All my calligraphy and painting collections are framed for easy storage. Or just fold the original paper?

It doesn't matter whether it's framed or not. The key is how to preserve it.

When collecting calligraphy and painting, don't touch the works directly with your hands. Wear gloves to prevent the calligraphy and painting from being polluted by sweat and scratched by your nails. Avoid direct sunlight when appreciating calligraphy and painting. Calligraphy and painting should not be opened and closed too hard. If there are creases, you can spray some water on the back of the calligraphy and painting to make it wet, then stick it on the glass to dry or iron it with a low-temperature iron to eliminate the creases.

Pay attention to moisture-proof, light-proof and dust-proof when storing calligraphy and painting. The storage room should be kept at an appropriate temperature and humidity. The intensity of lighting should also be controlled. Calligraphy and painting treasures are best kept in boxes and in the shade. Don't see the light easily.

If calligraphy and painting are stained by dirt, ink, grease, etc. They should be cleaned. Under normal circumstances, as long as you gently wipe off the unclean things with a soft brush or brush. If the stain is serious, it can be partially wet washed. Wipe off stains with a cotton ball or brush dipped in some detergent, and blot the liquid with blotting paper at any time. Finally, dip the residual cleaning agent in clear water, and be careful when operating, so as not to damage the painting and calligraphy.

In order to prevent the calligraphy and painting from mildew and moth-eaten, disinfection can be carried out. One way is to fumigate with germicidal insecticides, and the other way is to put mildew-proof and bactericidal paper in calligraphy and painting, which also has good results.

If there are holes, cracks or flaws in the picture of calligraphy and painting, they can be repaired. The method is to stick a patch paper with similar texture and color to the old calligraphy and painting at the place to be patched, and the interface should be even. After drying, it should be leveled repeatedly with pebbles to avoid showing repair marks. If the color of the restored paper is still in contrast with that of the original calligraphy and painting, it can be wetted with tea or pigment to achieve harmonious tone. Finally, use the same pen and ink and techniques to connect the missing pens in the picture.

Extended data:

Calligraphy and painting appraisal skills;

(a) the style of the times:

Each painting and calligraphy work has its own unique style of the times, which is closely related to the politics, economy, living customs and material conditions of the times. For example, landscape painting does not pay attention to scale from the beginning, and "people in Yamanoe can't drown water" is its characteristic of the times. Therefore, the early landscape paintings mostly absorbed the overall shape, and it was not until later that the painter realized that nature could be abbreviated in the box in proportion, and the framing began to develop locally.

Calligraphy is the same. From the literary point of view, whether it is poetry or prose, the use of vocabulary, the narrative of deeds, the expression of thoughts and feelings, etc. , you can see its style of the times. In addition, the format of letters and pictures of paintings and calligraphy are also helpful to identify paintings and calligraphy.

(2) the artist's personal style:

Personal style is usually much more specific than the style of the times, and artists' thoughts, personalities, aesthetics, habits and even tools have their own characteristics. The brushwork, lines, composition and appearance of characters all reflect the author's personal style.

In particular, the identification of modern works is similar from the dry era, and personal style is particularly important. "Memorizing 180 painters and 98 calligraphers" means understanding the history and culture, memorizing the names, figures, nicknames, experiences, characters and painting characteristics of famous painters and calligraphers in past dynasties.

(3) Auxiliary tools