Of course, you must invest in a famous teacher. More importantly, you must invest in a "master". If you don't know the teacher, you will eventually suffer. So Xunzi said, "learning never becomes close to people." When my friend was a teenager, he was lucky enough to learn from the master of contemporary Chinese painting and received a comprehensive education in Confucianism, "Lao", "Zhuang", drama, painting, calligraphy and other Chinese studies. After decades of hard work, he laid a solid foundation. His unconstrained style, unconstrained style and spontaneous painting show that the picture is the author's. It is the reappearance of spirit and emotion. It conveys the essence of Naishi's brushwork and pen. Mr. Chen Zizhuang is one of the few contemporary literati painters who can despise the tyranny of suppressing individuality and respect individuality. His pen and ink techniques are completely integrated into the image modeling. His landscape flower-and-bird paintings, relying on flowers, leaves, insects, mountains and valleys, disperse monks into the holy land with superb pen and ink, conveying their independent and uninhibited personality, broad-minded mind and the unique meaning of literati. The Jacky brothers inherited Mr. Chen Zizhuang's leisurely style, which is an indispensable spiritual character of literati and painters in past dynasties. Huang Fuxiu in Song Dynasty pointed out that "the painting style is the most difficult and the composition is clumsy." An unparalleled model, so it is called Yige. "This is the self-artistic embodiment of the homophonic sound that Brother Jacky inadvertently acquired when he understood nature and his teacher taught him. It is by no means the dream of those vulgar, utilitarian and monkey-crowned people today. The ancients said that "lust is deep and luck is shallow."
In the early 1990s, I went to Chongqing to attend the "Stone Pot (Chen Zizhuang) Art Seminar" sponsored by Chongqing Municipal Bureau of Culture, and got to know Mr. Chen Zizhuang's big disciple, Brother Zhou Zhengyuan. My brother Jacky and I have the same surname and the same age. I was deeply impressed by his straightforward personality and deep affection for Naishi. He is knowledgeable and has a wide range of hobbies, just like my soul mate. In the past ten years, we exchanged information. Jacky's Poor Happiness focuses on art. Recently, the Jacky brothers lived in Shenzhen. Zhuangzi said, "Heaven is blessed but not accumulated", "Those who teach the Tao forget their hearts". May Jacky be like Li Bai's poem, "Long winds and waves, and set my cloudy sail straight and bridge the deep, deep sea".
Wuzi is spending the Spring Festival in Huaibei Coal Teachers College.
Zhou Benxin: Professor of Art Department, Huaibei Normal University, Anhui Province, Standing Committee of CPPCC, and a famous painter in China.
When it comes to Sichuan, I have to think of Bashu and Shuhan. I admire the Han Dynasty very much. There is the Han generation, covering all fields, majestic, like a running horse, steaming, full of energy, like going to war. The brilliance of creation is a monument to future generations. Until today, after 2000, it is still unprecedented, and there is no one after it. Seeing great people is the pride of the Han Dynasty, the pride of the Chinese nation and the pride of Chinese culture. As long as there is a word "Han", there will be momentum, majesty, storms and historical accumulation. Only when I think of Chinese culture, it is appropriate to describe it with grandeur, magnificence, sea and atmosphere.
Mr Zhou Zhengyuan is a great artist nurtured by Bashu Chinese culture. He loved art since childhood and has been busy in poverty for nearly fifty years. During this period, he went into the mountains and traveled in the countryside, and the wind was biting. He walked on the ice, and the fire hurt people. He was sweating like a pig and wanted to see the scenery, so he forgot to eat and sleep, the structure was good, and his troubles were forgotten. He loved brushes, devoted himself to art and went to winter.
Appreciating Mr. Zhou Zhengyuan's paintings, the classification is still outstanding. One is to maintain an upright personality and mind, and the other is to be knowledgeable and good at literature, history, drama and classical architecture. With his profound knowledge and cultivation, the "poetic and self-righteous" literati painting style has flowed into the paintings. Third, his flower-and-bird paintings trace back to the freehand brushwork styles of Chen Chun and Xu Wei in the Ming Dynasty, blending Shi Tao into one.
In landscape painting, I was deeply impressed by his unrestrained attitude towards life, willful personality, surging talent and the momentum that stirred the forest. The landscape works "Tianshui Broad and High" and "Bashu Fan Jiang" are full of deep valleys, pointed hairs, small waves in the river bend, sails, white water and green hills, which are not beautiful but beautiful. See the beauty in the vast expanse, and the light shines in the stuffing. The landscape painting "Sailing" is a cliff forest with thatched cottages and distant mountains and streams. The landscape painting "Jianmen Xiaojing" is like a huge ridge, which seems to be broken, with misty mountains floating and hidden slopes. Broad realm, pen and ink, natural charm. "Golden Water Man" is even more profound. The towering hills, towering old trees and floating pavilions in "Chongshan is not dim" are used to refer to the lofty and ancient cause of heroic drought, but they are full of charm and vitality. If there is no real power under the wrist, it will never be possible to achieve such a situation.
Mr. Zhou Zhengyuan's works are vigorous and graceful, all clear but not light, thick but not stagnant, colorful but not floating, bright but not colorful, static but not moving, moving but not static, moving like grass, like chronic illness, lifting weights lightly, dyeing round and thick, boring and interesting, and showing it inadvertently everywhere. It is a vast and ingenious thing.
Watching Mr. Zhou Zhengyuan's works is like listening to a beautiful symphony, which makes people feel better and more carefree. Mr Zhou Zhengyuan has made such achievements, but who knows how much effort he has made and how many brushes he has lost. Besides, he used pen and ink instead of pen and ink, making meaning and context refer to ink, but he saw a piece of nature.
Wang Demin is under the lamp of Yangshantang.
Wu Zixing Yue Cao Cheng, aged 20.
Wang Demin: Professor, Director of the Art Department of Huaibei Vocational and Technical College. Huaibei Municipal People's Congress Standing Committee.
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