How to teach yourself Peking Opera? If you want to know more about the quintessence of our country, please read this article carefully!
First, breathe.
Abdominal ventilation is like smelling flowers on your nose. Abdominal breathing should be combined with chest breathing.
Reasonable arrangement of air holes, leaving different air holes in different positions, or large air holes or small air holes to steal, slow down or grab air. It is necessary to prevent you from being too angry at first, but not enough later, wasting your breath.
The use of breath embodies charm.
The position and size of the air port are related to the expressive force and fluency of the aria, which is more important in the cavity dragging, allegro and running water.
The place where the sound is broken is not the air port, so I can't breathe.
You have to hold it up and sing. Abdominal muscles should be tightened gradually with singing, and the lower abdomen should be put away as long as singing.
Lift the air from the bottom up, and then control the intensity when you go out.
Stealing gas can't be obvious, just slow down.
When time permits in running water and allegro aria, you must calm down. When time is tight, just slow down. Don't change when it's time to catch your breath. It's too late to change now. Allegro takes a deep breath, adagio takes a deep breath.
When the air sinks, it will be lifted up and run through from top to bottom.
The treble should be excited from the bottom up with the breath of the abdomen, not just the throat.
Don't just get angry in your chest. It's hard to sing yourself in your chest, and it's hard to hear.
Water and Allegro need to take a breath. Take a little breath when one word is on the radio, and the next word will come out immediately. There is no obvious pause and no breathing sound can be recognized.
Hold your breath in your abdomen, and your nose and head cavity can be opened. This can be sung for a long time.
The treble should be lifted up with the breath, not too hard, not horizontally.
Holding the cavity with qi can convey feelings with the cavity.
Support singing with your breath. You can't sing with your voice, especially in a long cavity, high notes and stress.
Tuyere can be divided into ventilation, slow ventilation, stealing ventilation and venting ventilation. Different ventilation methods produce different artistic effects.
The breath is silent-the voice is constantly dying, which can keep the mellow voice.
Inhale through your nose, which is fast and deep. Inhale through the mouth and vice versa.
Exhale loudly, quickly, and supply more gas. Weak sound is the opposite.
Second, pronunciation
Every word has different emotions in different environments. Singing clearly is only the basic requirement, and it is more important to sing the artistic conception and charm of a single word.
Pronunciation should be like a cat catching a mouse, bite fast, relax immediately, and don't let go and run away.
Speak flexibly, and bite too tightly and not in time. It sounds like smashing, smashing, and singing "turbidity".
The pronunciation of words includes rotation, modification, from strong to weak, from weak to strong and so on.
Pronunciation should be walnut-shaped, the prefix should be bitten hard, the belly-vowel should be released to * * *, and the end of the word should be closed with rhyme.
Don't pronounce, the words pop up and play clearly.
Singing is vocalization, and Peking Opera is vocalization. The printing process is fast or slow, but the procedures of prefix, abdomen and suffix cannot be simplified.
Words should be embellished, not embellished-words should not be printed at the beginning and the end of the stomach, and they will sing happily, which sounds like boiled water and has no taste.
When pronouncing, the vocal organs such as oral muscles and vocal cords should be excited for a moment in advance.
Too much muscle movement around the mouth will deform the facial expression and be unsightly. To be tight inside and loose outside, you can practice singing in front of the mirror to adjust your image.
When listening to the tape, you should pay attention to the process of each word, and listen to how each word was just spit out, rhymed and received.
Charm is in the belly, the most beautiful sound and the brightest sound are in the belly. Suffixes are mainly for receiving sounds and rhymes.
Be full of anger when you receive the rhyme. Sometimes, the way of collection is to recycle it gently, like the horizontal pen of calligraphy, and sometimes it is put there gently, like the sharp edge and flying white of calligraphy, sometimes it is picked up and sometimes it slides down.
No matter how short the sound is, we should also pay attention to receiving and rhyming. Running water, Allegro must bite every word, flexible, fast, fast.
