Shenzhen Dawan Ten Houses Ten Thousand Lights Exhibition Time-Address

Shenzhen Dawan Ten Houses Lighting Exhibition will be held from September 11 to October 10 at Dawan Ten Houses, BYD Road, Pingshan District, Shenzhen. Shenzhen Dawan Ten Houses Ten Thousand Lights Exhibition is free to visit. Come take a look if you are interested in this!

Wanjia Lights

Exhibition time: September 11-October 10, 2021, Tuesday-Sunday 9:00-17:00.

Location: Dawan Tenju, BYD Road, Pingshan District, Shenzhen

Exhibition tickets: Free

Organizer: Shenzhen Pingshan District Culture, Radio, Television, Tourism and Sports Bureau

Organizer: Pingshan Art Museum

Producer: Liu Xiaodu

Curator: Li Yao, Lu

Artist: Deng Chunru , Dai Yun, Zhou Qun, Lai Haoxi, Shen, Wen, Wang Yezi, Zheng et al.

Exhibition Introduction

With the theme of "Ten Thousand Bright Lanterns", the Pingshan Art Museum team invited artists with deep connections with them: Deng Chunru, Dai Yun, ChooGroup, Lai Haoxi, Shen, Wen , Wang Yezi, and Zheng participated. Through the artist’s works in different media, the characters in them, and the site-specific architectural layout,

Artist Profile

Deng Chunru

Born in Shenzhen in 1977, graduated from Guangzhou Academy of Fine Arts in 2001. Focusing on various practices related to art creation, he initiated and planned a number of art activities, such as the 2013 "Niuhu Voice Art Exhibition" and the peripheral exhibition of the Shenzhen-Hong Kong Architecture Biennale "Qiming Restart: Cultural Reconstruction of Marginal Communities"; from 2014 to 2014 Aohu Art Festival and so on. He has held solo exhibitions "Ksitigarbha Time" (Hong Kong UMA-G Gallery, 2005), "Deep Flowers" (Shenzhen Art Museum, 2007), "Daily Flow" (Shenzhen Space Gallery, 2013), "Container" (2013 ) is currently the vice president of Shenzhen Young Artists Association, director of Shenzhen Artists Association, member and founder of Oil Painting Art Committee/Comprehensive Material Art Committee/Planning Art Committee

Dai Yun

< p>Graduated from the Sculpture Department of Xi'an Academy of Fine Arts in 1995, and stayed at the school to teach at Shenzhen University of Technology in the same year. Director of the Chinese Sculpture Society, member of the Chinese Artists Association, member of the Guangdong Provincial Sculpture Art Committee, member of the Guangdong Provincial Experimental Art Committee, master's tutor of the Sculpture Department of the Ann Academy of Fine Arts, and deputy director of the Shenzhen Sculpture Association. Mainly engaged in sculpture and public art teaching, and served as the director of the art department of Shenzhen Public Art Center.

Choo Group

It consists of three members: Di Fang, Ji Hao and Jin Haofan. The three young artists are all new generation Shenzhenites who grew up in Shenzhen, a city of immigrants. For them, Shenzhen is no longer the "place to make money" in the eyes of their parents. They re-examined and spoke out about their city "Shenzhen" from a young perspective.

Lai Haoxi

Born in 1998 in Huizhou, Guangdong; graduated from the Comprehensive Painting Department of Tianjin Academy of Fine Arts with a bachelor's degree; currently lives and works in Huizhou, Guangdong, and is a member of the Menkai Group.

The practice of the disciple groups not only revolves around the city and community where they live, but also focuses on their own experience as individuals in the city or group. "A Crack in the Door" is a unique perspective that is both unremarkable and authentic. The work between the group members always starts from perception and shared memory to build the framework and imagination of the topic. Their unique prose narrative method invites the audience to enter their strong and spontaneous southern temperament. Recent project: "Wherever there is development, we will go" (Yao Space, Shanghai, 2021).

