"Its training" hinges not only on poetry and calligraphy, but also on practical learning, loyalty and filial piety, and Wu Wen affairs. -attack without a definite view, risk without a definite view, BoZi guarding the south gate, wearing a hundred jins of iron clothes, portable broadsword to inspire loyalty. A thief immediately told the city that Bozi shot him in the throat to avoid being slaughtered. Thieves lose heart. Let's go. When I heard about it in North Korea, Zhang Xusheng was very angry. Oh! This is enough to see the public! "(Ming Dong Qichang" Festival Yuan Huan Gong Xing ")
Shu Yuan is handsome and broad-minded. Good at riding and shooting, good at blade. In the eleventh year of Chongzhen in the Ming Dynasty, the Qing army invaded the Ming Dynasty on a large scale, and the generals of the Ming Dynasty balked. Yuan Shu didn't avoid death, and supervised his salary in front of Liaoning Zuojun to solve the worries of the imperial court. "Open up the air, conquer the enemy, and then conquer the frontier" (Wang Duo's Preface to Yuan Poetry), and persist in opposing the Qing Dynasty all his life. When the Qing soldiers crossed the river and fell into Jinling, Yuan Shu and his friend Yue went on a hunger strike for several days and died of anxiety. Its poetic rhyme is high, and it is famous all over the world with famous singers such as Qian, Liu, Fang Yizhi, Wang Shimin and Wang Duo. Qian Ceng praised him as a "doctor" because he is familiar with civil and military affairs, literature and art, and endowed with lofty ideals. He is the author of Yuan Boying's poetry anthology, which was banned in Qing Dynasty.
Landscape painting is technical and appreciative, and his paintings are Dong Yuan, Huang and Huang. Huating Dong Qichang and Jin Meng Wang Duo spoke highly of Jia's collection. Ju Ran's The Orchid Pavilion in Xiao Yi is full of charm and boldness of vision, which is very interesting in ancient times. The first volume of Zhang Geng's "National Dynasty Painting Collection" is its biography. Playing bamboo with silk is not good for art. It is called "a generation of giants, Wu San Jue" ("Selected Works of Songqingtang in Yuan Dynasty ■ Restoring Kaifeng House"). Calligraphy imitates Sui Liang and Mi Fei, and its style is vigorous and fresh. The painting "Ten Stones in Pingquan" was in the Guangdong Provincial Museum, and "Boating in Songxi" created in the 16th year of Chongzhen was auctioned at the Jingjiade auction on September 13, which was the first time that Shu Yuan's works appeared in Chinese mainland.
Yuan Shu was a great collector of calligraphy and painting in the late Ming Dynasty. He once collected Dong Yuan's Xiaoxiang Map, including Yuan Shu's postscript, Yuan Shu's private seal, Yuan Shuyin, Yuan Shu's secretary in Suiyang's collection, and Ming Yuan Shu's appreciation of calligraphy and painting seal. The original value added four Tang. Song Gui Tang Tie, a rubbings of the Southern Song Dynasty, is a masterpiece of engraving books in the Song Dynasty. Yuan Boying's Collection of Mingtai Books and Fu Yuan's Appreciation of Printing were donated by the Japanese on 1995 and are now in the Palace Museum in Beijing. "Yuan Shu Collection Seal" sewn by Summer Mountain Map (now in Shanghai Museum); Riverbank map (Metropolitan Museum of America). Ju Ran's "The Orchid Pavilion in Xiao Yi" and "The Seal of Yuan Shu" (now in the National Palace Museum in Taipei); Yuan Shu's collection in the Stratified Tree Map is marked with the postscript written by Wang Duo for Yuan Shu (now in the National Palace Museum in Taipei); The Autumn Mountain Map (now in the National Palace Museum in Taipei) has Wang Duo's postscript, his seal and Shi ■' s collection seal; Wang Wei's "Mountain Shade Map" contains Wang Duo's postscript to Yuan Shu (now in the National Palace Museum in Taipei) and the Song Dynasty's "Chunhua Pavilion Post" (in 2003, the Shanghai Museum bought it back from the United States for US$ 4.5 million, see Wang Duo's Postscript Chunhua Pavilion Post). Dong Qichang painted Yuan Shulin Cave for Yuan Keli, the father of Yuan Shu (now in Tianjin Art Museum), Sima by Yuan Jiehuan (now in Shangqiu), and Poems by Wang Duo for Yuan Shu (now in Yang Sisheng's office in the United States). Wang Duo's Painting of Snow Scenery and Bamboo Stone for Yuan Shu has been listed in the Catalogue of Ancient Paintings and Calligraphy in China and has become a fine collection of Jinan Museum. These famous paintings and treasures are circulated in an orderly way at home and abroad, and many of them are scattered all over the world, unknown to the world. As far as I can see, Yuan Boying's book collection in Suiyang has extremely rich axiology. But Yuan Boying on that day didn't seem to have the secular copper taste today, and more collections were for elegance and romance. Spin a thousand silver coins and come back! Overnight. A national treasure painting "Xiaoxiang Map" preserved by Dong Qichang in Yuan Boying's place is just "original value plus four Tang Yan" ("Inscription and Postscript of Xiaoxiang Map Yuan Shu"). We can see the charm of the ancients from a leaf and know the future. Yuan Shu is a master of collecting Dong Yuan and Ju Ran's works, and he is highly praised by collectors in past dynasties. Wang Shimin, a famous collector, praised Yuan Huanzhong, who painted a picture by himself, in the inscription and postscript of "The Smoker", saying, "Being a monarch, Huan Weng is not only rich in works, but also rich in collections. Li Yingqiu is the ancestor of the scholar-bureaucrat, and Min Nan Gong is the ancestor of Jing Jian, so Jing, Guan, Dong and Ju belong to their real names. " Wang Jian wrote in "Imitation of Ju Ran": "The original Ju Ran collected by Dong Zongbo belongs to Yuan Huanzhong, and it was displayed in his department yesterday."
Wang Shimin, a famous painter, once painted a portrait of him in uniform, with the title: "Huan Weng is a king, and his works are not only rich, but also his collection is rich. Li Yingqiu is the ancestor of the scholar-bureaucrat, and Min Nangong is the ancestor of the fine sword. So, Dong and Ju went home. Is still diligent in despising Mouzo's touch and dye, a year flies, no one. I saw the ink sink when I covered it, but I didn't feel the witch was angry. The number of people who want to write is four. Here, I wear a uniform, imitate the brushwork of an old man, and be a little beggar. In the past, the so-called "constancy as a human being" made me find it difficult to learn to walk, so I wrote a book to make me feel ashamed. Close the door, the purple gas is illusory, and there are cold mountains on both sides. Cut out a deep and beautiful mountain peak that can be moved into the Mijia boat. " ((Wang Qingshimin's "The Cigarette Maker's Inscription: Painting Guan Shijun Yuan Huanzhong") "Yuan Shu had a lot of contacts with everyone in the late Ming Dynasty, and his relationship with Nianbo Dong Qichang was even more extraordinary. After the death of Dong Qichang, Yuan Shu had four famous paintings of Siyuantang that he loved most in his life. Dong Qichang's Travels Album 16, which is still in Anhui Museum, is an early work of Dong Qichang, which is rare in the world, and is also an old collection of Yuan, an important minister in Suiyang. Dong Qichang wrote in Yuan Boying's Preface to Poetry: "Yu and Boying respect the public, and the young Sima (that is, under Mr. Yu Lu's door". The relationship between Yuan Shu and Dong Qichang originated from the same year of Dong and his father, and both came from Lu Shusheng's history.
