According to the "Golden Gate Jade House, Guidianlan Palace Concubine Room" described in the classical literary masterpiece A Dream of Red Mansions, and the prevailing norms of wooden structures in China in the Qing Dynasty, it was strictly designed and built, referring to the building system of the princes' mansion stipulated in the Qing Code, imitating the buildings in the late Ming and early Qing Dynasties. Guo Rong Mansion is divided into Guo Rong Mansion and Rong Ning Street. Guo Rong Mansion covers an area of 22,000 square meters, with a building area of 4,700 square meters, with 2 12 rooms and 102 balconies.
Rongguofu and Rong Ning Street are located in Zhengding County, north of Shijiazhuang 15km.
Guo Rong Building is a quadrilateral with multiple entrances, which looks like a two-box Luding Mountain. The whole mansion is divided into three roads: Middle Road, East Road and West Road, all of which are five-entrance quadrangles: Middle Road is built in 1986, covering an area of more than 40,000 square meters, with 2 15 verandahs and 102 verandahs, with a project investment of 3.5 million yuan and a total construction area of 4,600 square meters, followed by Furongmen and Waiyimen. Solemn court painting is adopted, the east-west road is the inner court, and Ming-Su painting is adopted. The indoor floor-to-ceiling flower cover is elegant and elegant, and qing-style furniture is exquisite and luxurious in Ming Dynasty, with 23 views 150 characters. West Road has Xijiaomen, Diaohuamen, Marble Shadow Hall, Jiamu Flower Hall, Jiamu Principal Room, Rongqingtang and Xifeng Courtyard; East road is Mrs. Wang's court and Jia She's court. 1600 pieces of antiques, calligraphy and painting reproduce the magnificence of "Ding's hometown of food, home of poetry, calligraphy and painting".
The Four Seasons Flower Pavilion in Yiyuan on the west side of the mansion is antique, with small bridges and flowing water and complete landscape. This is a small and unique Suzhou garden in Wan Ru. A new exhibition of poems, paintings and stone carvings of A Dream of Red Mansions was set up in the back hall, and more than 200 famous calligraphers such as Qi Gong, Zhang Aiping, Huang Qi and Ouyang were invited to splash ink. Huang Hua, Wang Shoudao, Wang and other national leaders personally wrote inscriptions.
A Dream of Red Mansions, the first of China's classical Four Great Classical Novels, is a novel written by Cao Xueqin, a writer in Qing Dynasty, also known as The Story of the Stone, Jinyuyuan and Re-evaluation of the Story of the Stone by Hongyan Zhai. This book is roughly divided into two versions: 120 Cheng Ben and 80 Fat Ben. The first eighty chapters of the new edition of Tongshu were collected according to Fat Book, and the last forty chapters were collected according to Cheng Shu, with the signature "Cao Xueqin, Anonymous, Cheng Weiyuan, Finishing".
A Dream of Red Mansions is an earthly novel with world influence. It is recognized as the pinnacle of China's classical novels, an encyclopedia of feudal society in China and a master of traditional culture. The novel takes the rise and fall of Jia, Shi, Wang and Xue as the background, the family affairs of Jia's family and the leisure of boudoir as the main line, and the love and marriage stories of Jia Baoyu, Lin Daiyu and Xue Baochai as the main line, depicting the beauty of humanity and tragedy of lovers centered on Jia Baoyu and Jinling Twelve Chai. Through family tragedy, daughter tragedy and the protagonist's life tragedy, the crisis of the last days of feudalism is revealed.
The author of A Dream of Red Mansions has a preliminary democratic thought. He profoundly criticized the real society, including the darkness of the court and officialdom, the decay of feudal nobles and their families, the feudal imperial examination system, the marriage system, the handmaiden system and the hierarchical system, and the corresponding social ruling thoughts, namely, Confucianism and social morality of Confucius and Mencius, and put forward vague ideals and propositions with preliminary democratic nature. These ideals and concepts are the tortuous reflection of the budding factors of the growing capitalist economy at that time.