First, install the tool.
It mainly includes: ① Studio, which requires bright ventilation and worry-free. (2) The counter is made of solid wood and covered with vermilion paint to make it smooth. (3) There are two kinds of large walls or walls, wooden walls and paper walls. The former is suitable for humid climate, while the latter is mostly used in dry places. Smooth and bright is required. (4) Cutter, used for cutting paper, silk, twill, brocade and other materials, digging and matching, centering and hole filling. Its blade is sharp and straight, horseshoe-shaped, also known as horseshoe knife. ⑤ Chopping board, which is used for cutting sleeping mats, is made of basswood, ginkgo wood or willow wood with straight and thin lines. 6. Cutting ruler, used as a ruler when cutting painting materials, made of nanmu and Cunninghamia lanceolata. ⑦ Brown brush, made of tree palm, is divided into south and north, the former is small and thin, and the latter is big and thick. ⑧ Combination pen, which is composed of several or even more than 20 wool rings in parallel, is used for brushing paste. Pet-name ruby bamboo, bamboo as material, sword-shaped, thin and smooth front, semi-circular top, thick back. Attending needle cone, used for puncture, flanging, hair removal, etc. Stone, used for grinding and painting the back, is made of fine and smooth pebbles. In addition, there are pulp oil paper, water oil paper and so on.
Second, the mounting materials
Mainly includes: ① paper, mostly raw rice paper, is generally used to support painting heart, silk or back. (2) Silk, a plain fabric, is made of silk and has different thicknesses. (3) Silk, also woven from silk, weaves various patterns, which are mostly used for framing ceilings, fields, water barriers, etc. (4) Brocade and silk fabrics are mostly two-way continuous or four-way continuous patterns. It is often used as the head of handmade noodles, the cover of picture books, the eyebrows and borders of scrolls. ⑤ Adhesive needed for pasting and mounting. Beat with starch or good flour that does not contain gluten and bran, and add appropriate amount of alum when beating to prevent insects from eating in the future. ⑥ Pigment, that is, traditional Chinese painting pigment, is used to dye paper, silk and silks to make up the color of damaged painting. ⑦ Glue alum water, which is a mixture of glue, alum and water, is used to enhance the color of mounted pieces and the texture of paper and silk. ⑧ Shaft head, used for hanging shaft and hand winding installation. The former is made of rosewood, mahogany, rosewood, porcelain, ivory, ox horn and metal. , mushroom-shaped. Installed at both ends of the ground pole, it not only plays a decorative role, but also facilitates hanging picture scrolls. The latter is mainly made of ivory, porcelain and metal, and the upper and lower ends of the tail are round. Pet-name ruby painting pole, divided into top pole and ground pole, is given priority to with Chinese fir, requires straight, including ground pole to have a certain weight. Attending rope, belt, pin, used to bind firmly installed objects. In addition, some chemicals must be prepared, including potassium permanganate, oxalic acid, hydrogen peroxide, acetone, ether and so on. , remove mold marks and stains.
Third, the installation process
A complete process flow is installed, and the operation must be carried out as required. The process includes: (1) supporting the silk, flattening the front of the silk, dipping it in clean water with a combination brush, then absorbing water with a dry towel to make the silk surface compact, flat and wrinkle-free, then brushing the paste, aligning the roll paper with the silk, holding the paper while spreading it, brushing it with a paste brush, brushing it with a brown brush, and taking it off and hanging it on the wall. In addition, you can also put the pigment into the paste, stir it evenly, brush it into silk, paper it, and dry it, that is, dye it with a supporting belt, which is called mud support. (2) Support mosaic paper and backing paper, and most of them support three layers. Spread 1 paper first, brush the paper evenly with dilute cement slurry, add the second layer, align the edges, and brush the paper firmly. Then use mud to support the third layer, and the steps are the same as above. After the third layer is supported, brush it again with a brown brush and dry it. (3) Dye, that is, soak the pigment and glue in water to melt, lock the dyed paper twill on the drawing, and evenly paint the water, first brush the paper holder, and then brush the front of the paper twill. Hang it on the wall to dry. Then, the mounting of painting heart includes: ① wet mounting method, which is used for indelible painting heart. Spread the cut party's heart on the drawing, wet and flatten it, paste it, brush strips along the four sides of the heart, then brush the paper holder, and then brush the paper holder from top to bottom with a brown brush. (2) Pinto method, which is used to draw hearts that are easy to disperse or fade. Its method is to brush the pulp on the paper and cover it with a heart. There are two kinds: flying and covering. Re-embedding, including: ① Embedding, that is, cutting off redundant strips from the supported painting center, then embedding various materials around the painting center, such as rings, upper and lower waterproof, heaven and earth heads, startled swallows, small silk edges or small sky edges, and then brushing pulp on the back of the painting center and pasting back the paper. (2) Grinding and polishing, that is, polishing the mounted parts behind the cover with polishing stones to make them smooth and soft. Installation refers to the assembly of heaven and earth poles, shaft heads, drilling holes in the poles, hanging through ropes, etc. On the framed painting, so the mounting work is all over.