In the 15th year of Chongzhen (1643), Yuan Shu ordered a visit to Hushu Pass and returned to Korea in May of 17th year. "Quezheng come to an end, shout. (Complete Works of Qian Mu). Official records of Hushu Villa: "145, Yuan Shu, Boying, principal, native of Suiyang, Henan, Chongzhen 16 years, 1643, 1 year" (* * * Statistics since the early Ming Dynasty 146 people) The cliff stone carvings in the western mountainous area of Suzhou have preserved the two characters of "Xianbang" so far, which are important tourism resources and calligraphy treasures. Looking up Wang Duo's Chronicle, we know that it was "one night in March, I met my old friend Yuan Shu (in the world) in Xushuguan, Jiangsu Province, and collected inscriptions such as Ju Ran's Tree of the Mountain and Dong Yuan's Xiaoxiang Map for Yuan Shu. Wang Duo's "Selected Works of Quasi-Mountain Garden" includes several poems, such as "Lake Ripe in the North Sending Stones ■ Mourning the Boat", which were all written for Yuan Shu in Suiyang. In the summer of Chongzhen (1643), Wang Duo wrote Yuan's Poems of Cang Xue's Graceful House in Suzhou. At the end of the 17th volume of Zhu Lin Secret Hall, in February of the 17th year of Chongzhen, Yuan Shu, Wang Duo, Zhang Yongxi, Han Fengxi and others watched the Huang Tingjing copied by Wang Xizhi in the Tang Dynasty in Suzhou Banshantang.
Wang Duolin presented Shu Yuan with the Xian Di Post written by Wang Xianzhi at the age of 49 in 164 1 year. The fifth volume of Chunhua Pavilion Post and the first volume of Jiangtie are engraved with posts. Jiang Kui's Jiang Tieping pointed out that this post should be written by Wang Xianzhi. This axis is written on silk, and the brushwork is vigorous and free and easy, which means that the pen follows. There is a "stone" seal on the lower right of calligraphy, which indicates that it should be hidden in Yuan Shu, a painter and connoisseur of Ming Dynasty. Yuan's exquisite appreciation of calligraphy and painting was highly valued by literati painters such as Dong Qichang and Wang Duo in the late Ming Dynasty. Wang Duo and Yuan Shu have a deep friendship, and they gave each other a book, Poems for Yuan Shu. At the top of this picture scroll is the inscription "Treasure of Tian Quan Pavilion", which was collected by Xu Yuanlai, the elder brother of Xu Jichuan, a famous opera critic and personal secretary of Mei Lanfang. Now it is collected by an important private collector in Britain, with an estimated value of HK$ 654.38+05,000 in 2065.438+05.
Wang Duo is a scholar in the second year tomorrow, and Yuan Shu's father Yuan Keli is the examiner in the spring of 2008. When owed to Wang Duo, Yuan Keli's tombstone and epitaph and Yuan Shu's mother's behavior were written by Wang Duo, so the communication between them began at least in this period. See also the Epitaph of Yuan Gong on the Shangshu Festival of the Ministry of War, with the inscription "Wang Duo, born in his hometown, made a bow to worship the book Dan as soon as possible", and the last page of Wang Duo's Poems of Donating Yuan Books was written as "On September night, Confucius blessed the holy teaching on the tablet, which was an old engagement of Huan (Yuan Book)". Roger, editor of Sui County Records Office, thinks that Wang Duo and Yuan must be related by marriage, or relatives and teachers and students coexist. "At the end of the Ming Dynasty, the Central Plains was a pirate area, and the court pushed its talents, appointed the chief secretary of this province to participate in politics, and enfeoffed Liang Daodao to rule Suizhou. It is its house that is open to the outside world, and the emerging party is proud of it in difficult times. The change of Gao Xu will start (1the first month of 645), crossing the river from Governor Yue to Jinling, and he will die. " (Qing Tian Lanfang's Yi Dexuan Manuscript Yuan Imperial College Biography) "No (the first year of Hong Guang, 1645), Yu Xiang told the court that the governor became more and more interesting, invited him, and ordered him to take the capital of Zhejiang, Fujian and Guangdu directly. To Hangzhou, Tianbing has crossed the river (at the end of May). I went back to lie white, studied for two months, and died. " (Tian Lanfang's Epitaph of Yuan Shu) It can be seen that in the first year after Renwu was flooded by the Yellow River, Yuan Shu opened a yamen in Suizhou. On the eve of the outbreak of the "Gao Xu Rebellion" in the first month, he was ordered by the Governor Yue to go to several provinces in the south of Jinling for a salary increase. Some scholars say that the Ming court took Yuan Shu as the girder, and Suiyang Taoist soldiers controlled Xu Dingguo, the former headquarters, just like Zuo Liangyu soldiers in Hou Fangyu. If Yuan Shu does not leave Suizhou, with his influence on Xu Dingguo, there may be other variables in the "Gao Xu's Rebellion", so it is possible to rewrite the history of Nanming.
