Explanation:
The Red Army was not afraid of all the hardships and hardships on the Long March, and regarded thousands of mountains and rivers as extremely ordinary.
In the eyes of the Red Army, the endless Five Ridges are just undulating waves, while the majestic Wumeng Mountain is nothing more than a mud ball in the eyes of the Red Army.
The turbid waves of the Jinsha River hit the sky-high cliffs with steam. The dangerous bridge on the Dadu River is horizontal, and the iron cables hanging in the sky are shaking, and there are waves of chill.
What is even more joyful is setting foot on the snow-covered Min Mountain. After the Red Army crossed over, everyone was smiling.
Full poem:
Qilu·Long March
Mao Zedong
The Red Army is not afraid of the difficulty of the expedition, and the vast rivers and mountains are nothing but leisure.
The five ridges are meandering and the waves are flowing, and the fog is majestic and muddy.
The golden sand and water are warm against the clouds and the cliffs are warm, while the iron cables across the Dadu Bridge are cold.
I am even happier that there is thousands of miles of snow in Minshan Mountain, and the three armies are all happy after the passing.
From: Mao Zedong's "Seven Rhymes Long March"
Extended information
Starting from the first couplet, the whole poem unfolds two lines of thinking and constructs two time and space. One is objective and realistic: "Expeditions are difficult" and there are "thousands of rivers and mountains" at risk; the other is subjective and psychological: "Don't be afraid" and "Just take it easy". This forms a strong contrast, casts the vast physical space and the magnificent psychological space of the whole poem, and establishes the powerful and broad tone of the whole poem.
Ling and Wumeng are objective existences, but when they enter the poet's vision, they become aesthetic objects. So it is no longer a simple mountain, but an emotional object. The Wuling Mountains are winding, tall and short, stretching for thousands of miles. They are "winding" and "majestic". Even though the mountains are so tall and vast, in the eyes of the Red Army, they are just tiny jumping waves.
Neck couplets The pair of antonyms "warm" and "cold" in the poem are two emotional acupuncture points carefully designed by the poet. The word "warm" is warm and joyful, expressing the excitement of overcoming difficulties; the word "cold" is cold and severe, conveying a life of escape from death. Aftertaste.
This poem vividly summarizes the battle process of the Red Army’s Long March, and enthusiastically praises the heroic and tenacious revolutionary heroism and revolutionary optimism of the Chinese workers and peasants’ Red Army.
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The theme of the poem is extracted from the struggle life of the 25,000-mile Long March. However, the poet did not deliberately exaggerate the cruelty and sacrifice of the war, but concentrated on expressing the victory of the Long March and the realization of the revolutionary ideal. Joy and contempt for hardships and hardships
Mao Zedong’s poems create a palace of beauty in the readers’ hearts; and this kind of natural beauty is Mao Zedong’s artistic inclusion of the beauty in nature and social life. Spiritual sublimation. Because the important feature of expressing beauty is to be good at integrating natural beauty and social beauty, and expressing the content of social beauty through lifelike and vivid artistic images of natural beauty.
In "Xijiang Moon·Jinggangshan". , Mao Zedong spoke highly of the decisive role played by the unity of the army and the people and "united will" in defeating the enemy. This is a strong manifestation of his belief in the power of the masses and his belief in the masses, like a red line running through it. In Mao Zedong's poems