Mr. Shi's cursive style is now both in form and spirit. Looking at it, Feng Yu's changes are ups and downs; At a little bit, this is very frustrating. The so-called cadence, ups and downs, full of paper clouds, although silent, but there is a musical melody. The whole calligraphy works echo from beginning to end, in one go, such as the Yangtze River, flowing clouds and flowing water, and then look at the thick and thin lines, with a white fly in the middle, which has a strong sense of flying and elasticity. The shade, lightness, dryness, brightness, thickness and turbidity of the whole ink vary endlessly. Between strokes, the ink is calm and dripping like spring rain; The white place is empty, as if it were cracked in the autumn wind, and its charm is endless!
? Mr. Shi's calligraphy works are not isolated from each other, but blended with each other. The reason why he can integrate the two is that his calligraphy art takes strength beauty as its character and controls the beauty of Shu and vertical with strength beauty. Throughout the art of calligraphy, the beauty of strength has its technical side: arm strength, wrist strength, and even writing skills. On the other hand, the beauty of force in Mr. Shi's calligraphy art is more based on the internal dynamic function, which combines the above two forces and creates a cursive art with the beauty of force as the backbone. Mr. Shi's cursive art is a leading figure in contemporary calligraphy art.
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