Introduction to basic strokes of hard pen calligraphy. Nowadays, many people want to have personal interests in amateur time walk. We say that everyone can learn calligraphy, but there is a gap between people. After all, the situation is very different. It seems easy to master the basic strokes of hard pen calligraphy. Let's first take a look at the introduction of the basic strokes of hard pen calligraphy.
Introduction to Basic Stroke of Hard Pen Calligraphy 1 1. Long Cross
Long horizontal explanation:
Left low and right high, slightly inclined to the upper right, long and horizontal, with an inclination angle.
Add a pen at the beginning and end of the pen (the pen is the point on the lower right, so it must be small).
The stroke process should be smooth, the middle stroke is slightly faster, and it is thin in the middle and thick at both ends.
The inclination angle of the long horizontal line varies from character to character. For example, the inclination angle of the long horizontal line is larger in the character "seven" and smaller in the character "Wang" whose last stroke is the long horizontal line.
The interpretation of three words:
The middle cross is the shortest and the last cross is the longest. Pay attention to the change of three horizontal lengths.
Three horizontal lines should be parallel, symmetrical (short horizontal line is in the middle of long horizontal line) and equidistant (three horizontal lines are equidistant). Pay attention to the small inclination angle of the horizontal line, especially the last long horizontal line, to ensure the stability of the center of gravity of the word.
Two. strigula
Short horizontal explanation:
Left low and right high, slightly inclined to the upper right, short and not horizontal, with an inclination angle.
Don't add a pen at the beginning, you can add it at the end.
Stroke from light to heavy, after writing, it is in a state of thin head and thick tail, and it should be horizontal and straight.
Interpretation of I-shape:
Both horizontal lines should be slightly inclined to the upper right, the inclination angle should be small, and the two horizontal lines should be parallel, so that the whole word is slightly flat.
The short transverse direction is just in the middle of the long transverse direction, and the two transverse directions should be symmetrical.
Short vertical, not too long, written in the middle of the two horizontal.
3. Vertical exposure
The explanation of the dew:
Add a pen at the beginning of the pen, and write vertically below it. Write at the same speed from beginning to end. Stop when the vertical length is long enough, and don't be sharp at the end.
Under normal circumstances, the hanging must be vertical. When in use, the hanging vertical can replace the hanging vertical, that is to say, when we don't know whether to use hanging vertical or hanging vertical, there is nothing wrong with using hanging vertical.
Interpretation of the following words:
The inclination angle of the long cross should not be too big, but long enough, and the vertical pen should be vertical and long enough.
The right point is slightly longer and the pen is slightly lower than the vertical pen.
Step 4 drop the needle
Interpretation of vertical hanging needle:
Add a pen to the beginning of the pen and write vertically below it. Start writing slowly and then quickly, from heavy to light. When the pen is two-thirds, gently accelerate the pen to the top. Do not accelerate too early or too fast.
The vertical needle must be vertical. When the last stroke of a word is long vertical, it is generally better to write it as hanging needle vertical.
Explanation of opening words:
The two transverse lines are parallel and symmetrical, the short transverse line should be in the middle of the long transverse line, and the long transverse line should be long enough.
The vertical pen should not be too long, and the pen is slightly shorter to the right of the horizontal. The vertical pen for hanging the needle should be long, and the pen is slightly shorter on the left side. The long cross is divided into three sections with equal lengths at both ends.
Key points of verb (abbreviation of verb)
Explanation of key points:
Divided into left and right parts, the head is pointed and the tail is round, and the writing is from light to heavy.
The angle of the left point is slightly vertical, and the direction of the right point is 45 degrees below the right. The main points should not be too long or too short.
Fine print description:
The vertical hook should be vertical and the length should be appropriate. If it is too long, it will appear too thin; If it is too short, it will appear that the words are too flat and wide, and the hooks should be small.
Both points are in the middle of the vertical hook, and the distance to the vertical hook is equal, the left point is slightly smaller and the right point is slightly larger, and the distance from the two points to the vertical hook should be appropriate.
Introduction to basic strokes of hard pen calligraphy II. This paper introduces the structure and brushwork of hard pen calligraphy
First, the structural law of Chinese character frame
Song of Inter-frame Structure: Not too loose, not too tight. Once released, it will be closed, and it will be stable in change.
Structural principles:
1. Neat and straight, with stable center;
2. The strokes are symmetrical and the density is appropriate;
3. Appropriate proportion and natural form;
4. The stippling echoes and the momentum is coherent;
5. Avoid strokes and welcome others;
6. The intonation is organized and the back is clear;
7. The middle palace is tightened and the main painting is stretched;
8. draw the same picture, write differently, and seek change in the same shape.
The law of "collocation ratio" of up, down, left, right, width and height;
(A) left and right structure
The left-right structure is a word composed of left and right parts horizontally. Because the length and width of each part are different, there will be two situations when composing words: the left and right are basically equal and the left and right are out of phase. Among them, the left-right inequality is divided into many situations, such as left narrow and right wide, left wide and right narrow, left long and right short, left short and right long, left tight and right loose.
1. Left and right are equal.
It means that the width and height of the left and right radicals are basically equal, each accounting for half of the word width. When you write, you should divide it equally, take care of each other and pay attention to the interpenetration between strokes. Such as: lead, reason, inclination, fitness, face, release, solution and so on.
