Pan Yueming stills
Pan Yueming's talent, not to mention his star aura, is very cultural in terms of his writing talent. When we were in other male artists, we were much better than Pan Yueming, and Pan Yueming was naturally an anomaly in temperament. In the impetuous atmosphere deep in Pan Yueming's heart, it is very gentlemanly to be able to write calligraphy. Pan Yueming's play road is quite broad, which is closely related to his unique temperament. At its root, the influence of calligraphy is far-reaching. What the older generation said about "words are like people" is still very reasonable.
Pan Yueming's Calligraphy Works
After a brief understanding of Pan Yueming's Calligraphy for Man, it is necessary for us to understand Wang Xizhi's Preface to the Lanting Pavilion. Bian Xiao didn't say much about the content and brushwork of Preface to Lanting, but mainly talked about its creative atmosphere. The widely acclaimed "Sacrifice to My Nephew" was written in the sad atmosphere of Yan Zhenqing's heart, while the Preface to Lanting was written when Wang Xizhi was slightly drunk. At that time, a large group of literati gathered in the land of Lanting, which made the Preface to Lanting an an exaggeration for later generations.
Pan Yueming's drunken book.
Pan Yueming's calligraphy is naturally incomparable with Wang Xizhi's Preface to the Lanting Pavilion. However, his handwriting after drinking is still remarkable. This masterpiece of calligraphy written by Pan Yueming after drinking is quite interesting. The content of Buddhist scriptures has always been able to purify people's hearts, but it is not easy for Pan Yueming to choose Buddhist scriptures as the content of calligraphy. From the overall layout, Pan Yueming's imitation of Wang Xizhi's drunken books is somewhat similar. Between words, each word is like a chess piece, which is really handy in Pan Yueming's works.
Pan Yueming's Calligraphy Works
Pan Yueming's drunken book, though not a masterpiece, belongs to celebrity calligraphy in the eyes of experts, but it still has a lasting appeal. This is a very important criterion for us to judge whether a person has calligraphy literacy. Above the monument, there are achievements of previous calligraphy. Calligraphy takes the ancients as teachers, finds its own rules, and naturally has its own way. Judging from Pan Yueming's calligraphy, his rubbings are not as simple as Bian Xiao's nonsense. His calligraphy came from the tablet, and he absorbed its essence through years of practice, and finally got the charm of the tablet.
Pan Yueming has a good temperament.
It can be seen from Wang Xizhi's drunken book that people's consciousness will be in a relatively excited state. Pan Yueming's slightly drunk brush writing not only shows admiration for the ancients, but also has some emotional appeal in it. This is the charm of calligraphy, which can make people find a spiritual sustenance, but it is difficult for other art forms to have this effect. Looking at Pan Yueming's calligraphy is a wonderful enjoyment. With the growth of age, Pan Yueming's understanding of calligraphy will become deeper and deeper, and he will become more and more verve.