Painting skills of oil painting

Oil painting is one of the most widely used paintings in the world today, and figure painting has always been an enduring theme in the oil painting industry, and many excellent figure paintings have emerged in the past few hundred years.

Painting skills of oil painting

Steps/methods

1 Rubbing refers to the method of directly manipulating two or more different colors on the screen with a pen. After color processing, it produces natural mixed changes, obtains subtle and bright colors and contrast between light and shade, and can play a transitional role.

Lines refer to lines outlined with pens. Oil painting lines are generally marked with soft tips, but in different styles, round heads, proofreaders and old flat pens can also outline thick lines similar to strong hearts. At first, both eastern and western paintings were modeled on lines. In the morning oil paintings, drafts are generally drawn with precise and rigorous line outlines. In Tempella technique, the method of arranging wires is the main means to form light and shade. It was only later that western oil paintings evolved into light and shade and heads, but even so, the midline factor in oil paintings was influenced by indelible colors. Slim and bold. The use of neat or random lines and repeated overlapping and overlapping lines enriches the language of oil painting, and it is very important to deal with different shapes of sideline. The use of lines in oriental painting has also influenced the styles of many modern western masters, such as Matisse, Van Gogh, Picasso, Miro and Klee.

3 frustration is a method of coloring with the roots of oil painting pens. After pressing the pen, make a slight stroke, stumble and lift again, such as calligraphy, which is vigorous and solid. The colors of the nib and the root of the pen are different, and the light and heavy direction of the pen holder is different, which can produce many changes and interests.

4. The technique of tapping lightly on the screen with a wide oil painting pen or fan pen is called tapping. Flapping can produce a certain undulating texture, which is neither very obvious nor very simple. You can also process the original strong strokes or colors to weaken them.

Lala refers to that in oil painting, it is sometimes necessary to draw strong lines and sharp edges of objects, such as the side of a sword or glass. At this time, you can adjust the color with a painting knife, and then draw the color on the screen with the side of the blade, so that the shape drawn by the painting knife is three-dimensional and definite, which is difficult to achieve with a brush or other methods.

6 wipe is to put the brush horizontally and wipe it on the screen with the abdomen of the brush. It is usually carried out in a large area with less color, which can form less obvious brush strokes and is also a common method of laying background color. On the dry background or undulating texture, you can draw an effect similar to traditional Chinese painting, making the underlying texture more obvious.

The method of bricklaying is to use a knife instead of a brush, and spread the color on the canvas like a mason using a mud knife to circle mud, leaving a knife mark directly. The masonry method can have different thickness levels, and the size, shape and direction of the knife will also produce rich contrast. Draw different colors with a painting knife, and let them mix naturally on the screen without too much mixing, which can produce subtle color relations. The color layer with excessive fluctuation can also be leveled by masonry. If the masonry method is used properly, there will be a strong sense of shaping.

8 pressing means that the bottom of the knife is gently pressed down on the wet color layer and then lifted up, and the color surface will produce special texture. In some places where special textures need to be portrayed, the expected effect can be achieved by using suppression technology.

9 o'clock-all methods start from the point, and all brushwork starts from the point. As early as in the classic Tempella technique, stippling is an important technique to express levels. In Vermeer's works, the strokes of dots are also used to express the flicker of light and the texture of objects. Impressionism's time-point color pen method has become one of its basic characteristics. Zidongge Gallery deals in China's famous paintings, oil paintings and calligraphy. Gallery integrity first, reputation for survival. The gallery welcomes people from all walks of life to visit, guide and purchase collections. But Monet, Renoir and pissarro have different changes and personalities. Neo-impressionism, on the other hand, went to extremes, mechanically using dots as his only brush strokes. In modern realistic oil painting, the density of points is also used to produce light and shade levels, which can cause a definite but not rigid transition. In the comprehensive painting method, the combination of point method with line and surface can produce rich contrast, and oil painting pens with different shapes and textures can produce different point strokes, which can play a unique role in expressing the texture of some objects.

10 stroke refers to drawing negative lines and shapes on wet color with the blade of a painting knife, sometimes revealing the underlying color. Different painting knives can produce different depth and thickness changes, as well as the texture changes of the ups and downs of points, lines and surfaces formed by brush strokes and sharp painting knife techniques.

1 1 scanning is often used to connect two adjacent color blocks to make them less rigid. This can be achieved by gently sweeping with a clean fan pen when the color is still wet. You can also use a pen to sweep another color on the background color to produce a color effect that is staggered up and down, loose and not greasy.

12 stamping refers to dipping the pigment with a hard brush and stamping the pigment vertically on the screen with a pen. Stamping is not commonly used, and it is generally only used when special textures are needed locally.

13 Swing directly paints the canvas with a pen without making any changes. Swing is also one of the basic strokes of oil painting. The pendulum method is often used at the beginning and end of oil painting, and the relationship between color and modeling is found with certain colors and accurate strokes. It often takes only a few strokes to change the picture at key points. Of course, do it in your chest first, and then write. Rubbing is to use the abdomen of a brush to cross the screen, usually with less color in a large area, which can form less obvious brush strokes and is also a common method to lay the background color. On the dry background or undulating texture, you can draw an effect similar to traditional Chinese painting, making the underlying texture more obvious.

Scraping 14 is the basic purpose of oil painting knife. Scraping is generally used to scrape off the unsatisfactory parts of the picture with a blade, or to scrape off unnecessary details or weaken the strong relationship with a knife, so as to ease the tense picture relationship. After a long day's homework, it is often necessary to scrape off some painted colors with a knife in order to dry them in time and continue painting the next day. When the color is dry, you can also use a painting knife or razor to scrape off the uneven places. You can also scrape off the wet color layer with a knife to expose the background color and show various textures.

15 painting If stippling and sketching are the means to form oil painting points and lines, then painting is the main method to form oil painting body. The methods of painting include flat painting, thick painting and Bo Tu, and impressionist pointillism is also called casual painting. Flat painting is the main method to draw a large area of color blocks, and even flat painting is a common technique for decorative oil painting. Thick coating is one of the main characteristics that distinguishes oil painting from other kinds of pens. It can make the pigment have a certain thickness and leave obvious brushstrokes to form a texture. Scraping off extremely thick pigment with a painting knife or squeezing the pigment directly onto the canvas can be called heap coating. Thin Xu diluted with oil and painted thinly on the screen can produce transparent or translucent effect. The pen used for sketching is flexible and vivid. The coating method of wiping and sweeping is also called halo coating.

I know all this because I work in Zidongge Gallery. I hope it helps you.