Appreciate the beautiful pictures of Phoenix brush calligraphy works.
Meitu 1
Phoenix brush calligraphy works beautiful figure 2
Good-looking Phoenix brush calligraphy picture 3
Phoenix brush calligraphy works beautiful Figure 4
Beautiful pictures of Phoenix brush calligraphy works 5
Beautiful pictures of Phoenix brush calligraphy works 6
Good-looking Phoenix brush calligraphy picture 7
Good-looking Phoenix brush calligraphy picture 8
The calligraphy style from Ming Dynasty to Qing Dynasty is lyrical and uplifting.
In the late Ming and early Qing dynasties, the mainstream of aesthetics was based on lyricism, pursuing individuality and advocating rationality, and orthodox classical aesthetics coexisted with new aesthetics of seeking differences. The overall tendency of calligraphy in Qing Dynasty is to emphasize quality, which is divided into two development periods: paste learning and stele learning.
The wild pen and ink in the late Ming Dynasty is wild. Cynicism was further extended in the early Qing Dynasty. For example, the works of Zhu Fushan and others still show my inner life and an elusive emotional expression. This is the medium term? Eight eccentrics in Yangzhou? The body appears again. At the same time, the post-school system in the late Ming Dynasty was further developed. While respecting the tradition, Jiang Ying, Zhang Zhao, Liu Yong, Wang Wenzhi, Liang, Weng Fanggang, etc. all tried to show a new look, either using light ink or changing the composition structure. However, due to the inheritance of the post in the senior year, there is no good cleaning, understanding and adjustment, and some accumulated disadvantages are deepening day by day, making the decline of post learning inevitable.
At this time, more and more stone carvings were unearthed, and the literati turned from their keen interest in letters to the study of stone inscriptions. For a time, the government and the people flocked to the study of steles, which eventually became a democratic trend of thought in the Qing Dynasty, together with Ruan Yuan and Bao. Kang Youwei strongly advocated that stele study existed as a calligraphy system, competing with post-study. At that time, famous calligraphers were Jin Nong, Zhang Chuanshan, Deng, He, Zhao, Wu Changshuo, Kang Youwei and so on. One by one, writing and drawing with inscriptions has achieved the greatest rationality. A dazzling situation. It can be described as a landscape of China calligraphy culture. If the epitaph's desire for quality has not been realized, then this desire has been realized in the study of steles.