The virtuous brothers in Germany and China are close to flowers, and their words are still so energetic, which is an enviable place. I hope it will last forever. The so-called "people are old and books are old" is "old", not "old". I sincerely hope that the good brothers will live up to the expectations of the appreciators.
Wangyuchi
Mr. Zou Dezhong's calligraphy was at its peak in the Tang Dynasty. I quite agree. Very generous, very atmospheric. This corresponds to the vigorous breath of the times. It's really like Han and Tang Dynasties.
Mr. Zou Dezhong's calligraphy is magnificent, just like the art of Han Dynasty. Mr. Lu Xun commented that the art of Han Dynasty was profound and magnificent. The same is true in the Tang Dynasty. If you like Yan Zhenqing, Mr. Fan Wenlan praised him as "square and solemn", which I think is very accurate.
Mr Zou Dezhong is a book in itself, and he is a kind person. Besides, he delves into theory, which I think is quite deep.
Gu Xi
I have read Zou Dezhong's calligraphy collections, which mainly focus on two points: one is to be a man, and the other is to be an artist. We must grasp a correct direction, so as to achieve certain achievements in calligraphy.
Lin Xiu
I think Zou Dezhong's calligraphy art has two characteristics: the first is his exploration in many aspects. He is mainly official script, and his cursive script is also considerable, some of which surpass official script. Both of them are impressive. He enriched himself in many ways and accumulated himself into his own Qinghai-Tibet Plateau. The second feature is that he emphasizes lyricism, which is very natural, moderate, casual and unpretentious, which is very commendable.
There is a saying in Beijing's art circle that to engage in exhibitions and publish books, you must have three qualities: first, you must be brilliant and see if you are really talented; Second, you must have money and no money; Third, we must sincerely produce our own works for others to judge, be a little angry and have a little popularity, that is, popularity, luck is a blessing, and we should communicate and associate with friends in the art world more. Zou Dezhong is quite effective in these aspects.
Frankly speaking, it is easier said than done with Zhong Zheng. At this point, I think Zou Dezhong is really angry with himself as an artist and a man, and should respect him first.
Zhang Biao
The first point: Zou Dezhong's calligraphy is very infectious. The second point: Art should let a hundred flowers blossom, but it should have a main theme, which meets the requirements of promoting diversity and carrying forward the main theme. Zou Dezhong's calligraphy has profound traditional skills and has formed its own style, which is the main theme of calligraphy.
Zhang
I think there are three main reasons why Mr. Zou can make such great achievements and become the most famous calligrapher in the contemporary era in just over ten years. The first is a modest and prudent learning attitude; Second, down-to-earth, diligent and persistent practical spirit; The third is the lofty ambition of bravely climbing the peak.
Zhao lifan
Lao Zou's calligraphy art should be said to be a better calligraphy artist who inherits and develops this traditional calligraphy art. I intuitively feel that his calligraphy is simple and vigorous, deep and elegant, which makes people feel shocked.
Yang Yuepu
Very energetic, diligent and knowledgeable. He has done a lot in posting and reading posts, because the structure of some words has absorbed a lot of valuable things, which is very commendable.
Wang Xuezhong
He can analyze and summarize the gains and losses of modern people's research on Han steles. Generally speaking, the method is to keep the Han tablet elegant and square, and then learn from the lively brushwork of bamboo slips to strengthen the agility and lyricism of official script. In my opinion, Dezhong took advantage of Wei Bei's intention of traditional Chinese medicine, absorbed a certain amount of Zhao Qianzhi, and there were a lot of waves, which achieved the goal of using strange ideas to make right and using clumsy ones to make clever ones.
Feng yiwu
Zou Dezhong's Calligraphy Collection of Two Poems
one
Books were written in the Han and Wei Dynasties, and there are nearly 25 cursive scripts.
The letter is a powerful person who spends a lot of money, one in his hands and feet.
two
It's fun to browse the whole book, and you can also see the official seal and the real line.
What I know is meticulous, waiting for the wind to spread the name.
Chen zufan
The dragon and snake galloped at the bottom of the wrist. Zou Dezhong calligrapher's official script is fantastic and elegant, blending Han bamboo slips into one. Good flowering branches vary, and the brushwork is like an iron painting silver hook. Chol Myong Ri
Its official script style is unique, unique, majestic and charming, thick and beautiful; He is skilled in brushwork, frustrated in brushwork, harmonious with the law, fluent in both vertical and horizontal directions, with words like mountains and peaks, rich in relief, and unique, creating a kind of adhesive method, which makes his official script, such as bronze inscriptions, reflected on blocks and lines, with great visual impact and structural tension. Become an excellent "Zou Jiaqun".
Mr. Zou Dezhong thinks that deepening tradition is the "right way" of calligraphy. With the spirit of self-improvement, the humanistic feelings of respecting morality and carrying things, he "speaks cautiously and innovates, and insists on going deep into tradition", which is one of the cornerstones of his success.
Fu Jingsheng
His calligraphy is a beautiful art, but it is also a carrier to cultivate the mind and a spiritual totem watered by heart, affection and blood.
He has always believed that the three beauties of Chinese characters mentioned by Mr. Lu Xun, namely, the beauty of meaning, sound and form, will form an artistic tension that will greatly impact people's hearts under the effect of the beauty of brushwork, and his own calligraphy is based on the beauty of meaning, sound and form of Chinese characters.
Zhu Jingsheng
He combines the solemnity of Han stele, the simplicity of Han bamboo slips, the elegance of seal script and the vigor of Weibei. The calligraphy written in this way, such as the shape of dots, the texture of lines and the image of knots, is far away from the past, forming an exclusive style of ancient Austria, simple and elegant.
His running script shows more of his other side, which is full of talent and natural and unrestrained literati temperament. His cursive brushwork follows the legacy of Wang Erwang, Zhang Xu and Huai Su, with meticulous brushwork, well-proportioned flesh and blood, well-organized and free-flowing, which emphasizes his teachings, but does not hinder his emotional expression, and achieves the integration of sex and Taoism, heart and reason.
the Chen Dynasty
Looking at Zou Dezhong's calligraphy art, we can find that he is not only good at everything, but also good at official script. He has no experience that ordinary people have learned from the overall situation since the Ming and Qing Dynasties. He consciously broke the boundary between stele and bamboo and silk, and studied and inherited Han Li from both stele and silk brushwork. He not only examines Han Li from a holistic perspective, but also reveals his post-school accomplishment in his works. That is, he gave full play to the performance of writing tools and highlighted the word "writing".
Since his calligraphy art originated from ancient times, it is obviously his own. With an aesthetic vision and the courage to create changes, and making full use of recent discoveries, we have obtained inscriptions and bamboo slips, which are different from them. We not only refer to the previous experience of writing official script from both positive and negative aspects, but also have an atmosphere and appearance that no one has ever had before. This is a veritable innovation.