After the fall of Jinling, Yuan Keli's son, Yuan Shu, insisted on his father's ambition of "loyalty and filial piety until death" (Sacrificing the Duke Huan of Yuan to the Stars), so he was depressed and went on a hunger strike for several days. Yuan Shu's death was very encouraging to the scholars in the Qing Dynasty. In order to avoid the taboo of the Qing Dynasty, the historical records in the early Qing Dynasty, including Yuan's genealogy, did not clearly exaggerate this matter. In the eighteenth year of Shunzhi in Qing Dynasty, Yuan Jiapu in Suiyang Shangshu recorded that he died in Jinling in the second year of Shunzhi (the first year of Ming Dynasty). Even so, this civil and military generalist who had great kindness to Suizhou people was sacrificed by Suizhou people 60 years after his death and entered Xiangxian Temple. "(Kangxi) Gong Li, governor of Yuzhou, took a long-term view, allowed the people of Yuzhou to ask questions, and worshipped Zhezong Gong." (Tian Lanfang's epitaph of Shi Yu Yuan Gong's burial)
Yuan Shu has three sons, Fu Cheng, Fu Yi and Fu Yi. Yuan Fucheng, the eldest son, is the magistrate of Xinning Prefecture in Nanning, Guangxi, and Fu Yuan, the second son, is also good at collecting and appreciating. Dong Qichang's Travel Notes 16 collected in Anhui Provincial Museum are all marked with appreciation.
(Written by Chang Mei) Yuan Shu, whose real name is Boying, was born in Shihuan, posthumous title, and was born in Suizhou. Father can stand, Ming fu, that is, in Wanli, really cut, apocalypse, but also re-cut Pivot to the shadow of official punishment Cao Zhi, and finally sealed in the book. In the last years of Chongzhen, bandits invaded the territory, broke the family property and worked hard for the villagers. Yu Kou made meritorious deeds, and Du Nan took up his position as Suiyang Road and returned to his post. After a while, he returned to Du Nan and died.
Shu Bo Gu studied, refined appreciation, rich family collection, calligraphy and painting were recommended by Huating Dong Zongbo and Wang Juesi. The scenery passes through Dong (Dongyuan), Ju (Ju) and Zi Jiu (Huang), which is flat and quiet. Its imitation of Ju Ran's "The Orchid Pavilion in Xiao Yi" is close to the Taoist of Meihua (Zhenwu), full of charm and ancient meaning. Now hiding in Tongli, Jiang Langzhong is the home of Thais. The flowers he wrote were inspired by Baiyangshan people. I read Mr. Yu Yousui's ink and his old traces, which are exquisite and elegant, and the wind period can be imagined. A doctor is also Mr. Yu Shu's life, so he admires nothing.
The mulberry people in Baizhu Village said: Yuan Jun of Li Junhe was a pre-Ming people, but the people who composed music for them were not as good as them. Although Li Jun collected poems for Zhu Taishi in Zhulou, he didn't draw them. The second gentleman, Yu Yi, was neither allowed to enter, nor was he afraid or forgotten, so he attached it to the wall in case he entered later. (Preface to National Dynasty Paintings)