abstraction into concrete and vivid. Of course, the most lyrical thing is the clever use of overlapping words in addition to the contrast of scenery. The three overlapping words not only enhance the sense of music, but also increase the lyricism. "Far away, inch by inch, Ying Ying" describes the long time and the distance between them, just like the spring in front of us, the endless journey and the lingering feelings of women.
"Spring water and green hills are the right way. Looking at the mountains in the south of the Yangtze River, people can't see the grass in the distance, which is endless. Spring mountains are everywhere, even outside, and they are far away. When you watch it together. " A work expressing feelings of parting, the poet breaks away from convention, the concern of the expedition man for the housewife and the yearning of the housewife for the expedition man are isomorphic, which not only makes the emotional expression full of tension, but also has the power to capture people's hearts.
(Chen Shitong, Anhui Wanxi Economic and Technical School)