A slow pause cannot rhyme.
When four calls thirteen to withdraw, the voice will naturally light up.
Accurate intonation and pronunciation.
Words are heavy but not dead, and words are light but not floating.
The characters are divided into four tones, syncopated, sharp and catchy.
It is generally ok to sing the group characters with sharp characters, but the group characters can't sing sharp characters.
The tip of the sharp word sticks to the back of the tooth, and there is no breeze; The tip of the dumpling leans back slightly on the root and the front palate, and the tongue is upturned.
Not all catchy words are catchy. Two catchy words together can sing a catchy word. Some catchy words can be semi-catchy, such as "wind" and "this".
There are two kinds of catchy characters. One is based on Huguang sound-Wuhan sound in Hubei, such as "Shuo" and "Chu". Second, some words withdrawn from the Middle East were returned to people, such as "Ding" and "Ding".
Third, * * * Ming.
Mouth shape has a lot to do with singing skills. When singing high notes, the corners of the mouth and cheeks should be raised so that the singing position of * * * is upward. If the corners of the mouth and cheeks are downward, the position of * * * can only reach the position of the front palate, so the sound cannot be far and beautiful.
* * * is always in the throat, which is unpleasant to listen to and easy to get tired. According to different words, use different positions of * * * respectively. Front, back or up and down.
The * * * sounds in the head cavity, nasal cavity, chest cavity and back of the head can be dominated by a single * * * sound or mixed at the same time. Such as the word "camp" of Yang School.
On the premise of not affecting the specifications, a word cavity can sound in different positions, resulting in rich and varied effects. But this method can't be pursued deliberately, and it can only be let nature take its course.
Old people, Jiang Yang, the Middle East and Slim are all heavy. When singing, the oral cavity should have as much space as possible, mainly nasal cavity or oral cavity, supplemented by head cavity and chest cavity, not too thin.
When the word "empty" is removed from the Middle East, the sound should be changed from "k" to "ong", and "k" has a small nozzle at the throat. Pronunciation is from the inside out, and it is blocked from the outside to the inside. The nasal cavity cannot produce sound, the pronunciation is not bright, and the rhyme is not good. There are also "heavy" and "east".
The rhyme of middle east withdrawal is in the front and upper part of the nasal cavity, and the mouth shape is a little subtle inward.
Jiang Yang's withdrawal position is in front of the nasal cavity, mainly nasal humming, and the position should not be too low.
The vowel of "in" that people withdraw in the morning should be relaxed as much as possible in the mouth when singing, leaving a large singing space. The external muscles of the mouth bar should be as strong as possible, tight outside and loose inside.
The word "Cheng" is nasal. To find the exact position in the nasal cavity, oral * * * sounds can be used together with other * * * sounds.
Silence is better than sound, and the difficulty lies in how to sing loud, full and not thin, with rich * * * sounds. When singing, don't open your mouth too wide and have a certain singing space.
The word "yes" should be pushed forward slightly, urged from the inside out, and mixed as much as possible.
The position of contraction before speaking is in the front palate, which is nasal. It is necessary to prevent both thinness and thickness. Open your mouth moderately, too big and too white, too small and not bright.
Li said: When singing A, you should think of E, when singing E, you should think of A, and you should blend into the mouths of E and A, and the mouth of the "moon" should be moderate, not too long or too big. Old students should take off their clothes together, which should be a mixture of head cavity, nasal cavity and oral cavity. Hair and flowers should be pulled up, the soft palate should be lifted, and the radio should be put there. You can't shut up and get n notes. Keep your mouth shut and don't push too hard. When people leave, they should mix * * * to avoid a single nasal cavity * * *, which is called hem. Sobo asked his mouth to fix the shape of his mouth hard and bring out the sound from the sound with his breath. Don't let go of your mouth like breathing and turn it into "Oh, drink". Pay attention to the closed mouth when seeking withdrawal. * * * The position of the voice should be steady, don't waver, it sounds flickering.
