China's four calligraphy styles refer to "Zheng, Cao, Li and Zhuan". ?
Calligraphy is a unique traditional culture and art in China, and it is the crystallization of the wisdom of the working people in China. At first, it was recorded in the form of pictures. Later, after thousands of years of development, it finally evolved into today's characters. Because our ancestors invented writing with a brush, calligraphy was derived. Since ancient times, Chinese characters have been written mainly with a brush. Although other writing forms, such as hard pen calligraphy and finger writing, have appeared in the later period, their writing rules and characteristics are different. ?
what are the habits of Chinese calligraphy? Positive? Grass? Transfer? Seal? Four-body, the official book here refers not only to regular script, but also to Wei Bei;
cursive script refers to the wild grass represented by Zhang Xu, Huai Su, etc., and also refers to the big grass, including the grass, which is more standardized than the wild grass, represented by the Book Score written by Sun Guoting in the Tang Dynasty. In addition, there is an urgent writing of official script, called Zhangcao, and the one between the grass and the grass is called running script;
Lishu came into being at the end of Qin Dynasty and the beginning of Han Dynasty. At first, it was mainly used to copy official documents, which was simple and convenient. Later, it was also used to write inscriptions and cliff carvings. Seal script is the general name of Oracle bones, Zhong Ding, Shigu and Xiao Zhuan.
The representative of regular script is Ou Yangxun's Jiuchenggong Liquan Ming, Yan Zhenqing's Ma Gu Xian Tan Ji and Liu Gongquan's Shence Army Monument
Wei Bei's representative is Zheng Wenzheng Gong Monument
In addition to the above, there are Wang Xizhi's Seventeen Posts, the works of Huang Tingjian and Mi Fei in Song Dynasty, and the Ming Dynasty.
The representative of running script is Wang Xizhi's Preface to Lanting Collection, Yan Zhenqing's Manuscript for Sacrificing Nephew, Su Dongpo, Mi Fei and other calligraphers' works.
As the representative of Lishu, Ritual Monument, Cao Quanbei and Zhang Qianbei, some accomplished calligraphers appeared in the Ming and Qing Dynasties, such as Jin Nong, Yi Bingshou and He Shaoji.