Zhang Qianbei is one of the famous Han steles, which has important historical document value and calligraphy art value. Since its publication, it has been highly
Zhang Qianbei is one of the famous Han steles, which has important historical document value and calligraphy art value. Since its publication, it has been highly concerned by scholars and calligraphers of past dynasties. I brought this to you. I hope you like it.
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Evaluation of past dynasties:
Wang Shizhen in the Ming Dynasty commented on his book cloud: "Its books are elegant and ancient, which Yongjia can't match." Four manuscripts of Yizhou Shanmin
Qing Wan Jing commented on his book cloud: "I am quite good at playing with his handwriting, but I am afraid that his handwriting is not good, and there is no brushwork at all, especially Yin."
Qing Sun retired from the valley to comment on his book cloud: "Calligraphy is elegant and elegant, which is rare for Han stone reliefs."
Yang Shoujing's Pingbei Ji in the Qing Dynasty said: "The ancient times and the ancient times were suspected and later generations re-engraved. This tablet is elegant and refined, and the scars are natural. It is the original stone, and Gu is good at textual research but not good at appreciation, so I say this. " Another cloud said, "How long is the seal script? This quantity is flat and unique. The yin of the tablet is particularly clear, and its brushwork has become a fashion in Wei and Jin Dynasties. This originated from The West Chamber, and later became Huang San Ribei, Meditation Table, Confucius Monument, and later became the Northern Wei Zhen Jing and Stone Monument. "
Modern times cost money to win: the handwriting of ""seems correct, but it is actually beautifully written. When you write, you must look at the essence through the phenomenon, pay attention to the brushstrokes between stippling, and beware of rigidity. Appreciation of ancient stone tablets
Comments: Zhang Qianbei was unearthed late and well preserved. His calligraphy is mainly based on rigorous and rich brushwork, and his strokes are simple and vigorous, which can be called the top grade in Han stele. Calligraphers in ancient and modern times gave the highest evaluation to this monument, which can be described as a monument of the unity of Han and stele.