Zhao Wuzhou's calligraphy is concise and profound, with ups and downs. Looking at his works, some words are simple and dignified, old and elegant; Some words are dry and scorched, vigorous and bold; Some words are simple and beautiful, and some words are wild and escape without losing Fiona Fang. It can be said that the ancient law is universal, integrated and infiltrated, and it is unique and unique. With his stubborn spirit of moving mountains, the painter looked at Taishan stone carvings, approached han li in Tang Dynasty, wrote portrait stone inscriptions, carved stones on the cliff, and finally achieved his calligraphy achievements, which were full of external embellishment and hidden potential.