Brief introduction of Maolu art

Maolu, also known as Ming, 1950, was born in Qishan, Shaanxi. He is currently a member of China Calligraphers Association, China Artists Association, art consultant of China Railway Federation of Literary and Art Circles, director of China Artists Association, president of Shaanxi Dafeng Painting and Calligraphy Institute and national first-class artist. Mao Lu inherited family studies, persevered, studied China's landscape paintings for a long time, learned from the ancients, learned from others, devoted his life to the exploration of expression methods, boldly practiced, organically combined tradition with modernity, and integrated poetry, painting and emotion, thus forming his own unique painting style. Mao Lu not only abides by the old adage of "learning from nature", but also learns the basic brushwork from his ancestors. More importantly, he went deep into life and looked for the true meaning in nature. North and south of the great river, famous mountains and rivers have left his footprints, and the four seasons of mountains and rivers, the dispersion and aggregation of clouds and haze, the rushing rivers, the surging mountain springs and the ebb and flow of the sea have left deep marks. Dashan not only gave him aura, but also gave him heroism, giving him the same personality as Dashan and the same feelings as rivers and lakes. From Diqing, Yunnan, to the tea town of Taiwan Province Province, from the Yangtze River and the Yellow River to the northern scenery, all the works are full of the painter's deep affection and love for the landscape of the motherland, which gives people a strong shock. Reading Mao Lu's paintings, the dynamic and static contrast is fierce, moving like the sea crossing the river, the wind is mighty, and it is as quiet as the wind and the moon. The expression technique not only has solid traditional brushwork, but also has the unique color treatment of western painting composition, which makes people feel novel and enlightening. Since learning from the ancients, Mao Lu didn't learn their fur, nor was he satisfied with a little knowledge. But from the depth of theory to study, combined with their own wisdom and knowledge, formed their own unique painting style. Every time I look at his paintings, I always give people a broad and vigorous charm, Gu Zhuo's elegant and resolute temperament, and his large-scale works are magnificent and ethereal. In Mao Lu's paintings, vigorous brushwork and brushwork are inseparable from his calligraphy skills. As a member of China Calligraphy Association, his calligraphy works have won awards at home and abroad for 23 times. In Mao Lu's works, calligraphy and painting promote each other and achieve the same result. The change of using pen to paint with words, regardless of words and paintings, is unified in the bold and broad, resolute and free and easy style. His landscape paintings are free and neat, and he is also good at big paintings, so that he can enjoy himself and vent his spirit. His works, such as Celebrating the Sun, Looking at Red Mountain, Huashan Xiong Feng, Eight-meter Giant Qinchuan Landscape Map, Fifty-meter Giant Yellow River Love, Fifty-meter Giant Yangtze River Wan Li Map, Yellow River Waterfall, Himalayan Snow Mountain, Loess Love, and Yangtze River Drinking Horses, are impressive. He also pays great attention to absorbing nutrition from other arts. In addition to reading widely, he is also proficient in melody, writing poetry, drama and dance. His pictures are wide, flexible and changeable, his composition is not fixed, his colors are bold and steady, his hands are not fixed, and he can do whatever he wants, no matter what rivers he writes, such as vilen, vast rivers, magnificent scenery, tranquility in the air and exquisite and bright mountains and rivers in the south. 1992 began to hold a solo exhibition in Shaanxi Art Museum; 200 1 Invited to hold an exhibition in Beijing Sino-Japanese Cultural Exchange Center; In 2002, he was invited to Taiwan Province Province for artistic exchange. In 2003, Shaanxi Dafeng Painting and Calligraphy Institute was established. In 2005, Shaanxi Creation Center of China Artists Association was established. In 2006, Baoji Sketch Base of China Artists Association was established. In recent years, large-scale national art collection exchange activities have been organized many times. He has been invited to participate in large-scale art exhibitions at home and abroad for dozens of times and won prizes. He is a powerful painter and art activist in front of Shaanxi.