The theme of the art wall of Nanjing Station Line 3 is "Mothering in Spring", and the creator Jin has made a rigorous textual research on every detail in the picture. On the city wall, Jia's harem greeted them, hiding under the pines and bamboos. Some of them are full of expectations and some are shy. In the past, this scene was presented by many painters as the Jia family exchanged greetings from top to bottom, which was obviously wrong, because A Dream of Red Mansions reflected the feudal etiquette system incisively and vividly, highlighting the difference between inside and outside, and the orderly men and women. Therefore, on the art wall of "Yuan Chun mothering", all the men with official positions are greeted outside the Governor's House, while their wives are greeted inside the house (inside the second door). In the middle of the art wall, it depicts the core of the pro-provincial team: the eight-person sedan chair and Jia Yuanchun inside. After referring to the specifications of the concubines' travel ceremony and sedan chair, the experts drew a sedan chair for eight people, with a yellow top and a red compartment, which conforms to the identity of the imperial concubine. The grand occasion of Yuan Chun's mothering echoes the theme of "going home" in Nanjing Station. Metro 1 Line Nanjing Station "Meide Station" is the fifth theme station after Zhujiang Road Candy Station, Xinjiekou Harmony Station, Nanjing South Station Aibo Station and Gulou Qingfeng Station. The "Virtue Station" was completed in June 20 14 and in October 165438 10. Located in the North Station Hall of Nanjing Subway Station and the access passage, it includes six sections: theme wall, core column, model hall, virtue motto, inheriting virtue and practicing virtue. Through dynamic and static display, we can listen to Nanjing stories together and feel the core values, so that more people can know the most beautiful Nanjing people.
The theme of "virtue" can be seen everywhere on the walls, glass and columns of Nanjing subway station. In addition, in the main corridor area of the North Station lobby, there is a huge brocade with a length of 14.5 meters and a height of 1.8 meters. This huge tapestry, which took 65,438+000 days and was woven by 65,438+000 people, is the long scroll painting Nandu by Chou Ying, a painter of the Ming Dynasty. Nandu Map vividly depicts the grand occasion on both sides of Qinhuai River in Nanjing during Yongle period in Ming Dynasty, which reflects the prosperity of social economy and social life in Nanjing in Ming Dynasty and embodies a virtue of diligence and simplicity.
In addition, this giant brocade not only has the style of ancient Nanjing, but also weaves 48 new Jinling scenes such as Confucius Temple, Yangtze River Bridge and Zifenglou, which not only reflects the prosperity of ancient times, but also reflects the prosperity of Nanjing now. Yunjin usually weaves paintings with dragons and phoenixes, and the producers specially go to the scene to observe them. This brocade depicts 65,438+009 different shops and signboards, including more than 65,438+0,000 people with different shapes. The theme wall is located in the main passage area of the North Station Hall of Nanjing Railway Station. It is based on the long scroll painting Fan Hui Tu in South Chou Ying by Nanjing Yunjin Research Institute, adding 48 scenes of Jinling. Designed and manufactured with a huge brocade about14.5m long and about1.8m high. After four months of uninterrupted manual preparation, it is presented on the wall in the form of scroll technology. The emblem of "Virtue Station" was inscribed by Yang, vice chairman of Nanjing Calligraphers Association. The theme of the theme wall closely follows the word "virtue", that is, "beauty lies in Jinling and virtue lies in the world". It is intended to transmit the light of Nanjing's virtue to all places through the virtue station. The publicity of the core column "Virtue Station" only focuses on core values. On the 12 column in the center of the north station hall, one key word in the core values is highlighted on each column, and other key words are treated with light color. The graphic effect is Chinese knot shape, and the upper and lower columns are decorated with brocade moire patterns, which echoes the brocade theme wall. The Moral Model Hall of the Model Hall mainly plays the deeds of Nanjing's list of good people and deeds, the most beautiful people, Nanjing's role models, Nanjing's good citizens, Nanjing's person of the year, micro-movies, promotional films and other citizen model stories in the form of big TV screens. Flags have been set up in the halls and passages of virtue proverbs, and the contents of the flags are the feelings and sentiments of some moral models in Nanjing, good people in China and good citizens in Nanjing. The virtue corridor is located in the entrance corridor No.2, with the theme of personal virtue, family virtue and social virtue in ancient and modern family precepts. Modern family instructions are mainly collected from Nanjing citizens. Artists of Nanjing Calligraphers Association combined their own feelings to create ancient and modern family instruction calligraphy and painting with Nanjing characteristics.
In the corridor of entrance 3, a 76-meter-long graphic wall corridor named "Graphic Our Values" was built, which made people deeply immersed in the socialist core values.