Liu Yi

He is the director and associate professor of the Public Art Department of the School of Visual Arts. Director of Shanghai Creative Designers Association. Researcher of IPA International Public Art Association. Founder of 61 Creative.

Through different forms of creation such as painting, sculpture, installation, video, and performance, he explores issues and issues such as body and space, spirit and material, personal and public, cultural locality and sense of retreat. relation. The unique style of classical shapes and contemporary colors displayed in his day-to-day digital painting creation on his mobile phone interprets his curiosity about life, as well as his mythical imagination, personal memory and life experience. It looks like children's graffiti, but it strongly reveals the life experience of adult individuals, giving the audience a strong sense of involvement.

At the same time, he became interested in the narrative relationship between digital media, physical materials and creative themes, and a large number of two-dimensional or spatial art works based on daily life and social scenes emerged.

Shen

He was born in Shanghai, China. He graduated from the Painting Department of Shanghai School of Visual Arts, Fudan University with a bachelor's degree, and graduated from the Experimental Art Department of the San Francisco Art Institute. Now he lives and works in Shanghai. Shen Hao attempts to explore the relationship between time, memory and individual experience through creation. His creative media include photography, video, installation, performance and writing. Shen is good at using the "gloss retention" of photosensitive materials to express the traceability of time and the perishability of memory, and reconstructs the relationship between time and memory with philosophical artistic language.

Wen Jiejun

Graduated from Central South University in Computer Science and Technology and was a former Zhuhai Jinshan Software anti-virus engineer. He is committed to exploring action strategies and value mining based on networks, nodes and connections. He believes that through the wandering of the body and consciousness, taking action from a structural perspective can change local situations and even lead to systemic integration? His work spans writing, painting, photography, video, sculpture, and is regularly exhibited in various media and art institutions.

Mr. Wang

Graduated from the New Media Department of China Academy of Art in 2011 with a bachelor's degree, and graduated from the School of Art of Philadelphia University in the United States in 2012 with a master's degree. He currently lives and works in Shenzhen and Beijing.

Xu Ge

Born in Xianju, Zhejiang Province in 1983, he currently lives and teaches in the Department of Space Art, China Academy of Art, Hangzhou.

Xu Ge’s work stems from his fascination with science, especially mechanics, physics and electronic control. Deeply influenced by European classical automata art, the movement, sound, and inherent poetry of the machine are some of the aspects he pays attention to. When a machine loses its function, its internal mechanisms that generate movement and simulate life become a source of fascination.

Xu Ziwei

Born in Changsha in July 1993. Graduated from the Public Art College of Sichuan Fine Arts Institute in 2016 with a bachelor's degree. Currently working and living in Shenzhen and Beijing.

Xu Ziwei’s solo exhibition "Lost Man", Sonyang Art Space, Beijing; Exhibition (part): Shenzhen (Pingshan) International Sculpture Exhibition, Pingshan Sculpture Creative Park, Shenzhen; The 6th "Tomorrow Sculpture Award" Exhibition of shortlisted and award-winning works, Luo Zhongli Art Museum, Chongqing; won the special prize of the 6th "Tomorrow Sculpture Award".

Zheng

Shi Qi, whose ancestral home is Zhongshan, graduated from Beijing Normal University Zhuhai Branch. In 2006, he received a scholarship to study at the International Academy of Media Arts and New Media in Hamburg, Germany, and stayed at the school to teach after graduation.

From 2007 to 2010, he participated in the design of the Hamburg Pavilion of the Shanghai World Expo in Germany, completing architectural space, art installations, and brand building; in 2012, he created a dynamic image installation in the Shenzhen Art Museum's "Pu Mao Jing Yan" exhibition, combined with bronzes , bronze inscriptions and new media; in 2014, in the Shenzhen Library's "Looking Back at Qingshan Shenzhen's New Humanistic Life" exhibition, art installations that combined painting, calligraphy, and poetry re-created triggered urbanites' thinking about "cities and mountains and forests"; 2006 , the API experimental art project attempts to combine poetry with space.