Fourth, moisten the cavity
The original sound of old students accounts for 80-90%, and the original sound is the real sound. True and false sounds should be well controlled, and the transition between true and false sounds should be natural and not weak.
The voice should be properly decorated, but not too much.
The outline of the old voice is not as clear as the outline of the face.
It is very difficult to relax the throat, release the voice forward and not tighten the throat.
When singing treble, you should pave the way for the bass before and after the treble, not just pay attention to the treble, so as to make the treble higher.
Pay attention to singing weak notes before singing strong notes. Weak notes are used to contrast strong notes and make them stronger.
The bass position should not be low, but should be sung in the treble position. The bass position should not be low, and the sound should not collapse.
Sing loudly, stand up, don't sing sideways, stand up and moisten your cavity.
The old students of Yang School should be able to go up and down, and their lines should be up and down, down and down, with obvious contrast. Hold down the cavity and don't throw it down. Hold on, don't shoot down, first by breath, second by moistening the cavity, and third by energy. Yang sent "doing nothing". When the cavity is stable, push it out cleanly and accurately, and don't swing from side to side. The expanding cavity should be a rotating cavity, not a big wave falling down one by one. To enlarge the cavity, you should count the boards in your mind, have a heart board, and don't count the boards in waves. You can't sing in vain, you must explain every sound clearly. Keep your voice and don't break it. You don't usually need to blow your throat.
There are three kinds of Yang school sounds: dry sound, that is, small Boeing; Wet cooking, that is, on the basis of dry cooking, laryngeal blisters bounce; A promotion is a promotion. Sound should be arranged in terms of weight, size and speed, and dry and wet should be combined. For example, the drag cavity of the word "empty" in the section of "for the country" in Hongyang Cave is "123121111/.
The knot sound is a very short and light sound, very quiet and brittle, with a grainy feeling. Cheng and Xun used to teach more. Heart knot sounds are produced from breath to vocal cords and then to * * *, not in cheeks and throat.
Li Duokui talks about music: No matter how good things are, they are boring. Sounds easier than rhyming. Adagio should be slow and smooth, sound should be slow and gas should flow. Allegro should be fast and steady, and the breath can be fast and orderly. Don't rush allegro, it will be chaotic when you rush. Adagio matters, the air is consistent, and Allegro should be steady, neither too fast nor too slow. Loose plate should be accurate and flexible. The same tune should sing different flavors. It is necessary to distinguish between rotating from the plate or from the cavity of the eye.
Fifth, learn to sing.
The sound is not perfect. Some people have better voices, others don't. We should practice a bad sound into a good one. A good voice is practiced, not born. The more you practice your voice, the better it sounds.
Yu Shuyan said: There are three stages in learning to sing. First, you can shout it out, that is, you can sing it; The second is to sing it out and sing it with charm; Finally, it is to sing in a tone of voice, that is, with a specific emotion. The best effect of singing is "speaking", singing in the same tone and intonation as speaking, singing in the same cadence as speaking, and singing with emotion, situation and emotion. When singing, you should grasp the degree, not go all out. A distinctive aria, you should have your own things to learn to sing. Different treatments of the same score can produce different effects. A genre should have its own unique repertoire and music melody, and have different ways to pronounce words, moisten tunes and accept music from other genres.
Learning styles are not enough, not too much, and should meet the requirements of norms. Pay attention to discretion, discretion is a kind of beauty. Relaxation is an inevitable requirement of singing. Relaxation can show the atmosphere, self-confidence, luxury, and there is room for expression to sing the charm. If you deliberately pursue a certain effect, the singer is very hard and the audience is very tired. It doesn't matter if the tone is slightly lower, but you can't lose your charm because of the high tone. When shouting, you often practice a, I, ai, timbre and pitch in turn. Hang the voice first, then the Xipi, the tone should not be too high, like going up the stairs, gradually rising. Where there are characteristics, smells and flowers, it is necessary to prevent overdoing. Where there are characteristics, attention should be paid to mellow and enough is enough.
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