2. Narrow left and wide right
Indicates that the left radical is narrow, accounting for about one third of the width; The right part is wider, accounting for about two-thirds of the word width. When writing, the left part should be narrower and longer, and the right part should be wider. Pay attention to the uneven change of the height of the left and right parts. Such as: ambassador, handle, beaver, splash, hi, steel, etc.
3. Wide left and narrow right
Indicates that the left part is wider and the right part is narrower. When writing, the strokes on the right vertical hook are slightly longer than those on the left; Vertical type, the pen is slightly lower than the left half. Such as: arrival, Liu, seal cutting, drama, capital, suburbs, teaching, etc.
4. Long left and short right
Refers to the width of the left and right parts is roughly the same, but the left part is long and the right part is short. Such as: Zhi, She, Hong, Jiang, Du, La, Li, etc.
5. Left short and right long
It means that the left part is shorter and smaller than the right part. When writing, the left part should be smaller and higher, leaving room for the right part to be wider and longer. Such as: listen, look, climb, break, look, and so on.
6. Tight left and loose right
Refers to the words with the same radicals in the left and right parts. When writing, the left half should be contracted and the right half should be stretched. Such as: from, double, feather, forest, bamboo, friends, weak and so on.
(2) the structural form and requirements of single words
Monographs are directly composed of basic strokes, such as people, big, mountain, up, down, buckle, day and month. He has only one structural unit, so it is also called "single word". Monosyllabic characters generally have fewer strokes, more difficult strokes and more irregular shapes. If you fail occasionally, you can use other radicals that are not like combination words to save you. Therefore, the shape, position and momentum of each stroke are very important. Its basic structural rule is "natural forming".
When writing, we should pay special attention to the characteristics of glyphs and find out where the center is. Center, balance and symmetry, highlighting the main pen; Grasp the center of gravity, obliquely take the right, and the density is symmetrical. The key to writing a single word is not the proportion, but the symmetry and appropriateness of the strokes.
Appearance characteristics of a single character:
1. Characters with horizontal strokes: words with multiple horizontal strokes to change the length. Vertical painting should be aimed at the center of horizontal painting, and only one length should be written in the horizontal main stroke, so that the font is stable, balanced and symmetrical.
2, mainly vertical pen: when writing, you must grasp the center line, and the middle vertical pen should be long and impartial. The horizontal direction should be smooth and symmetrical, and the words should be straight and not oblique.
3. Characters with strokes as the main strokes: When writing such characters, the joints or intersections should fall on the center line, and the strokes should be stretched symmetrically, so that the glyphs are stretched and the center is stable.
4. Characters with sketching as the main pen: The center of gravity of such characters is not easy to grasp, but as long as the main pen is found from each character and the main pen is written stably according to the rules of balance, the center of gravity is easy to stabilize.
5. Structure of long characters: The shape of this character is rectangular. When writing, it is generally vertical and short, so you can't write the font width artificially. The strokes should be symmetrical and the spacing should be appropriate.
Introduction to basic strokes of hard pen calligraphy 3 Chinese character stroke writing rules and skill exercises
(a) horizontal painting should be written smoothly, because horizontal plays a balance role in a word, and uneven words are unstable. There are long strokes and short strokes horizontally. The stroke is slightly heavier, the stroke to the right is slightly lighter, and the stroke to the right is slightly pressed. The whole stroke is in the form of low left and high right, prone down.
Because of people's visual illusion, horizontal painting cannot be written horizontally, but should be written as left low and right high. Gently press the pen when you close it to make the strokes heavier, so it looks more stable. Therefore, people often say "horizontal and vertical" does not mean horizontal and vertical writing, but requires smooth reading. As shown in the figure:
The short horizontal is written like this: write lightly, from light to heavy, write to the right, and stop writing when you write about half of the long horizontal. The strokes tilt slightly to the right. As shown in the figure:
(2) vertical painting should be written vertically, because vertical painting often plays a key supporting role for a word. Not vertical, not straight. Vertical is divided into hanging dew, hanging needle and short vertical. The writing method of vertical hanging is slightly heavier when writing, lighter when writing vertically, and slightly heavier when connecting.
The writing of hanging needle is the same as hanging dew, except that the pen is collected from heavy to light, the pen is collected in front, and the stroke is pointed.
Short and vertical, the writing is the same as vertical, but the strokes are short, and the short and vertical writing should be short and powerful.
(3) Skimming the painting is very decorative. If you can write naturally, it will increase the aesthetic feeling of words, and sometimes it can play a role in balancing and stabilizing the center of gravity. There are oblique, vertical and short skimming. Oblique writing means that the pen is slightly heavier, from heavy to light, the pen is down to the left, and the pen tip is sharp when it is closed. As shown in the figure:
Vertical stroke, slightly heavier, from heavy to light, downward stroke, to two-thirds of the length, downward stroke to the left; When the pen is closed, it is pointed vertically, slightly heavier when it is closed, from heavy to light, strokes down to two-thirds of the stroke length, strokes down to the left, and fingers vertically when it is closed.
Short strokes are written the same as oblique strokes, but the strokes are shorter. When a short stroke appears in the prefix, the shape of the stroke is relatively flat, such as "dry, reverse, granular and backward"; When a short stroke appears in the upper left of a word, the shape of the stroke is oblique, such as "raw, granular, damaged, Zhu" and so on.